Catachresis: Difference between revisions
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'''Catachresis''' (from [[Greek language|Greek]] ''{{polytonic|κατάχρησις}}'', "abuse") is "missapplication of a word, especially in a mixed metaphor" according to the Penguin Dictionary of Literary Terms and Literary Theory. Another meaning is to use an existing word to denote something that has no name in the current language.<ref>Ghiazza 2007, p.262</ref>. Catachresis is a very common habit, and |
'''Catachresis''' (from [[Greek language|Greek]] ''{{polytonic|κατάχρησις}}'', "abuse") is "missapplication of a word, especially in a mixed metaphor" according to the Penguin Dictionary of Literary Terms and Literary Theory. Another meaning is to use an existing word to denote something that has no name in the current language.<ref>Ghiazza 2007, p.262</ref>. Catachresis is a very common habit, and can have both positive and negative effects on language: On the one hand, it helps a language evolve and overcome poverty of expression; on the other, it can lead to miscommunications or make the language of one era incompatible with that of another. Catachresis is more a linguistic |
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phenomenon than a [[figure of speech]]. |
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Compare [[malapropism]] and [[solecism]], which are unintentional violations of |
Compare [[malapropism]] and [[solecism]], which are unintentional violations of |
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the norms, while catachresis may be either deliberate or unintentional. |
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== Forms and examples == |
== Forms and examples == |
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* Creating an illogical [[mixed metaphor]]. |
* Creating an illogical [[mixed metaphor]]. |
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:"To take arms against a sea of troubles..." – [[Shakespeare]], [[Hamlet]] |
:"To take arms against a sea of troubles..." – [[Shakespeare]], [[Hamlet]] |
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* Misuse of a word out of a misunderstanding of its meaning. |
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:"The runner literally flew down the track." |
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Catachresis is often used to convey extreme emotion or alienation. It is prominent in [[baroque]] literature and, more recently, in [[dada]]ist and [[surrealism|surrealist]] literature. |
Catachresis is often used to convey extreme emotion or alienation. It is prominent in [[baroque]] literature and, more recently, in [[dada]]ist and [[surrealism|surrealist]] literature. |
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Revision as of 09:16, 5 July 2009
 | This article may need to be rewritten to comply with Wikipedia's quality standards. (May 2009) |
Catachresis (from Greek κατάχρησις, "abuse") is "missapplication of a word, especially in a mixed metaphor" according to the Penguin Dictionary of Literary Terms and Literary Theory. Another meaning is to use an existing word to denote something that has no name in the current language.[1]. Catachresis is a very common habit, and can have both positive and negative effects on language: On the one hand, it helps a language evolve and overcome poverty of expression; on the other, it can lead to miscommunications or make the language of one era incompatible with that of another. Catachresis is more a linguistic phenomenon than a figure of speech.
Compare malapropism and solecism, which are unintentional violations of the norms, while catachresis may be either deliberate or unintentional.
Forms and examples
Common forms of catachresis are:
- Using a word in a sense radically different from its normal sense.
- "'Tis deepest winter in Lord Timon's purse" — Shakespeare, Timon of Athens
- Using a word to denote something for which, without the catachresis, there is no actual name.
- "a table's leg"
- Using a word out of context.
- "Can't you hear that? Are you blind?"
- Using paradoxes or contradictions.
- "Black sun"
- Creating an illogical mixed metaphor.
- "To take arms against a sea of troubles..." – Shakespeare, Hamlet
- Misuse of a word out of a misunderstanding of its meaning.
- "The runner literally flew down the track."
Catachresis is often used to convey extreme emotion or alienation. It is prominent in baroque literature and, more recently, in dadaist and surrealist literature.
Example from Peri Bathous, Or the Art of Sinking in Poetry:
Masters of this [Catachresis] will say,
- Mow the beard,
- Shave the grass,
- Pin the plank,
- Nail my sleeve.
From whence results the same kind of pleasure to the mind, as doth to the eye when we behold Harlequin trimming himself with a hatchet, hewing down a tree with a razor, making his tea in a cauldron, and brewing his ale in a teapot, to the incredible satisfaction of the British spectator. (Chapter X)
See also
Notes
- ^ Ghiazza 2007, p.262
References
- Ghiazza, Silvana (2007). Le figure retoriche. Bologna: Zanichelli. p. 350. ISBN 978-88-08-16742-2.
- Smyth, Herbert Weir (1920). Greek Grammar. Cambridge MA: Harvard University Press. p. 677. ISBN 0-674-36250-0.