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==Career==
==Career==
⚫
He 1999), about the [[Munich massacre|murder of Israeli athletes]] at the [[1972 Summer Olympics|1972 Munich Olympics]]. Possibly the most striking feature of this film was the lengthy interview with [[Jamal Al-Gashey]], the last known survivor of the [[Munich massacre|Munich terrorists]] (it has been suggested recently in Aaron Klein's book ''Striking Back'' that another, Mohammed Safady, might also still be alive). Macdonald found Al-Gashey through intermediaries, and was able to convince him that the film would only be truly authentic if Al-Gashey gave his side of the story. Since the former terrorist was convinced that [[Israel]]i authorities were still hunting him (he had been in hiding ever since being ransomed for a hijacked airplane less than two months after the [[Munich massacre]]), Al-Gashey agreed to the interview only on condition that he would be disguised, his face would be shown only in shadow or blurred out, and that the interview would be conducted by a person and in a place of Al-Gashey's choosing (which turned out to be [[Amman]], Jordan), although Al-Gashey agreed that Macdonald could be present. Since the interview was conducted entirely in Arabic (even though Al-Gashey was known to be fluent in English, having been interviewed in the language in 1972), and Al-Gashey (through paranoia or annoyance) frequently stormed out of the interview room, Macdonald didn't know if he had anything usable until he returned to London and hired an Arabic translator. The results spoke for themselves – the film won an [[Academy Awards|Oscar]] for [[Academy Award for Best Documentary Feature|Best Documentary]].
He began his career with a biography of his grandfather, ''The Life and Death of a Screenwriter'' (1994), which he turned into the documentary ''The Making of an Englishman'' (1995).

⚫
After making a series of biographical documentaries, Macdonald directed ''[[One Day in September]]'' (1999), about the [[Munich massacre|murder of Israeli athletes]] at the [[1972 Summer Olympics|1972 Munich Olympics]]. Possibly the most striking feature of this film was the lengthy interview with [[Jamal Al-Gashey]], the last known survivor of the [[Munich massacre|Munich terrorists]] (it has been suggested recently in Aaron Klein's book ''Striking Back'' that another, Mohammed Safady, might also still be alive). Macdonald found Al-Gashey through intermediaries, and was able to convince him that the film would only be truly authentic if Al-Gashey gave his side of the story. Since the former terrorist was convinced that [[Israel]]i authorities were still hunting him (he had been in hiding ever since being ransomed for a hijacked airplane less than two months after the [[Munich massacre]]), Al-Gashey agreed to the interview only on condition that he would be disguised, his face would be shown only in shadow or blurred out, and that the interview would be conducted by a person and in a place of Al-Gashey's choosing (which turned out to be [[Amman]], Jordan), although Al-Gashey agreed that Macdonald could be present. Since the interview was conducted entirely in Arabic (even though Al-Gashey was known to be fluent in English, having been interviewed in the language in 1972), and Al-Gashey (through paranoia or annoyance) frequently stormed out of the interview room, Macdonald didn't know if he had anything usable until he returned to London and hired an Arabic translator. The results spoke for themselves – the film won an [[Academy Awards|Oscar]] for [[Academy Award for Best Documentary Feature|Best Documentary]].


His next film was ''[[Touching the Void (film)|Touching the Void]]'', which told the story of two climbers' disastrous attempt to scale the [[Siula Grande]] in the [[Andes]] in 1985. The film won the [[Alexander Korda]] Award for Best British Film at the [[57th British Academy Film Awards|2003–04 BAFTA Awards]] – coincidentally, it was Korda who had given Macdonald's grandfather his first job when he had arrived in England in 1935.
His next film was ''[[Touching the Void (film)|Touching the Void]]'', which told the story of two climbers' disastrous attempt to scale the [[Siula Grande]] in the [[Andes]] in 1985. The film won the [[Alexander Korda]] Award for Best British Film at the [[57th British Academy Film Awards|2003–04 BAFTA Awards]] – coincidentally, it was Korda who had given Macdonald's grandfather his first job when he had arrived in England in 1935.

Revision as of 11:13, 22 January 2014

This article is about the Scottish film director. For other people called Kevin Macdonald, see Kevin Macdonald (disambiguation).
Kevin Macdonald
Born (1967-10-28) 28 October 1967 (age 56)
Glasgow, Scotland
OccupationFilm director
Years active1994–present
SpouseTatiana Lund (1999–present)

Kevin Macdonald (born 28 October 1967) is a Scottish director. His films include One Day in September, State of Play, The Last King of Scotland, Touching the Void and Marley.

