John Jacob Jingleheimer Schmidt: Difference between revisions
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a na na na na na na. (Or other nonlexical [[vocables]])<ref>{{cite news |first= Dan |last= Lynch|title= Bug Juice Days |url= http://archives.timesunion.com/mweb/wmsql.wm.request?oneimage&imageid=5605568 |publisher= Albany Times Union |page= B4 |date= 1991-06-23 |accessdate= 2009-08-11 }}</ref></poem></blockquote> |
a na na na na na na. (Or other nonlexical [[vocables]])<ref>{{cite news |first= Dan |last= Lynch|title= Bug Juice Days |url= http://archives.timesunion.com/mweb/wmsql.wm.request?oneimage&imageid=5605568 |publisher= Albany Times Union |page= B4 |date= 1991-06-23 |accessdate= 2009-08-11 }}</ref></poem></blockquote> |
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The [[mock German]] name celebrated in the song suggests that |
The [[mock German]] name celebrated in the song suggests that young English speaking children still find longer [[northern-European]] names to be [[inherently funny word]]s; compare the [[Blinkenlights]] [[faxlore]] in which [[English language|English]] words are deformed to form a mock German warning text. The [[surname]] ''[[Schmidt]]'' and the surname [[Affix|suffix]] ''-heimer'' are of [[Germanic peoples|Germanic]] origin. Schmidt is one of the most common last names in [[German heritage]]. Also, the given name of "Johann" was often given to boys with a secondary given name; when this occurred the secondary given name was often the name one was called by. In the song the English "John" is substituted for the traditional German "Johann". Thus, John Jacob Jingleheimer Schmidt is not an unrealistic German name. |
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While the origins of the song are most definitely obscure, some evidence places its roots with [[vaudeville]] and [[theatre]] acts of the late 19th century and early 20th century popular in [[immigrant]] communities. Some vaudeville acts during the era, such as the work of [[Joe Weber (vaudevillian)|Joe Weber]] and [[Lew Fields]], often gave voice to shared frustrations of [[German-American]] immigrants and heavily leaned on [[malapropism]]s and difficulties with the English language as a vehicle for its humor.<ref>{{cite news |first= Andrew|last= Wasson|title= John Jacob Jingleheimer Schmidt is not a Person |url= http://www.dairyriver.com/wordpress/?page_id=224 |publisher= Dairy River}}</ref> Further, John Jacob Jingleheimer Schmidt shares many characteristics with "[[My Name is Jan Jansen]]" a song that can trace its origin to Swedish vaudeville in the late 19th century. |
While the origins of the song are most definitely obscure, some evidence places its roots with [[vaudeville]] and [[theatre]] acts of the late 19th century and early 20th century popular in [[immigrant]] communities. Some vaudeville acts during the era, such as the work of [[Joe Weber (vaudevillian)|Joe Weber]] and [[Lew Fields]], often gave voice to shared frustrations of [[German-American]] immigrants and heavily leaned on [[malapropism]]s and difficulties with the English language as a vehicle for its humor.<ref>{{cite news |first= Andrew|last= Wasson|title= John Jacob Jingleheimer Schmidt is not a Person |url= http://www.dairyriver.com/wordpress/?page_id=224 |publisher= Dairy River}}</ref> Further, John Jacob Jingleheimer Schmidt shares many characteristics with "[[My Name is Jan Jansen]]" a song that can trace its origin to Swedish vaudeville in the late 19th century. |
Revision as of 19:52, 29 December 2010
This article needs additional citations for verification. (July 2009) |
"John Jacob Jingleheimer Schmidt" is a traditional children's song of obscure origin. Its lyrics are close variations of:
The mock German name celebrated in the song suggests that young English speaking children still find longer northern-European names to be inherently funny words; compare the Blinkenlights faxlore in which English words are deformed to form a mock German warning text. The surname Schmidt and the surname suffix -heimer are of Germanic origin. Schmidt is one of the most common last names in German heritage. Also, the given name of "Johann" was often given to boys with a secondary given name; when this occurred the secondary given name was often the name one was called by. In the song the English "John" is substituted for the traditional German "Johann". Thus, John Jacob Jingleheimer Schmidt is not an unrealistic German name.
While the origins of the song are most definitely obscure, some evidence places its roots with vaudeville and theatre acts of the late 19th century and early 20th century popular in immigrant communities. Some vaudeville acts during the era, such as the work of Joe Weber and Lew Fields, often gave voice to shared frustrations of German-American immigrants and heavily leaned on malapropisms and difficulties with the English language as a vehicle for its humor.[2] Further, John Jacob Jingleheimer Schmidt shares many characteristics with "My Name is Jan Jansen" a song that can trace its origin to Swedish vaudeville in the late 19th century.
The song can conceivably be sung in an infinite loop, like "The Song That Never Ends", "My Name is Jan Jansen", "Michael Finnegan" or "High Hopes."
References
- ^ Lynch, Dan (1991-06-23). "Bug Juice Days". Albany Times Union. p. B4. Retrieved 2009-08-11.
- ^ Wasson, Andrew. "John Jacob Jingleheimer Schmidt is not a Person". Dairy River.