Respect for Acting: Difference between revisions
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'''''Respect for Acting''''' by actress and teacher [[Uta Hagen]] (Wiley Publishing, 1973) is a [[textbook]] used in |
'''''Respect for Acting''''' by actress and teacher [[Uta Hagen]] (Wiley Publishing, 1973) is a [[textbook]] used in [[acting]] classes. Hagen's instructions and examples guide the aspiring actor through practical problems such as "How do I talk to the audience?" and "How do I stay fresh in a long run?". She advocates the actor's use of [[substitution (theatre)|substitution]] in informing and shaping the action of the character the actor is playing. |
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Hagen later stated that she "disassociated" herself from ''Respect for Acting''.<ref>Interview in playbill.com</ref> In a follow-up book, ''Challenge for the Actor'' (1991), she renamed "substitution" as "transference." Although Hagen wrote that the actor should "identify" the character they play with feelings and circumstances from their (the actor's) own life, she also makes clear that "Thoughts and feelings are suspended in a vacuum unless they instigate and feed the selected Actions, and IT IS THE CHARACTER'S '''''ACTIONS''''' WHICH REVEAL the true 'you,'" as the character in the play. |
Hagen later stated that she "disassociated" herself from ''Respect for Acting''.<ref>Interview in playbill.com</ref> In a follow-up book, ''Challenge for the Actor'' (1991), she renamed "substitution" as "transference." Although Hagen wrote that the actor should "identify" the character they play with feelings and circumstances from their (the actor's) own life, she also makes clear that "Thoughts and feelings are suspended in a vacuum unless they instigate and feed the selected Actions, and IT IS THE CHARACTER'S '''''ACTIONS''''' WHICH REVEAL the true 'you,'" as the character in the play. |
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Revision as of 18:33, 16 February 2018
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Respect for Acting by actress and teacher Uta Hagen (Wiley Publishing, 1973) is a textbook used in acting classes. Hagen's instructions and examples guide the aspiring actor through practical problems such as "How do I talk to the audience?" and "How do I stay fresh in a long run?". She advocates the actor's use of substitution in informing and shaping the action of the character the actor is playing.
Hagen later stated that she "disassociated" herself from Respect for Acting.[1] In a follow-up book, Challenge for the Actor (1991), she renamed "substitution" as "transference." Although Hagen wrote that the actor should "identify" the character they play with feelings and circumstances from their (the actor's) own life, she also makes clear that "Thoughts and feelings are suspended in a vacuum unless they instigate and feed the selected Actions, and IT IS THE CHARACTER'S ACTIONS WHICH REVEAL the true 'you,'" as the character in the play.
Critics Review
"Respect for Acting is a simple, lucid and sympathetic statement of actors' problems in the theatre and basic tenets for their training wrought from the personal experience of a fine actress and teacher of acting." —Harold Clurman, Theatre critic [2]
"Uta Hagen's Respect for Acting is not only pitched on a high artistic level but it is full of homely, practical information by a superb craftswoman. An illuminating discussion of the standards and techniques of enlightened stage acting." —Brooks Atkinson, Theatre critic
References
- ^ Interview in playbill.com
- ^ http://www.powells.com/biblio/17-9780025473904-0
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