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{{New unreviewed article|source=ArticleWizard|date=March 2011}}
{{New unreviewed article|source=ArticleWizard|date=March 2011}}


'''Desire Caught by the Tail''' is farcical play written by the painter Pablo Picasso.
'''''Desire Caught by the Tail''''' is farcical play written by the painter [[Pablo Picasso]].


==History==
==History==
In the winter of 1941, soon after the Germans had occupied Paris, Pablo Picasso while ill took three days and wrote a play. Written in French, he named it the piece ''Le Desire Attrape par la Queue,'' which translates literally to "Desire Caught by the Tail.". However, it was not until 1944 that it had it’s first audience, a reading in the Paris apartment of Michel Leins. There the parts were read by such local literati as Simone DiBouvoir, Jean-Paul Sartre, Valentine Hugo, Raymond Queneau and Picasso himself. Albert Camus directed the piece. <ref>Richard B. K. McLanathan, Gene Brown. The Arts. Ayer Publishing, 1978, p. 60</ref>
In the winter of 1941, soon after the Germans had occupied Paris, Picasso while ill took three days and wrote a play. Written in French, he named it the piece ''Le Desire Attrape par la Queue,'' which translates literally to "Desire Caught by the Tail.". However, it was not until 1944 that it had it’s first audience, a reading in the Paris apartment of Michel Leins. There the parts were read by such local literati as Simone DiBouvoir, [[Jean-Paul Sartre]], [[Valentine Hugo]], [[Raymond Queneau]] and Picasso himself. [[Albert Camus]] directed the piece. <ref>Richard B. K. McLanathan, Gene Brown. The Arts. Ayer Publishing, 1978, p. 60</ref>


It premiered as a full staged production in 1967, in St. Tropez, France. The show, which was rumored (falsely) to have actors urinating on stage, was protested despite the town’s generally tolerant reputation. The central prop was a large black box, which served as a bathtub, a coffin and a bed. <ref>Richard B. K. McLanathan, Gene Brown. The Arts. Ayer Publishing, 1978, p. 60</ref> It has been rarely produced since.
It premiered as a full staged production in 1967, in St. Tropez, France. The show, which was rumored (falsely) to have actors urinating on stage, was protested despite the town’s generally tolerant reputation. The central prop was a large black box, which served as a bathtub, a coffin and a bed. <ref>Richard B. K. McLanathan, Gene Brown. The Arts. Ayer Publishing, 1978, p. 60</ref> It has been rarely produced since.

Revision as of 21:40, 10 March 2011

This article is about the play by Pablo Picasso. For the Adrian Belew album, see Desire Caught By the Tail (album).

Template:New unreviewed article

Desire Caught by the Tail is farcical play written by the painter Pablo Picasso.

History

In the winter of 1941, soon after the Germans had occupied Paris, Picasso while ill took three days and wrote a play. Written in French, he named it the piece Le Desire Attrape par la Queue, which translates literally to "Desire Caught by the Tail.". However, it was not until 1944 that it had it’s first audience, a reading in the Paris apartment of Michel Leins. There the parts were read by such local literati as Simone DiBouvoir, Jean-Paul Sartre, Valentine Hugo, Raymond Queneau and Picasso himself. Albert Camus directed the piece. [1]

It premiered as a full staged production in 1967, in St. Tropez, France. The show, which was rumored (falsely) to have actors urinating on stage, was protested despite the town’s generally tolerant reputation. The central prop was a large black box, which served as a bathtub, a coffin and a bed. [2] It has been rarely produced since.

The Play

Described as “surrealistic” and “simply weird,” the play is rarely produced due to sheer incomprehensibility.[3] There is no plot to speak of. The play has abstractly named characters: besides the protagonist Big Foot and his love interest Tart, there are Onion, Round End, the Cousin, the two Bow-wows, Silence, Fat Anguish, Skinny Anguish and The Curtains. And the stage directions are highly impractical: the transparent doors light up and the dancing shadows of five monkeys eating carrots appear. Complete darkness.

While the narrative is nonlinear and the meaning nearly impossible to decipher, the work has been praised despite (and sometimes for) its lack of message. Bernard Frechtman, who translated the work from the original French, writes in his forward, “It says nothing of human destiny or of the human condition. In an age which has discovered man with a capital M, it is gratifying to advise the reader that Picasso has nothing to say of man, nor of the universe. This in itself is a considerable achievement.”[4]

Noteworthy Productions

  • Eye and Ear Theater, 1984. Two day production in New York.[5]
  • Envision Theatre, 2002. Produced as a radio broadcast in the U.K.
  • banished? productions, 2006. D.C production featured characters portrayed by dancers and puppeteer-powered toilet bowls[6]

References

  1. ^ Richard B. K. McLanathan, Gene Brown. The Arts. Ayer Publishing, 1978, p. 60
  2. ^ Richard B. K. McLanathan, Gene Brown. The Arts. Ayer Publishing, 1978, p. 60
  3. ^ Klein, Alvin. Picasso Play gets Rare Showing. New York Times, June 10, 1984
  4. ^ Picasso, Pablo. Desire Caught by the Tail. The Philosophical Library Inc., 1948.
  5. ^ Klein, Alvin. Picasso Play gets Rare Showing. New York Times, June 10, 1984
  6. ^ Squires, Pamela. "Desire: How Picasso Liberated Paris." The Washington Post, July 26, 2006.

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=Desire_Caught_by_the_Tail&oldid=418194792"