Leesa Streifler: Difference between revisions
JustinCooney (talk | contribs) No edit summary |
JustinCooney (talk | contribs) No edit summary |
||
| Line 174: | Line 174: | ||
1982 The Gallery Annex, Central Park, New York, New York |
1982 The Gallery Annex, Central Park, New York, New York |
||
== Bibliography == |
|||
BIBLIOGRAPHY 1992 Streifler, Leesa; Madill, Shirley. Edge Manitoba, exhibition catalogue, Jul. 1993 Ellis, Scott. “Storming the Ramparts with the Student Bolsheviks,” Border Crossings, spring, reprod. 1995 Duncan, Michael. “Fabrication,” exhibition brochure essay, March. Curtis, Cathy. “Weaving New Life Into Everyday Objects,” review, Los Angeles Times Calendar Orange County, Apr 4, p F2, reprod. 1996 Crosby, Gregory. Review, Scope, Las Vegas, May, p 12. Pagel, David. “Energized,” review, Los Angeles Times, Aug 8, pp F1, F11, reprod. 1997 Pagel, David. “Match game,” review, Los Angeles Times, Jan 23, p F4. Hill, Ryan. Review, Art issues., Mar/Apr, p 43, reprod. Linton, Meg. Notions of the Nineteenth Century, exhibition catalogue essay, Huntington Beach Arts Center, reprod. Ed. “Recommended,” Buzz Weekly, Jan. Crosby, Gregory. “Radiant City Culture,” SCOPE Magazine, Jun/Jul. Crowley, Matthew. “NICA Asks: Irreplaceble or Irrelevant?” Southeast View, Jun 25. 1998 Lord, Catherine. Trash, exhibition brochure essay, Los Angeles Municipal Art Gallery, Feb |
|||
PHY (continued) Wilson, William. “Barnsdall Assembles 2 Wry Exhibitions,” review, Los Angeles Times, Mar 28, pp F6, F18. Auerbach, Lisa Anne. Review, “Trash,” LA Weekly, Apr 3, p 55. Long, Andrew. “Humane Society”, Art & Antiques, May, p 31, reprod. Dambrot, Shana Nys. “Dig the New Breed”, female fyi, May, p 36, reprod. 1999 Peers, M. A. “How do dogs inspire your art?” essay, The Berkeley Bark, no. 7, p 12, reprod. Duncan, Michael. "L.A. Portraiture: Post-Cool," article, Art in America, Oct, pp 124- 131, reprod. Hogarty, Ken. "Dog Days," article, Diablo Arts, Oct/Dec, pp 18-22. Lederer, Carrie. "Bow Wow! It's a Dog's Life," exhibition brochure essay, Nov. Ed. "Picture Perfect," preview, Dog Fancy, Dec. Amirrezvani, Anita. "Gallery's show is all howls, barks, woofs," review, Contra Costa Times, Nov 30, reprod, pp D1, F2. 2000 Isé, Claudine; Lombino, Mary-Kay. Bestiary,"exhibition catalogue essay, Jul, pp 13-14, reprod. Ollman, Leah. "The Animals and Us," review, Los Angeles Times, Aug 11, p F26. 2002 Myers, Holly. "Close-Up of the Corporate Aesthetic," review, Los Angeles Times, Mar 1. Wood, Eve. "M.A. Peers at Rosamund Felsen Gallery," review, Artweek, Apr 23. Duncan, Michael. LA Post-Cool, exhibition brochure essay, San Jose Museum of Art, San Jose. 2003 Thorson, Alice, “New ‘Cool’ Isn’t: California Show Continues Art World’s Post 9/11 Flight From Irony,” article, The Kansas City Star, Feb 16. 2005 Duncan, Michael. “State of the Arts ‘05,” LA Weekly, Oct 28-Nov. 3. 2006 Neel, Tucker. “Curious Collections & Cosmonaut Canines,” LA Alternative, Mar. 2007 Kino, Carol. “Boldly, Where No Dog Had Gone Before.” New York Times, Nov 4. 2008 Harvey, Doug. Aspects of Mel’s Hole, catalog, Grand Central Press. Harvey, Doug. “Some Paintings,” LA Weekly, Jan 9. Anon. “Art World: M.A. Peers at Rosamund Felsen Gallery” Art & Living, May. Miles, Christopher. “Art Around Town,” LA Weekly, May 22. Anon. “Continuing & Recommended,” ArtScene, June. 2010 Tuck, Geoff. “Notes on Looking,” For Your Art blog, Apr 22. Harvey, Doug; McGrew, Rebecca. Project Series 42, catalog, Pomona College Museum of Art. Simonson, Lily “Looking at Los Angeles: Whippet Good! M.A. Peers at the Pomona College Museum of Art,” Art 21 blog, Nov 26, <nowiki>http://blog.art21.org/2010/11/26/looking-at-los-angeles-whippetgood-m-a-peers-at-the-pomona-college-museum-of-art</nowiki>. 2012 Pagel, David “Around The Galleries: Elusive paintings with a big pull,” Los Angeles Times, Oct 26. |
|||
== References == |
== References == |
||
Revision as of 22:32, 8 March 2016
This article may meet Wikipedia's criteria for speedy deletion as an article about a real person that does not credibly indicate the importance or significance of the subject. Note that this criterion applies only to articles about people themselves, not about their books, albums, shows, software, etc. See CSD A7.
