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<blockquote>Villa del Cine offers support to veteran filmmakers like [[Román Chalbaud]] and Luis Alberto Lamata while it enables young filmmakers like Efterpi Charalambidis or Hernán Jabes to make their first projects. The sharp increase in the number of features produced by Villa del Cine over the last years is unquestionable proof that this form of Government support has stimulated media production in the country in terms of the number and variety of films, and it has proven a valuable alternative to the Hollywood and neoliberal models of production.</blockquote>
<blockquote>Villa del Cine offers support to veteran filmmakers like [[Román Chalbaud]] and Luis Alberto Lamata while it enables young filmmakers like Efterpi Charalambidis or Hernán Jabes to make their first projects. The sharp increase in the number of features produced by Villa del Cine over the last years is unquestionable proof that this form of Government support has stimulated media production in the country in terms of the number and variety of films, and it has proven a valuable alternative to the Hollywood and neoliberal models of production.</blockquote>


According to Luis Girón, CNAC's president as of 2007: "We don't lay out guidelines for a certain kind of film to be produced, we don't push a specific bias; we just want to be shown as we are." Filmmakers unions participated in CNAC's 2007 decision making process.<ref name="Humberto"/> In 2007, Oscar Murat, a project co-ordinator at Villa del Cine stated that politics do not figure in what films are produced. He said that Villa del Cine "received various different proposals and of the ones which won commissions, none was linked with politics".<ref name=RevolutionaryCinema/> However, following claims of a possible case of discrimination, based on a statement from the Venezuelan Culture Minister, that employment in Villa del Cine could be affected by political ideology, the International Labor Organization of the United Nations asked the Venezuelan government in 2007 to provide information on measures taken to prevent this practice; an answer as of 2009 has not been forthcoming.<ref name=ILO>[[International Labour Organization|International Labour Office]] (Editor). ''Application of international labour standards 2009(I).'' United Nations, International Labour Conference, 98th Session, 2009, Geneva. p. 425. Available at [http://books.google.com/books?id=GxqaYOEwSOUC&pg=PA425&dq=%22Villa+del+Cine%22&hl=en&ei=MlyNTJTmFcXflgfO26Rg&sa=X&oi=book_result&ct=result&resnum=8&ved=0CFAQ6AEwBw#v=onepage&q=%22Villa%20del%20Cine%22&f=false Google books.] Retrieved 13 September 2010.</ref> Several actors were threatened access to Villa del Cine if they did not adhere to government ideology.<ref>
According to Luis Girón, CNAC's president as of 2007: "We don't lay out guidelines for a certain kind of film to be produced, we don't push a specific bias; we just want to be shown as we are." Filmmakers unions participated in CNAC's 2007 decision making process.<ref name="Humberto"/> In 2007, Oscar Murat, a project co-ordinator at Villa del Cine stated that politics do not figure in what films are produced. He said that Villa del Cine "received various different proposals and of the ones which won commissions, none was linked with politics".<ref name=RevolutionaryCinema/> In 2007 the International Labor Organization (ILO) of the United Nations asked the Venezuelan government to provide information on measures taken to prevent employment discimination by political ideology. The ILO was acting in response to a statement from the Venezuelan Culture Minister saying that employment at Villa del Cine could be restricted by political ideology. As of 2009 the ILO has received no response from the Venezuelan government.<ref name=ILO>[[International Labour Organization|International Labour Office]] (Editor). ''Application of international labour standards 2009(I).'' United Nations, International Labour Conference, 98th Session, 2009, Geneva. p. 425. Available at [http://books.google.com/books?id=GxqaYOEwSOUC&pg=PA425&dq=%22Villa+del+Cine%22&hl=en&ei=MlyNTJTmFcXflgfO26Rg&sa=X&oi=book_result&ct=result&resnum=8&ved=0CFAQ6AEwBw#v=onepage&q=%22Villa%20del%20Cine%22&f=false Google books.] Retrieved 13 September 2010.</ref> Several actors were threatened access to Villa del Cine if they did not adhere to government ideology.<ref>
[http://www.eluniversal.com/2009/06/16/eco_art_en-pdvsa-y-sidor-se_1433965.shtml La presión para inscribirse en el Psuv también fue incluida como una denuncia en el informe de la comisión, al igual que el condicionamiento en el acceso al empleo a la adhesión ideológica al que fueron sometidos varios actores en la Villa del Cine.] El Universal.</ref>
[http://www.eluniversal.com/2009/06/16/eco_art_en-pdvsa-y-sidor-se_1433965.shtml La presión para inscribirse en el Psuv también fue incluida como una denuncia en el informe de la comisión, al igual que el condicionamiento en el acceso al empleo a la adhesión ideológica al que fueron sometidos varios actores en la Villa del Cine.] El Universal.</ref>


