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The Ghent Altarpiece - an expression of Christian Kabbalism
 
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The Adoration of the Lamb is full of symbolism. Yet the most significant key to its interpretation - one that curiously seems to have eluded the art historians - is that it is arranged in the form of the Kabbalistic Tree of Life.
The Adoration of the Lamb is full of symbolism. Yet the most significant key to its interpretation - one that curiously seems to have eluded the art historians - is that the central section is arranged in the form of the Kabbalistic Tree of Life.


The Tree of Life comprises three pillars and ten sephiroth. At the top of the central pillar is Kether, the Crown representing the Godhead, through which light and truth comes into the world. Below Kether is Da'at or Knowledge, symbolised here by the Holy Spirit. At the center is Tipheret or Beauty, represented by the Lamb itself - the heart of God in the world. Next comes Yesod or Foundation, often associated with personality, ego, and identified here by the fountain. Lastly comes Malkuth, the kingdom. Perhaps that is you or I, the observer. As the Kabbalistic saying goes, "Kether is in Malkuth and Malkuth is in Kether".
The Tree of Life comprises three pillars and ten sephiroth. At the top of the central pillar, the pillar of Consciousness, is Kether, the Crown. This represents the Godhead through which God's will is manifest in the world. Below Kether is Da'at or Knowledge, symbolised in the painting by the Holy Spirit. At the center is Tipheret or Beauty, represented by the Lamb itself - the heart of God in the world. Next comes Yesod or Foundation, identified here by the fountain. Lastly comes Malkuth, the kingdom. Perhaps that is you or I, the observer. As the Kabbalistic saying goes, "Kether is in Malkuth and Malkuth is in Kether".


On the right we have the masculine pillar. At the top is Hochmah or Wisdom. Below is Chesed or Mercy represented by the Women carrying palms. Below that is Netzach or Victory, which conveys cyclical repetition, represented by the Popes and Bishops.
On the right we have the masculine pillar, the pillar of Force. At the top is Hochmah or Wisdom. Below is Chesed or Mercy represented by the Women carrying palms. Below that is Netzach or Victory, which conveys cyclical repetition, represented by the Popes and Bishops.


To the left we have the female pillar. At the top is Binah or Understanding. Below is Gevurah or Judgement, represented by the Clergy. Below that is Hod or Splendor represented by the Jewish scholars.
To the left we have the female pillar, the pillar of Form. At the top is Binah or Understanding. Below is Gevurah or Judgement, represented by the Clergy. Below that is Hod or Splendor, often associated with learning and represented here by the Jewish scholars.


Clearly, the Van Eyck's were strongly influenced by Christian Kabbalah.
Clearly, the artists, the Van Eyck's, were strongly influenced by Christian Kabbalah.

Revision as of 15:09, 29 May 2006

The Adoration of the Lamb is full of symbolism. Yet the most significant key to its interpretation - one that curiously seems to have eluded the art historians - is that the central section is arranged in the form of the Kabbalistic Tree of Life.

The Tree of Life comprises three pillars and ten sephiroth. At the top of the central pillar, the pillar of Consciousness, is Kether, the Crown. This represents the Godhead through which God's will is manifest in the world. Below Kether is Da'at or Knowledge, symbolised in the painting by the Holy Spirit. At the center is Tipheret or Beauty, represented by the Lamb itself - the heart of God in the world. Next comes Yesod or Foundation, identified here by the fountain. Lastly comes Malkuth, the kingdom. Perhaps that is you or I, the observer. As the Kabbalistic saying goes, "Kether is in Malkuth and Malkuth is in Kether".

On the right we have the masculine pillar, the pillar of Force. At the top is Hochmah or Wisdom. Below is Chesed or Mercy represented by the Women carrying palms. Below that is Netzach or Victory, which conveys cyclical repetition, represented by the Popes and Bishops.

To the left we have the female pillar, the pillar of Form. At the top is Binah or Understanding. Below is Gevurah or Judgement, represented by the Clergy. Below that is Hod or Splendor, often associated with learning and represented here by the Jewish scholars.

Clearly, the artists, the Van Eyck's, were strongly influenced by Christian Kabbalah.