A Dominie's Log: Difference between revisions
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== Celebrating the Practicing Teacher == |
== Celebrating the Practicing Teacher == |
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Most images of teachers are about the individual as hero overcoming the problems of school and parents and leading the children to enlightenment. Like the heroes of fairy tales they do not challenge or change the system, they are simply heroes of the system,<ref>Zipes, Jack, Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales, The University Press of Kentucky; 2nd Revised edition, 1 Jul 2002, ISBN 978-0813190303</ref> if only all teachers were like them. To Neill the child, and their school and local community, are the heroes, they are the ones that he wants to help to be individuals and happy children. In the first review it states that he has opinions on everything, but that was to miss the point, that the issues of the school and its children impinge on political and cultural life, they are not separate. Neill is thinking of the culture of childhood and schooling, not of the school as a place for effective, efficient methods and positive measurable outcomes. The story is about him trying to 'create an attitude'. Indeed, after ten years of teaching, in 1921 he creates a school, a community, that is the hero, Summerhill School. The formation of which is portrayed in 'A Dominie Abroad', and which the Children's BBC Producer, Jon East, uses [http://www.telegraph.co.uk/culture/tvandradio/3670605/Summerhill-The-school-where-lessons-are-optional.html to get audiences to question what a school is] in his drama about the school and its fight with Ofsted inspectors 'Summerhill'. |
Most images of teachers are about the individual as hero overcoming the problems of school and parents and leading the children to enlightenment. Like the heroes of fairy tales they do not challenge or change the system, they are simply heroes of the system,<ref>Zipes, Jack, Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales, The University Press of Kentucky; 2nd Revised edition, 1 Jul 2002, ISBN 978-0813190303</ref> if only all teachers were like them. To Neill the child, and their school and local community, are the heroes, they are the ones that he wants to help to be individuals and happy children. In the first review it states that he has opinions on everything, but that was to miss the point, that the issues of the school and its children impinge on political and cultural life, they are not separate. Neill is thinking of the culture of childhood and schooling, not of the school as a place for effective, efficient methods and positive measurable outcomes. The story is about him trying to 'create an attitude'. Indeed, after ten years of teaching, in 1921 he creates a school, a community, that is the hero, Summerhill School. The formation of which is portrayed in 'A Dominie Abroad', and which the Children's BBC Producer, Jon East, uses [http://www.telegraph.co.uk/culture/tvandradio/3670605/Summerhill-The-school-where-lessons-are-optional.html to get audiences to question what a school is] in his drama about the school and its fight with Ofsted inspectors [https://vimeo.com/22205368 'Summerhill']. |
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"An awful lot of drama is set in schools - and yet each series only reinforces the dominant paradigm," Jon East says. "What we're trying to say in this drama is that there could just be another way of doing things."<ref>Rampton, James, ''Summerhill: The school where lessons are optional', The Telegraph, 19 Jan 2008</ref> |
"An awful lot of drama is set in schools - and yet each series only reinforces the dominant paradigm," Jon East says. "What we're trying to say in this drama is that there could just be another way of doing things."<ref>Rampton, James, ''Summerhill: The school where lessons are optional', The Telegraph, 19 Jan 2008</ref> |
Revision as of 19:53, 3 November 2015
A.S. Neill Dominie's Log is a diary of his first year as headteacher at Gretna Green Village School, during 1914-15. It is an autobiographical novel.[1] He changed a hard working, academic school controlled by corporal punishment and the fear of the authority of the teacher into one of happiness, play and children controlling their learning.[2] He was a reflective teacher, sitting on his desk thinking out why he and the children were at the school. He also, most importantly thought the children were human beings, and engaged with them as such, joining in their games, sliding with them on an ice slide in the street, sharing their sweets, laughing with them, and appreciating and respecting their individuality, and creativity.
Celebrating the Practicing Teacher
Most images of teachers are about the individual as hero overcoming the problems of school and parents and leading the children to enlightenment. Like the heroes of fairy tales they do not challenge or change the system, they are simply heroes of the system,[3] if only all teachers were like them. To Neill the child, and their school and local community, are the heroes, they are the ones that he wants to help to be individuals and happy children. In the first review it states that he has opinions on everything, but that was to miss the point, that the issues of the school and its children impinge on political and cultural life, they are not separate. Neill is thinking of the culture of childhood and schooling, not of the school as a place for effective, efficient methods and positive measurable outcomes. The story is about him trying to 'create an attitude'. Indeed, after ten years of teaching, in 1921 he creates a school, a community, that is the hero, Summerhill School. The formation of which is portrayed in 'A Dominie Abroad', and which the Children's BBC Producer, Jon East, uses to get audiences to question what a school is in his drama about the school and its fight with Ofsted inspectors 'Summerhill'.
