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== The unique and distinctive architectural style of Angola’s cinemas ==
== The unique and distinctive architectural style of Angola’s cinemas ==
Although the film making industry in Angola has never been famous, by 1975 there were 50 cinemas in the country. Cinemas can be considered landmark buildings in some countries and cultures. Although the film itself may be the only important element in many cultures, there are many African countries that realize the cinemas themselves, the actual structures, are also meaningful. Since the end of the war in 2002, when the oil boom broke out, the redevelopment and reconstruction of Angola has been a subject of rising praise and lamentation for Africa. However, cultural space and historical heritage have not been well developed in general.
Although the film making industry in Angola has never been famous, by 1975 there were 50 cinemas in the country. Cinemas can be considered landmark buildings in some countries and cultures. Although the film itself may be the only important element in many cultures, there are many African countries that realize the cinemas themselves, the actual structures, are also meaningful. Since the end of the war in 2002, when the oil boom broke out, the redevelopment and reconstruction of Angola has been a subject of rising praise and lamentation for Africa. However, cultural space and historical heritage have not been well developed in general. <ref>{{cite web |title=The unique and distinctive architectural style of Angola’s cinemas |url=http://www.designindaba.com/articles/point-view/unique-and-distinctive-architectural-style-angola%E2%80%99s-cinemas}}</ref>
The Goethe Institut in Angola wants to restore the National Cinema, and they are researching prominent cinemas. The aim of the campaign is to protect Angolan cinemas, which can be regarded as national cultural heritage buildings, and being modern, they attract foreign visitors. The campaign began with a resumption of free fiction in the form of a photo coffee table book by Walter Fernandez and Miguel Hester. With this, Angola has found a new development point for the appreciation of cinema. The architects Maria Alice Correia, F. Joao Guimaraes, and Paula Nascimento, designers of Cine-esplanda. The design of Cine-esplanda has opened up a new chapter for cinema in Angola. Nascimento believes restoring the functional mode of cinema is just as important as restoring architectural form.
The Goethe Institut in Angola wants to restore the National Cinema, and they are researching prominent cinemas. The aim of the campaign is to protect Angolan cinemas, which can be regarded as national cultural heritage buildings, and being modern, they attract foreign visitors. The campaign began with a resumption of free fiction in the form of a photo coffee table book by Walter Fernandez and Miguel Hester. With this, Angola has found a new development point for the appreciation of cinema. The architects Maria Alice Correia, F. Joao Guimaraes, and Paula Nascimento, designers of Cine-esplanda. The design of Cine-esplanda has opened up a new chapter for cinema in Angola. Nascimento believes restoring the functional mode of cinema is just as important as restoring architectural form.
In order to best represent the developed world of the film industry, some theater operators use stock images from Film Atlantico taken at the Luanda International Film Festival, or the film Cazenga Movie Renovation of “Assaults in Luanda II” in 2008, producing a kind of musseques cinema. Compared with a vivid exhibition, this genre of cinema is dull. Of course, sometimes absence also exists in film. The Musseques Cinema was the largest functional cinema in the late colonial period, and now the building is used for the post-independence parliament. The Musseques Cinema employed a narrow range of project operations, political and economic power, , existing to a large extent as members of the MPLA. Images, symbols, and colours appear in some photographs to show that film space is more often used by political committees than for cultural purposes or to hold public meetings. However, there will never be a lack of film space. The comments of Angola celebrity, Jose Mena, Abrantes on Angolan films also apply to cinemas, whose "past deserves a better present" |url=https://www.goethe.de/ins/za/en/kul/fok/auu/20842368.html}}</ref>
In order to best represent the developed world of the film industry, some theater operators use stock images from Film Atlantico taken at the Luanda International Film Festival, or the film Cazenga Movie Renovation of “Assaults in Luanda II” in 2008, producing a kind of musseques cinema. Compared with a vivid exhibition, this genre of cinema is dull. Of course, sometimes absence also exists in film. The Musseques Cinema was the largest functional cinema in the late colonial period, and now the building is used for the post-independence parliament. The Musseques Cinema employed a narrow range of project operations, political and economic power, , existing to a large extent as members of the MPLA. Images, symbols, and colours appear in some photographs to show that film space is more often used by political committees than for cultural purposes or to hold public meetings. However, there will never be a lack of film space. The comments of Angola celebrity, Jose Mena, Abrantes on Angolan films also apply to cinemas, whose "past deserves a better present" <ref>{{cite web |title=ANGOLAN CINEMAS: PAST AND PRESENT TENSE |url=https://www.goethe.de/ins/za/en/kul/fok/auu/20842368.html |accessdate=8 November 2018}}</ref>
[[File:Angola cinema.png|thumb]]
[[File:Angola cinema.png|thumb]]



