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== [[Jerry's Alley]] ==

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Jerry's Alley was the lounge of the Russell Hotel in St. Catharines, Ontario, Canada. Jerry's Alley, or "The Russell" as it was commonly known, was a unique place in Southern Ontario, as it was a virtual "Ground Zero" of the alternative music scene from the late 1970s through its demolition in 1996.

The Russell Hotel was owned by Jerry Russell, who was an employee at St. Catharines' General Motors Assembly Plant #2.

While the hotel itself was primarily a low-rent residence for pensioners and fixed-income adults, the lounge was a haunt for everyone. In a small city the size of St. Catharines, 'alternative' space was at a premium, and Jerry's Alley somehow managed to accommodate prople from most walks of life. On any given night one could see skinheads, punks, faux-Rastas, metalheads, nerds, leather-scene gays and old-time alcoholics interacting in a (mostly) peaceful manner.

Jerry's Alley was primarily a live-music venue, and presented hundreds, if not thousands of live acts over the years. The bands ranged in scope from small regional acts such as Problem Children, Bitter Reality, Tension, and Brontocrushrock to relatively well-known artists such as Bad Brains, DOA, Alien Sex Fiend, and the Forgotten Rebels.

Bands who played the Russell were not entitled to any kind of 'star status'. The 'stage', such as it was, was a 1' rider in the North West corner of the bar. The audience easily interacted with the bands, which added to the DIY, anything goes mentality of the club.

On nights when no live bands were scheduled, records were spun by a handful of volunteer disc jockeys on a begged-and-borrowed PA system which more often than not only broadcast in the right channel. Featured DJs included Dirk, Lawrence, Alisa, John, Laurie, Morgan and Pete, but essentially anyone with more than two records in his collection could come in and spin. Records played were generally well-known Canadian punk and new wave acts from the late 1970s to the late 1980s, but the appeal of Jerry's music selections was the diversity. In any given night one could hear everything from Black Sabbath top Grace Jones; from (neo-fascist skinheads) Skrewdriver to Peter Tosh.

The Russell was also on occasion used as a venue for municipal fundraising, such as in the case of the "Better Him than Me '93" party to collect food for the Niagara Regional Food Bank.

The Russell was informally divided into two large rooms; a 15' bar in the front, along with a pool table and several tables and chairs, and the back room, which was essentially empty except for a candy vending machine and a rather dubious looking toilet.

Despite the possession of narcotics being unlawful, there was a defacto "don't ask, don't tell" policy in place in the lounge. As long as the manager and regular bartender, Lucy, didn't see or smell narcotics consumption, it was tacitly permitted in the back room. This was particularly welcome in the winter months, when sub-zero temperatures made smoking dope in the actually alley beside "Jerry's Alley" impractical. The back room suffered frequent electrical shortages due to faulty wiring, which added to the whole "Istanbul" vibe of the place.

Also somewhat questionable was the admissions policy in Jerry's Alley; many people known to be under the Age of Majority in Ontario (19 years of age) were allowed in, despite being legally prohibited from the premises. Some evenings this was commonplace, when other times the law was strictly enforced, and there never seemed to be any reason for this disparity.

The bar itself underwent a few aesthetic changes throughout its lifetime, mostly under the guidance and labour of volunteer patrons who prefered to treat the establishment better than their own homes. In 1993, a large mural was donated by several patrons. The artwork consisted of a collage of pop icons, ranging from Lon Chaney to Adam West's Batman; from Betty Grable to the Clash's Joe Strummer.

During its lifetime, Jerry's Alley was subject to several closures, sometimes brief and sometimes extended. These closures were generally due to breaches of fire codes, occupancy regulations or other municipal bylaws, and on two separate occasions Jerry's Alley was closed due to fire.

The first fire occurred during the day, when the bar was opened early to attract customers attending the Niagara Grape and Wine Festival Parade. On this occasion, the Fire Department's efforts to extinguish the blaze, which began in the back room, were hampered by the fact that many of the already impaired patrons refused to leave the premises, and the brief theft of an idling fire truck parked outside the hotel.

The second fire closure, which applied to the entire hotel as well as the lounge, was the eventual downfall of the business, which was left closed for three years before being demolished in 1996.

In 2002, a project documenting a winter night at Jerry's Alley was begun by documentary film-maker Morgan Lewington. Submissions to this ongoing project can be sent to jerrysalleyinruin@hotmail.com

Revision as of 01:44, 12 July 2006


A fire and smoke buildup has occured in a CTA train in Chicago. Emergency personel are on scene. The cause has not been stated at this time. It has halted subway service around Chicago. One witness has said that smoke filled the subway trains without any previous warning. Most injuries are from smoke inhalation. No fatalities have been confirmed at this time. The cause is from a rear derailment.

