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The '''Master of Latin 757''' (''fl'' c. 1380–1395) is the name given to a [[Lombardy|Lombard]] painter of [[illuminated manuscript]]s whose work is very poorly known. Three manuscripts, all in the [[Bibliothèque nationale de France]] in Paris, were first ascribed to him by [[Pietro Toesca]]; these include a combined [[Book of Hours]] and [[Missal]], the so-called ''Lancelot du lac'', and several [[wikt:folio|folio]]s of a handbook on health, the ''Tacuinum sanitatis''. A number of other works have since been grouped with these; only the Book of Hours/Missal, however, appears to have been completed in a single, homogeneous style. |
The '''Master of Latin 757''' (''fl'' c. 1380–1395) is the name given to a [[Lombardy|Lombard]] [[painter]] of [[illuminated manuscript]]s whose work is very poorly known. Three manuscripts, all in the [[Bibliothèque nationale de France]] in Paris, were first ascribed to him by [[Pietro Toesca]]; these include a combined [[Book of Hours]] and [[Missal]], the so-called ''Lancelot du lac'', and several [[wikt:folio|folio]]s of a handbook on health, the ''Tacuinum sanitatis''. A number of other works have since been grouped with these; only the Book of Hours/Missal, however, appears to have been completed in a single, homogeneous style. |
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==References== |
==References== |
Revision as of 03:49, 14 April 2015
The Master of Latin 757 (fl c. 1380–1395) is the name given to a Lombard painter of illuminated manuscripts whose work is very poorly known. Three manuscripts, all in the Bibliothèque nationale de France in Paris, were first ascribed to him by Pietro Toesca; these include a combined Book of Hours and Missal, the so-called Lancelot du lac, and several folios of a handbook on health, the Tacuinum sanitatis. A number of other works have since been grouped with these; only the Book of Hours/Missal, however, appears to have been completed in a single, homogeneous style.
References