Revision as of 11:50, 8 November 2018

Angola, the seventh largest country in Africa is a west coast country in located in south-central Africa. Angola is roughly square, with a maximum width of about 800 miles (1,300 kilometers), including the Cabinda exclave located along the Atlantic coast of Angola bordering the Democratic Republic of the Congo. Angola borders the Republic of Congo in the northwest, the Democratic Republic of the Congo in the north and northeast, Zambia in the southeast, Namibia in the South, and the Atlantic in the west. In addition to Luanda, the country’s capital, other significant urban areas include Malanje, a large northern city located at the eastern end of the Luanda Railway, and the coastal oil towns of Cabinda and Soyo. Along the coastal plain, the port in the historic city of Benguela and Lobito’s industrial center are competitors, while Namibe is the country's largest fishing center in the southern port. Additionally, M'banza in Congo is the historical capital of the kingdom of Congo, Huambo is surrounded by scattered towns on the Bie plateau, while Lubango controls the Vela highlands. Most of the rural population is concentrated in waterways near highlands, where the Bie plateau contains about half of the rural population. This area is highly agricultural with lots of cattle farming. At the end of the colonial era, the rural population accounted for four-fifths of the total population, a figure known to have fallen to three-fifths in the early 21st century. [1]

Modern Movement Migrations: Architecture in Angola

In the 20th century, the migration and spread of architectural models accelerated rapidly after World War II. An important feature of the modern movement is that the meaning of migration is related to the dissemination of regional culture or the flow of ideas and works. Due to such a fast flow, Angola's architectural construction is easy to understand. Architectural production in Angola and Mozambique reflects the special understanding of different authors at different times. It is also important to emphasize the relationship between modern sports aesthetics projects like the famous cinema in Angola understood by the West and the modernization of African or Asian countries. On one hand, these territories are laboratories for modern projects, while on the other hand, it is especially important to consider that alternative concepts of a cultural, geographical or social nature can integrate with other parameters. Avermaete explains, "Architects try to integrate their colonial projects with local conditions by integrating the way of life of the colonists". Moreover, "modern experimental architects in the so-called colonial laboratory" so played an essential role in revising the existence of Modernism and Postmodernism in architectural discourse. This changed architectural design based on the environment.

What is called a "tropical" phenomenon often exists in the tropical and outer architectural structures . In the tropics, architecture is not strictly functional, rather aesthetic standards are sometimes more important. There are many different viewpoints on the concept of tropical architecture that may be interpreted in various ways. Normally, “tropical” refers to the style of architecture designed for a tropical climate. This means the architecture is built based on research of the climate and the site. Therefore, it considers many objective factors such as location, space, and what is referred to as programme organization. Architects have the objective of achieving optimal light and resistance to wind and other natural detriments to the structure. [2]