Sources

71.230.34.245 00:26, 12 July 2006 (UTC)[reply]

SDH Synchronous optical networking SDH Subtitles, see Subtitle

Sources

69.232.76.227 00:30, 12 July 2006 (UTC)[reply]

Mohamed Shihab is born in Maldives in 1966. He was the headmaster of Lhaviyani Atoll Education Centre in Hinnavaru, Maldives, from 1987. He was trained in Malaysia in Education and School Management. He served as Assistant Prinicpal in Majeediyya School in 1993 and then moved to the Education Ministry where he was responsible for the management of atolls schools till 15th August 2001. Since then he moved to Damas Company Pvt Ltd, where he became the Director Corporate Affairs on 1st July 2006.


Sources

www.damas.com.mv


202.1.192.5 00:48, 12 July 2006 (UTC)[reply]


Sources

Website is www.fatjock.co.uk - the guy is a legend, he has a site about all sorts including smallholding and ADSL campaigning. He's also a player of MMORPG's and well known in the community.


83.67.102.42 00:53, 12 July 2006 (UTC)[reply]

Play Mas is an old word from Trinidad that was used during Carnival time to mean "Perform" It was also an encouragement for slaves to revolt against masters

Sources

http://www.play-mas.de/index1_e.php

65.24.116.109 01:03, 12 July 2006 (UTC)[reply]

Dr. Byron L. Reid

Music Editor with Leoma Music Co., and noted composer of over 200 published Southern Gospel Convention songs by Convention Music Co., Stamps-Baxter Music, James D. Vaughan Music, Leoma Music Co., Jeffress Music Co., National Music Co., Cumberland Valley Music, Jeffress-Phillips Music Co., Ben Speer Music and Texas Legendary Music Co. Dr. Reid has taught in various music schools and seminars over the last 30 years from local churches to Northeastern State University, Talequah, OK. He has served on the Board of Directors of the CUMBERLAND VALLEY SCHOOL OF GOSPEL MUSIC, and is currently on staff with the DOREMI GOSPEL MUSIC ACADEMY and the LEOMA SCHOOL OF GOSPEL MUSIC. He served as President of the Tennessee State Gospel Singing Convention in 1990 and President of the National Gospel Singing Convention in 2006, as well as other state and local conventions in Alabama, Mississippi and Tennessee. His song writing class at DOREMI GMA has produced from one to three new songs each year, by individual students or collectively by the whole class.

Sources

"Notes on Shape Notes" by Faye Jennings Thompson, MA, Music Educator, (Retired)


12.25.34.2 01:06, 12 July 2006 (UTC)[reply]

Mitchell J. Henderson

"He was such an hero, to take it all away. We miss him so, That you should know, And we honor him this day. He was an hero, to take that shot, to leave us all behind. God do we wish we could take it back, And now he's on our minds. Mitchell was an hero, to leave us feeling like this, Our minds are rubber, our joints don't work, Our tears fall into abyss. He was an hero, to take that shot, In life it wasn't his task, He shouldn't have had to go that way, before a decade'd past. Now he sits there in my heart, this hero of mine, Always there to make me smile, Make me feel just fine. He had courage,that boy did, courage in his heart. To take that shot, To end his pain, To tear us all apart. But in the end, he died in courage. Lacking, nevermore, He died a hero, Mitchell did, And we'll love him forevermore. We love you like a brother. We miss you so much. We will always love you, kid. Rest In Peace Mitch. ~Lila"

Mitchell was such an hero.

Mitchell J. Henderson shot himself in the head with a pistol, and died, after a nigra stole his i-pod, a basketball hit him in the face, and his female friends refused to give him any good head. He wasn't aiming for his head, but he managed to hit it anyway. He should have used aimbot. Since than, the horrible people of YTMND have been waging a one sided war against Mitchell's family and friends, most of whom do not even know the real menace of the YTMNDfags who attack them. Us good people of 4chan however, have for months been trying to repeal the deadly YTMND forces, and their friends at e-baumsworld.com, and gaiaonline.com, and try to protect the respectability of an hero like mitch. Even though the good people of 4chan have fought day and night, with no regard to there own personal gain, the YTMND.COM menace has found many of mitch's "friends'" (Who can't really be called friends, if they wouldn't help him out bye giving him a bit of head, so he wouldn't shoot himself) personal info, and even went so far as to post malicious code in a funeral book, and create many joke myspaces, such as myspace.com/ghostmitchell, and /zombiemitch. Many of which have been removed, but more of which spring up everday. If you wish to contact any of mithces friends, their aim names will be put up here, if you wish to help them out, in what little way you can. Mitchells Myspace: http://www.myspace.com/ripmitchell

Sources

http://www.mysapce.com/ripmitchell http://www.4chan.org

71.104.103.155 01:10, 12 July 2006 (UTC) Sincerely, Your friends at 4chan.org[reply]

Jerry's Alley was the lounge of the Russell Hotel in St. Catharines, Ontario, Canada. Jerry's Alley, or "The Russell" as it was commonly known, was a unique place in Southern Ontario, as it was a virtual "Ground Zero" of the alternative music scene from the late 1970s through its demolition in 1996.