Revision as of 21:03, 20 September 2010

Fundación Villa del Cine (English: Cinema City[1] or Cinemaville[2]) is a state-owned Venezuelan film and TV studio that was inaugurated on 3 June 2006 by Venezuelan president Hugo Chávez[3] in the city of Guarenas, near the capital Caracas.

Villa del Cine is part of the Venezuelan government's Ministry of Popular Power for Culture.[4] It receives funding for individual projects from the National Autonomous Center of Film (CNAC), also part of the same Ministry,[4][5] described by the Inter Press Service as an "independent film institute".[6] Venezuelanalysis.com says that Villa del Cine is an incentive to increase film production and to enable filmmakers access to materials, equipment and facilities, not just to provide funding.[7] Also in 2006, the Venezuelan government set up a sister institution, Distribuidora Nacional de Cine Amazonia Films, (Amazonia Films)[5] as an alternative to commercial networks. Amazonia Films distributes the projects created by Fundación Villa del Cine and has since acquired films from the South American region as well as Europe and Asia for the local market.[7]

As of 2010, the president of Villa del Cine is filmmaker José Antonio Varela[8] who also directed the organization's film La Clase[9] The executive director of Villa del Cine is Lubezka Luque.[8]

Aims

As of 2006, Hollywood productions comprised 86% of the Venezuelan film market.[10][11] Chavez says the aim of Villa del Cine is to counter the lack of an alternative media[1] and to “stimulate, develop, and consolidate the national cinema industry to encourage the Venezuelan people to draw nearer to their values and idiosyncrasies.” [12] At the inauguration of Villa del Cine, Chávez said, "They [Hollywood] inoculate us with messages that have nothing to do with our traditions." Although he said some Hollywood films are "enjoyable", he criticized their portrayal of Native Americans as "savage".[7]

An adviser to the government said, "For a country like Venezuela, it's really the only way to build a cinema infrastructure," noting that several countries, such as Mexico and Brazil, had taken the same route.[13] The director of CNAC, which funds Villa del Cine's projects, said that the aims of Villa del Cine are to facilitate a variety of productions, ranging from short films targeting the youth audience to large cooperative projects in conjunction with the Mercosur trade bloc in the region.[6]

Francisco Sesto, the Minister of Culture who also made early contributions to the creation of audio-visual cooperatives in Venezuela, said the aim of Vilal del Cine is "... the transformation of the state and how people might become participants in the development of film through their own art".[7]

Organization and facilities

Villa del Cine employed 130 as of 2007, is spread over 2,400 square meters (26,000 sq ft), and includes soundproofed studios equipped with lighting, audio and video equipment, casting and wardrobe facilities, and post-production while being stocked with modern digital film equipment.[6] According to the Venezuelan government, as of 2006, Villa del Cine supported high-definition television and surround sound, and could produce "five films simultaneously".[12]

The complex cost more than US$13 million as of 2007, with a further US$11 million set aside in 2008;[6] Venezuela Analysis describes it as a US$42 million project as of 2008.[7]

