Renate Müller: Difference between revisions
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| name = Renate Müller |
| name = Renate Müller |
Revision as of 08:14, 4 December 2011
This article needs additional citations for verification. (April 2009) |
Renate Müller | |
---|---|
photographed in 1935 | |
Born | |
Died | 7 October 1937 | (aged 31)
Other names | Renate Muller |
Occupation | Actress |
Years active | 1929–1937 |
Renate Müller (26 April 1906 – 7 October 1937) was a German singer and actress in both silent films and sound films, as well as on stage.
One of the most successful actresses in German films from the early 1930s, she was courted by the Nazi Party to appear in films that promoted their ideals, but refused. Her sudden death at the age of 31 was initially attributed to epilepsy, but after the end of World War II, witnesses suggested that she had been murdered by Gestapo officers, although another theory contends that she committed suicide.[1] The true circumstances of her death remain unknown.
Life and career
Born in Munich, Germany, Müller entered films in the late 1920s in Berlin and quickly became popular. A blue-eyed blonde, she was considered to be one of the great beauties of her day and along with Marlene Dietrich was seen to embody fashionable Berlin society. She starred in more than twenty German films, including Viktor und Viktoria (1933), one of her biggest successes, which was remade decades later as Victor Victoria with Julie Andrews.
With the rise of the Nazi Party, Müller came to be regarded as an ideal Aryan woman and particularly in light of Dietrich's move to Hollywood, was courted and promoted as Germany's leading film actress. A meeting with Adolf Hitler in the mid 1930s resulted in Müller being offered parts in films that promoted Nazi ideals.
When she died suddenly, the German press stated the cause as epilepsy. It was later revealed that she had died as a result of a fall from her hotel window. (According to Channel 4 documentary "Sex and the Swastika", February 2009, she jumped from a Berlin mental home window). Officially described as a suicide, it was theorised that she took her own life when her relationship with Nazi leaders deteriorated after she showed unwillingness to appear in propaganda films. She was also known to have been pressured to end a relationship with her Jewish lover, but had refused. Near the end of her life she became addicted to morphine. Witnesses also recalled seeing several Gestapo officers entering her building shortly before she died. It has been asserted she was either murdered by Gestapo officers who threw her from a window, or that she panicked when she saw them arrive and jumped. The true circumstances surrounding her death remain unclear.
Filmography
Year | Title | Role | Notes |
---|---|---|---|
1929 | Peter der Matrose | Victoria | |
1929 | Drei machen ihr Glück | Gretchen Jürgen | Alternative title: Teure Heimat |
1930 | Revolte im Erziehungshaus | Hausvaters tochter | |
1930 | Liebe im Ring | Hilde, the Fish Peddler's Daughter | Alternative titles: Love in the Ring, The Comeback |
1930 | Der Sohn der weißen Berge | Mary Dulac | Alternative title: The Son of the White Mountain |
1930 | Liebling der Götter | Agathe | Alternative titles: Darling of the Gods, Der Große Tenor |
1930 | Das Flötenkonzert von Sans-souci | Blanche von Lindeneck | Alternative title: The Flute Concert of Sans-Souci |
1931 | Die Privatsekretärin | Vilma Förster | Alternative titles: Private Secretary, The Office Girl |
1931 | Liebeslied | Maria Körner | |
1931 | Die Blumenfrau von Lindenau | Victoria | Alternative titles: Storm in a Water Glass, Sturm im Wasserglas, The Flower Woman of Lindenau |
1931 | Der Kleine Seitensprung | Erika Heller | Alternative title: The Little Escapade |
1931 | Sunshine Susie | Susie Surster | Alternative title: The Office Girl |
1932 | Marry Me | Ann Linden | |
1932 | Mädchen zum Heiraten | Gerda Arnhold | |
1932 | Wie sag' ich's meinem Mann? | Charlotte Oltendorf | Alternative title: How Shall I Tell My Husband? |
1932 | Wenn die Liebe Mode macht | Nelly | Alternative title: When Love Sets the Fashion |
1933 | Saison in Kairo | Stefanie von Weidling-Weidling, Tochter | Alternative title: Cairo Season |
1933 | Idylle au Caire | Stéphy | |
1933 | Walzerkrieg | Kati Lanner | Alternative titles: Waltz War, Waltz Time in Vienna, The Battle of the Walzes |
1933 | Viktor und Viktoria | Susanne Lohr | Alternative title: Viktor and Viktoria |
1934 | Die Englische Heirat | Gerte Winter | |
1935 | Liselotte von der Pfalz | Liselotte von der Pfalz | Alternative titles: Liselotte of the Palatinate, The Private Life of Louis XIV |
1935 | Liebesleute | Dorothea Rainer | Alternative titles: Hermann und Dorothea von Heute, A Pair of Lovers |
1936 | Allotria | Viola | |
1936 | Eskapade | Madame Hélène | Alternative titles: Geheimagentin Helene, His Official Wife, Spione in St. Petersburg |
1937 | Togger | Hanna Breitenbach |
References
- ^ Wollstein, Hans J. "Renate Müller". Retrieved 4 April 2009.
- Uwe Klöckner-Draga: Renate Müller, Ihr Leben ein Drahtseilakt - "Ein deutscher Filmstar, der keinen Juden lieben durfte". Kern, 2006, ISBN 978-3939478010
External links
- Renate Müller at IMDb
- Virtual History - Bibliography, Photographs and Tobacco cards
- Renate Müller at Find a Grave