The Russell Hotel was owned by Jerry Russell, who was an employee at St. Catharines' General Motors Assembly Plant #2.

While the hotel itself was primarily a low-rent residence for pensioners and fixed-income adults, the lounge was a haunt for everyone. In a small city the size of St. Catharines, 'alternative' space was at a premium, and Jerry's Alley somehow managed to accommodate prople from most walks of life. On any given night one could see skinheads, punks, faux-Rastas, metalheads, nerds, leather-scene gays and old-time alcoholics interacting in a (mostly) peaceful manner.

Jerry's Alley was primarily a live-music venue, and presented hundreds, if not thousands of live acts over the years. The bands ranged in scope from small regional acts such as Problem Children, Bitter Reality, Tension, and Brontocrushrock to relatively well-known artists such as Bad Brains, DOA, Alien Sex Fiend, and the Forgotten Rebels.

Bands who played the Russell were not entitled to any kind of 'star status'. The 'stage', such as it was, was a 1' rider in the North West corner of the bar. The audience easily interacted with the bands, which added to the DIY, anything goes mentality of the club.

On nights when no live bands were scheduled, records were spun by a handful of volunteer disc jockeys on a begged-and-borrowed PA system which more often than not only broadcast in the right channel. Featured DJs included Dirk, Lawrence, Alisa, John, Laurie, Morgan and Pete, but essentially anyone with more than two records in his collection could come in and spin. Records played were generally well-known Canadian punk and new wave acts from the late 1970s to the late 1980s, but the appeal of Jerry's music selections was the diversity. In any given night one could hear everything from Black Sabbath top Grace Jones; from (neo-fascist skinheads) Skrewdriver to Peter Tosh.

The Russell was also on occasion used as a venue for municipal fundraising, such as in the case of the "Better Him than Me '93" party to collect food for the Niagara Regional Food Bank.

The Russell was informally divided into two large rooms; a 15' bar in the front, along with a pool table and several tables and chairs, and the back room, which was essentially empty except for a candy vending machine and a rather dubious looking toilet.

Despite the possession of narcotics being unlawful, there was a defacto "don't ask, don't tell" policy in place in the lounge. As long as the manager and regular bartender, Lucy, didn't see or smell narcotics consumption, it was tacitly permitted in the back room. This was particularly welcome in the winter months, when sub-zero temperatures made smoking dope in the actually alley beside "Jerry's Alley" impractical. The back room suffered frequent electrical shortages due to faulty wiring, which added to the whole "Istanbul" vibe of the place.

Also somewhat questionable was the admissions policy in Jerry's Alley; many people known to be under the Age of Majority in Ontario (19 years of age) were allowed in, despite being legally prohibited from the premises. Some evenings this was commonplace, when other times the law was strictly enforced, and there never seemed to be any reason for this disparity.

The bar itself underwent a few aesthetic changes throughout its lifetime, mostly under the guidance and labour of volunteer patrons who prefered to treat the establishment better than their own homes. In 1993, a large mural was donated by several patrons. The artwork consisted of a collage of pop icons, ranging from Lon Chaney to Adam West's Batman; from Betty Grable to the Clash's Joe Strummer.

During its lifetime, Jerry's Alley was subject to several closures, sometimes brief and sometimes extended. These closures were generally due to breaches of fire codes, occupancy regulations or other municipal bylaws, and on two separate occasions Jerry's Alley was closed due to fire.

The first fire occurred during the day, when the bar was opened early to attract customers attending the Niagara Grape and Wine Festival Parade. On this occasion, the Fire Department's efforts to extinguish the blaze, which began in the back room, were hampered by the fact that many of the already impaired patrons refused to leave the premises, and the brief theft of an idling fire truck parked outside the hotel.

The second fire closure, which applied to the entire hotel as well as the lounge, was the eventual downfall of the business, which was left closed for three years before being demolished in 1996.

In 2002, a project documenting a winter night at Jerry's Alley was begun by documentary film-maker Morgan Lewington. Submissions to this ongoing project can be sent to jerrysalleyinruin@hotmail.com