Ville del Cine is part of the Venezuelan government's Plataforma del Cine y el Audiovisual (Film and Audiovisual Platform) of the Ministerio del Poder Popular para la Cultura (Minister of Popular Power for Culture).[4] Villa del Cine receives funding for individual projects from the Centro Nacional Autónomo de Cinematografía (CNAC—National Autonomous Center of Film), also under the Minister of Popular Power for Culture,[4][5] described by Inter Press Service as an "independent film institute".[6] It was founded in 1994 by the Ley de la Cinematografía Nacional (National Law of Cinematography) to promote, protect and encourage Venezuelan cinema,[4][5] but is now governed by a new National Cinematography Law enacted in 2005, which requires film distributors in Venezuela to show 20% locally made films and also required distributors, broadcasters, pay-TV stations and retailers to pay a tax into the film fund Fonprocine. The Motion Picture Association of America was critical of some of these moves.[10][11]

Projects

According to Villa del Cine's president, in the four years since its founding the organization made 26 documentary and fictional films and supported even more independent films, with 12 productions scheduled for 2011.[9] Villa del Cine has filmed in all 24 Venezuelan states.[7]

Notable projects funded by the new studio are the story of Francisco de Miranda—a revolutionary who played a key part in events leading to the Venezuelan War of Independence from Spain, which was released in 400 movie theatres and beat Superman Returns to the top of the box office in Venezuela;[6] actor and activist Danny Glover's directorial debut about Toussaint Louverture—leader of the Haitian Revolution; and a short film about Simon Bolivar.[1] There has been controversy over the funding Glover has received for his biopic. Opponents say that the funding for the project outweighs the state budget for domestic films from 2003 to 2008 and directors Thaelman Urgelles, and the L.A.-based Jonathan Jakubowicz, said that the quantity allocated to Glover's project was "excessive". The Culture Minister, defended the move since the funding did not come from Villa del Cine's standard funds but from what he called an "additional credit". He added that the funding will not be leaving the country, but will create jobs and provide valuable experience to the relatively youthful studios.[7]

One of the most well known projects produced by Villa del Cine is the film La Clase (The [Social] Class). Directed by José Antonio Varela in 2007, it is a romantic drama which contrasts the way of life between the upper and working classes. Varela became the President of Villa del Cine in March 2010, three years after the release of La Clase.[14]

Visits by western filmmakers and actors

Several politically progressive Hollywood filmmakers and actors have visited Villa del Cine. They include actor and director Tim Robbins and the actors Kevin Spacey and Sean Penn. Robbins praised Villa del Cine for its support of film directors and is considering a film project in Venezuela.[7]

Analysis

The BBC describes Villa del Cine as "a state-of-the-art production house that is changing the face of Venezuelan cinema," but added that "Film-makers seem torn between working for the state with its huge resources and opportunities, and making a stand against what they see as the erosion of independent art." Supporters of the project believe that it provides "many people" who could not work in film making before with "an opportunity to work in the industry ..."[1] The studios have been controversial with some Venezuelan film makers who fear it may harm independent media. Concern about the new National Law of Cinematography (2005) governing Villa was also expressed by the Motion Picture Association of America.[10] Studio administrators say they are not politically motivated in which films they produce, with executive director Marco Mondarain saying: "We are looking to make good films, no matter what the script. We really want writers and directors to come to us with their ideas. If they're good, we'll support them." [1]

According to an article published by Jump Cut:[14]

Villa del Cine offers support to veteran filmmakers like Román Chalbaud and Luis Alberto Lamata while it enables young filmmakers like Efterpi Charalambidis or Hernán Jabes to make their first projects. The sharp increase in the number of features produced by Villa del Cine over the last years is unquestionable proof that this form of Government support has stimulated media production in the country in terms of the number and variety of films, and it has proven a valuable alternative to the Hollywood and neoliberal models of production.

According to Luis Girón, CNAC's president as of 2007: "We don't lay out guidelines for a certain kind of film to be produced, we don't push a specific bias; we just want to be shown as we are." Filmmakers unions participated in CNAC's 2007 decision making process.[6] In 2007, Oscar Murat, a project co-ordinator at Villa del Cine stated that politics do not figure in what films are produced. He said that Villa del Cine "received various different proposals and of the ones which won commissions, none was linked with politics".[7] In 2007 the International Labor Organization (ILO) of the United Nations asked the Venezuelan government to provide information on measures taken to prevent employment discimination by political ideology. The ILO was acting in response to a statement from the Venezuelan Culture Minister saying that employment at Villa del Cine could be restricted by political ideology. As of 2009 the ILO has received no response from the Venezuelan government.[15] Several actors were threatened access to Villa del Cine if they did not adhere to government ideology.[16]

