Janika Fabrikant: Difference between revisions
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[[File:Janika Fabrikant. Chemineés d’usine. 1992.png|thumb|left|Janika Fabrikant. Chemineés d’usine. Acrylic on canvas. 90x130cm. Photo: Yvonne Bohler.]] |
[[File:Janika Fabrikant. Chemineés d’usine. 1992.png|thumb|left|Janika Fabrikant. Chemineés d’usine. Acrylic on canvas. 90x130cm. Photo: Yvonne Bohler.]] |
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Janika Fabrikant was born in Paris in 1934, as the thirds child of Israel and Blima Wolkowicz. Presently living in Zurich, she is a prominent French-Swiss painter of the industrial landscape, noted for its specific characteristic of cognitive dissonace, which expresses the discrepancy between visual reality and terror in a unique way. From 1953-1955 she studied painting at the [[Académie_de_la_Grande_Chaumière|Académie de la Grande Chaumière]]. In |
Janika Fabrikant was born in Paris in 1934, as the thirds child of Israel and Blima Wolkowicz. Presently living in Zurich, she is a prominent French-Swiss painter of the industrial landscape, noted for its specific characteristic of cognitive dissonace, which expresses the discrepancy between visual reality and terror in a unique way. From 1953-1955 she studied painting at the [[Académie_de_la_Grande_Chaumière|Académie de la Grande Chaumière]]. In 1961 she moved to Zurich, where she enrolled at the present [[Zurich_University_of_the_Arts|Zurich University of the Arts]] ([http://www.zhdk.ch/?id=962 ZHdK]) and studied painting from 1982-1985. |
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[[File:Janika Fabrikant. Cern 3. 2009..png|thumb|right|Janika Fabrikant. Cern 3. 2009. Acrylic on Canvas. 140x100cm. Photo: Yvonne Bohler]] Her artistic development was inspired by visits to the U.S.A. where she felt a closer affinity to the contemporary art movements compared to Picasso and the Parisian avant garde, with which she had grown up. She was strongly influence by [[Edward Hopper|Edward Hopper]] and Milton Avery. [[Milton_Avery|Milton Avery (1885-1965)]] (see <ref>Haskell, Barbara. Milton Avery. New York, Whitney Museum of American Art. Harper & Row, 1982.</ref>). In Detroit Fabrikant discovered the industrial landscape which she rendered in her characteristic synthetic colours, removed from nature. |
[[File:Janika Fabrikant. Cern 3. 2009..png|thumb|right|Janika Fabrikant. Cern 3. 2009. Acrylic on Canvas. 140x100cm. Photo: Yvonne Bohler]] Her artistic development was inspired by visits to the U.S.A. where she felt a closer affinity to the contemporary art movements compared to Picasso and the Parisian avant garde, with which she had grown up. She was strongly influence by [[Edward Hopper|Edward Hopper]] and Milton Avery. [[Milton_Avery|Milton Avery (1885-1965)]] (see <ref>Haskell, Barbara. Milton Avery. New York, Whitney Museum of American Art. Harper & Row, 1982.</ref>). In Detroit Fabrikant discovered the industrial landscape which she rendered in her characteristic synthetic colours, removed from nature. |
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Janika Fabrikant | |
|---|---|
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| Born | February 5, 1934 Paris, France |
| Nationality | French/Swiss |
| Website | Galerie Alex Schlesinger |
Janika Fabrikant, a French-Swiss painter of urban and industrial landscapes, was born in Paris, France, in 1934.
Career
Janika Fabrikant was born in Paris in 1934, as the thirds child of Israel and Blima Wolkowicz. Presently living in Zurich, she is a prominent French-Swiss painter of the industrial landscape, noted for its specific characteristic of cognitive dissonace, which expresses the discrepancy between visual reality and terror in a unique way. From 1953-1955 she studied painting at the Académie de la Grande Chaumière. In 1961 she moved to Zurich, where she enrolled at the present Zurich University of the Arts (ZHdK) and studied painting from 1982-1985.
Her artistic development was inspired by visits to the U.S.A. where she felt a closer affinity to the contemporary art movements compared to Picasso and the Parisian avant garde, with which she had grown up. She was strongly influence by Edward Hopper and Milton Avery. Milton Avery (1885-1965) (see [1]). In Detroit Fabrikant discovered the industrial landscape which she rendered in her characteristic synthetic colours, removed from nature.
Style
Janika Fabrikant’s style defies categorization. Critics have attempted to coin her paintings as “Visionary Precisionism”[2] or “Expressive Objectivity”[3]. Visually her paintings are akin to American Precisionism. Yet the powerful element of irony, of paradox and the monumentalization of the banal, links Fabrikant more closely to Pop Art.
. Fabrikant's use of colours are a fusion of aesthetic harmony and subtle cynicism and malignant aestheticism. Her images have a a mesmerizing effect, chiefly due to their large size . Her combination of motif and colour carries tension, impenetrability, instability and a distinctively nameless distress. After the first impression of aesthetic harmony the viewer is drawn into a sense of dread, of a toxicity between subject and environment.
From 1987 up to the present Janika Fabrikant has participated in numerous group exhibitions in Switzerland, France, the U.S.A., and one in China. She has had 12 solo exhibitions, mainly in Paris and Zurich. Her work is housed in private collections. Since 2012 she is represented by the Galerie Alex Schlesinger in Zurich.[4]
Notes
- ^ Haskell, Barbara. Milton Avery. New York, Whitney Museum of American Art. Harper & Row, 1982.
- ^ Solo Exhibition at the Galery “Zum grauen Wind” Zurich, 1995.
- ^ Affentranger-Kirchrat, Angelika. Expressive Sachlichkeit. Janika Fabrikant bei Pérez Rojas. Neue Zürcher Zeitung 23. 4. 2007.
- ^ Tödistrasse 48, Zurich, Switzerland. Phone: +41 43 233 92 93.
References
- ANGELI, Bruno. Zwischen Pinsel und Pedalen. Velojournal 3, Zurich, 2011: 61.
- ANONYMOUS under “Diese Woche”. Unbestechliche Wahrnehmung. Tachles, Zurich, 27. 4. 2007.
- BEN YOSEF, Ute. Menschlich fabrizierte Maschinenlandschaften. J. Rundschau Maccabi, Basel, 21. 11. 1991.
- BEN YOSEF, Ute. Janika Fabrikant stellt in Paris aus. J. Rundschau Maccabi, Basel, 17. 9. 1992.
- BERG, Vivianne. Fabriken in Farben, die sich beissen. I. Wochenblatt 48, Zurich, 1.12. 1995.
- ROSENBERG, Gabi. Schönheit als Sinnbild des Bösen. J. Rundschau Maccabi, Basel, 4.1. 1996.
External links
- Clara database of women artist, Library and Research Center of the National Museum of Women in the Arts, Washington DC.
- european-art.net database, Zurich.
- Janika Fabrikant at the Bollag Galleries 2008-2010, Zurich, Switzerland.
- SIKART Lexicon on art in Switzerland, Swiss Institute for Art Research.
- VISARTE.SWITZERLAND, visual arts association - switzerland, formerly GSMBA (Society for Swiss painters, sculptors and architects).