Personal life

Macdonald was born in Glasgow, Scotland. His maternal grandparents were English actress Wendy Orme and Hungarian-born British filmmaker Emeric Pressburger. He was raised on a sheep farm in Gartocharn in the Scottish countryside.[1] He was educated at Glenalmond College. His brother Andrew is a film producer. Macdonald is a second cousin of comedian Norm Macdonald.[citation needed]

In 1999, he married Tatiana Lund, with whom he has three sons, and lives in North London.

Career

He 1999), about the murder of Israeli athletes at the 1972 Munich Olympics. Possibly the most striking feature of this film was the lengthy interview with Jamal Al-Gashey, the last known survivor of the Munich terrorists (it has been suggested recently in Aaron Klein's book Striking Back that another, Mohammed Safady, might also still be alive). Macdonald found Al-Gashey through intermediaries, and was able to convince him that the film would only be truly authentic if Al-Gashey gave his side of the story. Since the former terrorist was convinced that Israeli authorities were still hunting him (he had been in hiding ever since being ransomed for a hijacked airplane less than two months after the Munich massacre), Al-Gashey agreed to the interview only on condition that he would be disguised, his face would be shown only in shadow or blurred out, and that the interview would be conducted by a person and in a place of Al-Gashey's choosing (which turned out to be Amman, Jordan), although Al-Gashey agreed that Macdonald could be present. Since the interview was conducted entirely in Arabic (even though Al-Gashey was known to be fluent in English, having been interviewed in the language in 1972), and Al-Gashey (through paranoia or annoyance) frequently stormed out of the interview room, Macdonald didn't know if he had anything usable until he returned to London and hired an Arabic translator. The results spoke for themselves – the film won an Oscar for Best Documentary.

His next film was Touching the Void, which told the story of two climbers' disastrous attempt to scale the Siula Grande in the Andes in 1985. The film won the Alexander Korda Award for Best British Film at the 2003–04 BAFTA Awards – coincidentally, it was Korda who had given Macdonald's grandfather his first job when he had arrived in England in 1935.

Next was The Last King of Scotland, which won an Oscar for best actor.

He has also directed a number television commercials with Rogue Films who represent him for all his TV commercial work worldwide.

Macdonald directed the film adaptation of hit BBC television drama State of Play, starring Russell Crowe.[2] He then directed The Eagle, an adaptation of the book The Eagle of the Ninth, about a Roman Legion in 2nd Century A.D. in Scotland. Bobby Fischer Goes to War, his next project, is a film about the 1972 World Chess Championship in Reykjavik, Iceland, in which Bobby Fischer took on the entire Soviet chess establishment.[3] In March 2010 was announced he is set to direct the psychological thriller Murder Mystery for Tower Hill Entertainment.[4]

Macdonald made a film called Life in a Day with producer Ridley Scott. The footage had been filmed by thousands of people all around the word about their life in one day and posted onto the world's largest video website YouTube. The film premiered at the 2011 Sundance Film Festival to a global live audience, on January 27 8pm EST.

he did a film on marley which was a inapropirate film

Filmography

As director:

Bibliography

  • Emeric Pressburger: The Life and Death of a Screenwriter by Kevin Macdonald. London: Faber and Faber, 1994. ISBN (Paperback ISBN 0-571-17829-4).
  • Imagining Reality: The Faber Book of the Documentary by Kevin Macdonald and Mark Cousins. London: Faber and Faber, 1996. ISBN 0-571-17723-9.
  • Imagining Reality: The Faber Book of the Documentary: Second Edition by Kevin Macdonald and Mark Cousins. London: Faber and Faber, 1996. ISBN 0-571-22514-4.

Literature

  • Ian Aitken (ed) Encyclopedia of the Documentary Film, Routledge, 2005

References

  1. ^ [1]
  2. ^ Michael Fleming (18 December 2007). "Norton exits 'State of Play'". Variety. Retrieved 18 December 2007.
  3. ^ Richard Brunton (31 January 2008). "Kevin Macdonald directs Bobby Fischer". Filmstalker. Retrieved 31 January 2008.
  4. ^ "'Zodiac' Writer's 'Murder Mystery' Finds Its Director". BloodyDisgusting.

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