If this article does not meet the criteria for speedy deletion, or you intend to fix it, please remove this notice, but do not remove this notice from pages that you have created yourself. If you created this page and you disagree with the given reason for deletion, you can click the button below and leave a message explaining why you believe it should not be deleted. You can also visit the talk page to check if you have received a response to your message. Note that this article may be deleted at any time if it unquestionably meets the speedy deletion criteria, or if an explanation posted to the talk page is found to be insufficient. Note to administrators: this article has content on its talk page which should be checked before deletion. Administrators: check links, talk, history (last), and logs before deletion. Please confirm before deletion that the page doesn't seem to be intended as the author's userpage. If it does, move it to the proper location instead. Consider checking Google.This page was last edited by JustinCooney (contribs | logs) at 22:32, 8 March 2016 (UTC) (8 years ago) |
Leesa Streifler | |
|---|---|
| Born | |
| Nationality | Canadian |
| Education | University of Manitoba, Hunter College |
| Known for | painting, drawing, photography |
Leesa Streifler (born in Winnipeg, Manitoba in 1957) is a Canadian multi-disciplinary artist and art professor currently working out of Regina, Saskatchewan. She received a Bachelor of Fine Arts degree from the University of Manitoba in 1980 and a Master of Fine Arts from Hunter College in 1983. Streifler is known for producing art through a variety of media including photography, acrylic painting, drawing, and performance. Her works are often centered around feminism and explore themes such as illness, aging, family, body image, mental health, death and identity.[1]
Exhibitions:
SOLO:
2016 Christine Klassen Gallery, Leesa Streifler: Drawing the Photograph, Calgary, February 4–March19,
2015 Lessedra Gallery, Sofia, Bulgaria, April 14 – 28.
2014 Embodied. Estevan Art Gallery, Saskatchewan. Curated by Alex King (publication) dates? .
2012 In Relation, Art Gallery of Regina, curated by Karen Schoonover; (publication) essay by Jennifer McCrorie. Dates?
2003 Contained, Neutral Ground Artist- Run- Center, Regina, Saskatchewan
2003 Contact, Festival of Contemporary Photography’, Women’s Art Resource Center (WARC), Toronto
2001 Featured Artist, Literary Review of Canada, vol.9, No.6, summer issue:cover& pp4,712,16,22.
1999 Normal, Latitude 53, Edmonton,
1998 Normal, Dazibao centre de photographies actuelles, Montreal
1997 Normal, Dunlop Art Gallery, Regina, curated by Vera Lemecha (publication)
1993 Toronto Photographer’s Workshop, Toronto, curated by Marcus Schubert (publication)
1993 In Extremis, Swift Current National Exhibition Centre, Medicine Hat Museum and Art Gallery
1992 Affirmations of Anger, text piece on closed circuit T.V. monitors, Banff Center, Banff
1992 In Extremis, Moose Jaw Art Museum, Moose Jaw, Saskaktchewan
1992 In Extremis, MacKenzie Art Gallery, Regina, curated by Timothy Long (publication)
1990 Subjective/Reflective, Muttart Gallery, Calgary, curated by Franklyn Heisler (publication)
1990 Plug In Gallery, Winnipeg
1988 Rosemont Gallery, Regina
1988 Bus Shelter Project, Regina
1987 Neutral Ground, Regina
1983 Hunter College Art Gallery, New York
TWO-PERSON & GROUP:
2016 (Re)Visit: Interpreting the Collection, group exhibition (2 works), Kenderdine Art Gallery, University of Saskatchewan, curated by Leah Taylor & Kent Archer, Jan. 29 – April 29.
2016 Conversations in Paint, four person show, Art Placement Gallery, Saskatoon, January 8 -31, curated by Levi Nicholat.
2014 – 2016 Surreal Saskatchewan, 2 works in traveling exhibition to 16 venues in the province of Saskatchewan, curated by Belinda Harrow for the Organization of Saskatchewan Arts Councils (OSAC) (publication).