References

  1. ^ a b c d e Ingham, James. "Venezuelan cinema, Chavez style." BBC News. 1 November 2007. Retrieved 20 August 2010.
  2. ^ "Lights! Camera! Revolución! Newsweek. 24 October 2009. Also available at HighBeam Research, with byline Mac Margolis, November 2009.
  3. ^ Template:Es icon "Sobre la Villa". Gobierno Bolivariano de Venezuela, Ministerio de Poder Popular para la Cultura. Retrieved 10 September 2010.
  4. ^ a b c d e Template:Es icon Plataforma de Medios Audiovisuales. Gobierno Bolivariano de Venezuela, Ministerio de Poder Popular para la Cultura. Retrieved 11 September 2010.
  5. ^ a b c d Template:Es icon Entes que lo Conforman. Gobierno Bolivariano de Venezuela, Ministerio de Poder Popular para la Cultura. Retrieved 11 September 2010.
  6. ^ a b c d e f g Márquez, Humberto. Petrodollars for local film industry. Inter Press Service. 12 January 2007. Retrieved 10 September 2010.
  7. ^ a b c d e f g h i Kozloff, Nikolas. Danny Glover, Haiti, and the Politics of Revolutionary Cinema in Venezuela. Venezuelanalysis.com. August 2008. Retrieved 11 September.
  8. ^ a b Template:Es icon Estructura Organizativa. Gobierno Bolivariano de Venezuela, Ministerio de Poder Popular para la Cultura. Retrieved on 10 September 2010.
  9. ^ a b Template:Es icon "La Villa del Cine promete 12 películas para 2011". El Universal. 16 August 2010. Retrieved 10 September 2010. "La Villa del Cine asegura que en cuatro años de existencia ha realizado 26 películas --de ficción y documentales-- y ha apoyado más de 30 películas independientes, al tiempo que proyecta para 2011, un total de 12 producciones propias y otra decena de cintas que se hagan en el sector. Así lo afirma su presidente, José Antonio Varela, en una nota de prensa del organismo colocada en el site del Ministerio de la Cultura."
  10. ^ a b c Template:Es icon Villazana, Libia. De una política cultural a una cultura politizada: La República Bolivariana de Venezuela y su revolución cultural en el sector audiovisual (PDF). Raab, Josef; Thies, Sebastian (Eds.), "E Pluribus Unum? National and Transnational Identities in the Americas" (Inter-American Perspectives/ Perspectivas Interamericanas 1), Münster: LIT and Tempe, AZ: Bilingual Press, 2008. Retrieved 13 September 2008.
  11. ^ a b de la Fuente, Anna Maria. "Venezuela lays down law". Variety. 3 September 2006. Retrieved on 14 September 2010.
  12. ^ a b Template:Es icon Villa del Cine, un espacio para la creación. Gobierno Bolivariano de Venezuela, Aló Presidente. 4 June 2006. Retrieved 13 September 2010. " estimular, desarrollar y consolidar la industria cinematográfica nacional, para así favorecer el acercamiento del pueblo venezolano a sus valores e idiosincrasia."
  13. ^ Padgett, Tim, and Kathie Klarreich. "Hugo Chavez, Movie Mogul." Time. 24 May 2007. Retrieved 20 August 2010.
  14. ^ a b Vázquez, Mercedes. "Secuestro Express and La clase: politics of realism in contemporary Venezuelan filmmaking." Jump Cut. 52: Summer 2010. Retrieved 22 August 2010.
  15. ^ International Labour Office (Editor). Application of international labour standards 2009(I). United Nations, International Labour Conference, 98th Session, 2009, Geneva. p. 425. Available at Google books. Retrieved 13 September 2010.
  16. ^ La presión para inscribirse en el Psuv también fue incluida como una denuncia en el informe de la comisión, al igual que el condicionamiento en el acceso al empleo a la adhesión ideológica al que fueron sometidos varios actores en la Villa del Cine. El Universal.
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