"An awful lot of drama is set in schools - and yet each series only reinforces the dominant paradigm," Jon East says. "What we're trying to say in this drama is that there could just be another way of doing things."[4]
He reads the war news everyday to discuss with the children. He uses Ibsen's play 'An Enemy of the People', replacing that day's bible lesson,to question the justice of democracy when the mob rules. This book, the way it is written, the way he thinks through issues, the way it ends, can be seen as representing all those teachers who at that time helped create the community known as New Ideals in Education Conferences.[5] They believed in the foundation value for all schools and children's communities, of 'liberating the child from the authority of the teacher'.
Basing Our Schools on Children's Rights
It was recognised by the New Ideal's teachers, professors, soldiers, politicians, headteachers, artists, musicians, actors... that the liberty of the child, the autonomy of the learner, their creativity, self-expression, their search for knowledge and learning was the hope for a world of justice and peace.
"In the first place, this amazing Conference at which we have seen sitting side by side Government Officials, advanced Montessorians, antediluvian Teachers like myself, University Professors, Soldiers in khaki, Musicians, Artists, Headmasters of Public Schools, the superintendent of the Little Commonwealth, Primary Schoolteachers, and the American Ambassador himself stands, first and foremost, for Freedom, - I do not like "emancipation", for the word suggests slavery, and the use of it probably promotes it. We have all agreed that the child is to be free: yes, but the teacher must be free as well as the child…" Mr Lionel Helbert, Headmaster of West Downs, Winchester, 1915[6]
Neill in 'A Dominie's Log' writes about the children's ice slide being salted by the policeman to protect the property of the farmer's, their horses. He reflects with the children that they have no voice because they have no vote, he compares them to women, and women's low pay and menial jobs. He suggests they write a charter of children's rights. As through the whole book he does not do what teachers so often do now, turn things into projects, getting the kids to role play a campaign or draw cartoons of their plans for play in the town and its streets, but to look at the issue in terms of power, and how to get equality!
Need for a Culture and Shared History of Children's Rights
For all rights movements to succeed they build on their history, on changes their struggles have caused, and just as importantly on the culture of struggle they have created. This empowers them to feel a part of a movement, a successful, heroic struggle, with numerous examples of small successes that help to build the momentum for sustained change in laws and attitudes. Children and teachers need to feel they are a part of an historical struggle for the rights of the child. A Dominie's Log is one personal story of a headteacher, it is representative of a whole movement, New Ideals, and it is vital that we celebrate and share this history, so that it effects the present.
Evidence has been submitted to the Select Committee on Education for their meeting with the Children's Commissioner, Anne Longfield OBE, to discuss her new report 'Ambitious for Children' (August 2015). It is trying to input into the discussion of the voice of the child, and their future society and culture, the importance of this history.
Book Reviewed in November 1915
On Friday 5th November 1915 The Yorkshire Post in its far right column on page 3, under the title ‘New Books Received Yesterday’ lists 14 books ranging from ‘Nurse Cavell, the Story of her Life and Martyrdom’ to ‘Toy Making at Home’ and ‘Morals for the Young’. Fourth book in the list, after ‘Furniture Collector’ is "A Dominie’s Log" by A.S.Neill, MA.[7]
One of the earliest reviews is in The Edinburgh Evening News, Monday November 15th 1915:
A Dominie's Log, by Mr A. S. Neill, MA, introduces a new Scottish humorist of a very entertaining type. It is not the anecdotage of a superannuated wielder of the tawse, but the diary of an up-to-date young man of moods and ideas, with the gift of giving these pointed expression. Mr Neill is not enamoured of the present educational system, and in its short-comings he finds ample scope for the exercise of trenchant criticism and pungent wit. He has "a great work" with his bairns, who under his regime have a joyous time, for their teacher is "much more interested in humanity than materials." His go-as-you-please scheme would hardly lend itself to general application, but having surveyed the happy picture Mr Neill sketches, "More’s the pity." The author however, does not confine his random reflections to matters educational. He has views on most things under the sun, and these are well worth adding to the general stock of wisdom and humour. If, as in his blue moods he seems tempted to do, Mr Neill forsakes the scholastic profession, one may hope that he will give us more of these diverting chronicles. The book is published by Messrs Herbert Jenkins, Ltd., London, at 2s 6d.[8]
References
- ^ Croall, Jonathan (1983b). Neill of Summerhill: The Permanent Rebel. New York: Pantheon Books. ISBN 978-0-394-51403-1.
- ^ Neill, A. S., A Dominie's Log, Herbert Jenkins Limited, London, 1915
- ^ Zipes, Jack, Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales, The University Press of Kentucky; 2nd Revised edition, 1 Jul 2002, ISBN 978-0813190303
- ^ Rampton, James, Summerhill: The school where lessons are optional', The Telegraph, 19 Jan 2008
- ^ Newman, Michael (2015) Children’s Rights in our Schools – the movement to liberate the child, an introduction to the New Ideals in Education Conferences 1914-1937, www.academia.edu
- ^ New Ideals Committee, Report of the Conference on New Ideals in Education August 14–21, 1915 p122, Women's Print Society, 1915
- ^ The Yorkshire Post, 5 November 1915, p3
- ^ The Edinburgh Evening News, 15 November 1915, p4