2014 They Made a Day be a Day Here, (3 works), University of Manitoba, Gallery 111, curated by Amy Fung; (publication).
2014? Working Mom, (5 works) Elsie Scherle Gallery, Last Mountain Cultural Centre, Regina Beach, Saskatchewan. Curated by Jeff Nye.
2013 They Made a Day be a Day Here, (3 works), Grande Prairie Art Gallery,Mendel Art Gallery, curated by Amy Fung; catalogue.
2013 Contested Bodies, (2 person: 10 works) WIA Projects, Centre for Women’s Studies in Education, University of Toronto, curated by Pam Patterson (publication).
2013 The Synthetic Age, (5 works) MacKenzie Art Gallery, Regina, SK., curated by Jeff Nye
2010 Pandora’s Box, (5 works) (curated by Amanda Cachia; publication) Art Gallery of Kitchener-Waterloo, ON (publication).
2010 WKP Kennedy Gallery, curated by Dermot Wilson, North Bay Ontario
2009 Close Strangers Distant Relations, (one installation) MacKenzie Art Gallery, curated by David Garneau,
2008 Pandora’s Box, (5 works) (curated by Amanda Cachia; publication) Dunlop Art Gallery, Regina.
2007 Persona: From the Collection, Canadian Museum of Contemporary Photography, National Gallery of Canada, Ottawa; publication; traveling in 2009/10 (Dec.1 2006 – April 9, 2007).
2006-2007 Where She’s At……, ( 6 woman show curated by Libby Hague; 13 works) Harbourfront Gallery, Toronto
2006-2007 Voluntary Laughter: the MacKenzie Art Gallery Volunteers Look at the Permanent Collection, (one installation)
September 30, 2006 – January 8, 2007.
2006 The Horse Show, Mysteria Gallery, Regina (Nov. 18-Dec.31, 2006). Curated by Marsha Kennedy.
2005 The Beast Not Seen in Verse, (5 person, curated by Ingrid Mayerhoffer), McMaster University Art
Gallery, Hamilton, Ontario
2005 You of Are, Mysteria Gallery, Regina, curated by Marsha Kennedy
2005 Site Reading, (faculty exhibition, curated by Seema Goel), MacKenzie Art Gallery, Regina
2004 Visage , Rosemont Art Gallery, Regina, curated by Karen Schoonover.
2004 X Folder, (curated by Carla Garnet), Sir Wilfred Grenfell College Art Gallery, University of Newfoundland
2002 Peripheries, with Sylvat Aziz, (2-person) Beaverbrook Art Gallery, Fredericton
2001 Peripheries, with Sylvat Aziz, (2-person)SAW Gallery, Ottawa
2001 Freakshow Revisited, Open Studio Gallery, Toronto
2000 Peripheries, with Sylvat Aziz, (2-person) Harcourt House, Edmonton
2000 Changing Times, (faculty exhibition, curated by tTmothy Long), Mackenzie Art Gallery, Regina
1998 Treasured Moments, MacKenzie Art Gallery, Regina
1998 Dreadsville, Kenderdine Art Gallery, University of Saskatchewan, Saskatoon
1998 Photographic project, Inversions publication on the ‘Grotesque’, edited by curator Vera Lemecha, MAWA, Winnipeg
1998 Contemporary Discourses, Museo de Arts Contemporaneo, Santiago, Chile
1998 Saskatchewan Perspectives, MacKenzie Art Gallery, Regina
1995 Res Ipsa Loquitur: The Act Speaks For Itself, Fifth Parallel Gallery, University of Regina
1993 For Interieur, Michel Tetreault Art International, 3 person show, Le Mois de la Photo, Montreal
1993 Faculty Exhibition, MacKenzie Art Gallery, (publication)
1992 The Furniture Show, Brian Melnychenko Gallery, Winnipeg
1989 Regina Billboard Project, Regina, Winnipeg, Toronto (publication)
1989 Main Access Gallery, Winnipeg
1989 Case Installation Series, Dunlop Gallery, Regina, (publication)
1989 Re-Look, MacKenzie Art Gallery, Regina
1988 Neutral Ground, Regina
1988 Rosemont Gallery, Regina
1988 Sask Open, Mendel Art Gallery, Saskatoon
1988 Hamilton Artists, Inc., Hamilton, Ontario
1988 Susan Whitney Gallery, Regina
1987 Articule Gallery, Montreal, Quebec
1987 Susan Whitney Gallery, Regina
1982 The Gallery Annex, Central Park, New York, New York
References
- ^ "Saskatchewan NAC Artists | Leesa Streifler". www.sknac.ca. Retrieved 8 March 2016.