The unique and distinctive architectural style of Angola’s cinemas

Although the film making industry in Angola has never been famous, by 1975 there were 50 cinemas in the country. Cinemas can be considered landmark buildings in some countries and cultures. Although the film itself may be the only important element in many cultures, there are many African countries that realize the cinemas themselves, the actual structures, are also meaningful. Since the end of the war in 2002, when the oil boom broke out, the redevelopment and reconstruction of Angola has been a subject of rising praise and lamentation for Africa. However, cultural space and historical heritage have not been well developed in general. [3] The Goethe Institut in Angola wants to restore the National Cinema, and they are researching prominent cinemas. The aim of the campaign is to protect Angolan cinemas, which can be regarded as national cultural heritage buildings, and being modern, they attract foreign visitors. The campaign began with a resumption of free fiction in the form of a photo coffee table book by Walter Fernandez and Miguel Hester. With this, Angola has found a new development point for the appreciation of cinema. The architects Maria Alice Correia, F. Joao Guimaraes, and Paula Nascimento, designers of Cine-esplanda. The design of Cine-esplanda has opened up a new chapter for cinema in Angola. Nascimento believes restoring the functional mode of cinema is just as important as restoring architectural form. In order to best represent the developed world of the film industry, some theater operators use stock images from Film Atlantico taken at the Luanda International Film Festival, or the film Cazenga Movie Renovation of “Assaults in Luanda II” in 2008, producing a kind of musseques cinema. Compared with a vivid exhibition, this genre of cinema is dull. Of course, sometimes absence also exists in film. The Musseques Cinema was the largest functional cinema in the late colonial period, and now the building is used for the post-independence parliament. The Musseques Cinema employed a narrow range of project operations, political and economic power, , existing to a large extent as members of the MPLA. Images, symbols, and colours appear in some photographs to show that film space is more often used by political committees than for cultural purposes or to hold public meetings. However, there will never be a lack of film space. The comments of Angola celebrity, Jose Mena, Abrantes on Angolan films also apply to cinemas, whose "past deserves a better present" [4]

Settlement patterns of Angola

The continuing war and the ensuing immigration increased Luanda's population to more than 2 million by the mid-1990s; on the contrary, there are many towns in the East were broken. Along the coastal plain, the historic city of Benguela and the port and Lobito’s industrial center are competitors, while Namibe is the country's largest fishing center in the southern port. Malanje are other essential northern cities, located at the eastern end of the Luanda Railway, and the coastal oil towns of Cabinda and Soyo. M'banza in Congo is the historical capital of the kingdom of Congo. Huambo is surrounded by scattered towns on the Bie plateau, while Lubango controlling the Vela highlands. [5]

Angola’s housing

When the civil war ended in Angola, President Jose Eduardo DOS SantosAngola built one million homes. Because most of the country's houses were destroyed due to the long civil war, the people at that time had serious housing shortages. A total of 100,000 hectares of land near Luanda, Benguela, Namibe, Lubango and Malange were planned for housing, and the projects were mostly contracted by Chinese companies. Kilamba is a superstar city with 710 buildings and 20,000 apartments built in September 2012. In the first stage, 28 urban blocks were built. The northeast of North Luanda provides accommodation for nearly thirty thousand people. In 2009, the Housing Development Fund was set up by the Angolan government to help provide low-income families with social housing. However, FFH investments are targeted only at government workers in national housing projects, such as in the new city of Kiramba. The loan is extended for 30 years at a rate of 3%. To help more people, in 2013 the government introduced a subsidized rent-buy program for people with jobs and national citizenship through Sonangol Imobiliaria e-owned (SONIP), a real estate company owned by the state oil company. At the very beginning, apartments in these projects were priced between $125 thousand and $200 thousand. However, these housing programs do not really address the cost of living because most of these housing projects are far from the city. Public transport is not very developed, which means that many residents rely on expensive private transport. [6] Although the government still gives priority to state-funded housing construction, budget constraints caused by the global economic recession continue to limit the government's ability to invest its own resources for the development of housing. In order to raise funds to continue the government's housing programme, the State established the Housing Development Assets Fund (FADEH). These initiatives, as well as promotion for public-private partnerships and the task force set up to enhance private sector participation in the national urbanism implementation and housing provision, mark opportunities for housing financiers and users along supply chain for housing. Future legal changes in the field of land and property should promote private sector investment and generate taxes that can be used to improve the housing sector. So far, housing finance and development initiatives have barely affected the lower-income segments of the population, despite the existence of the housing development fund and the legislative system governing cooperatives and microfinance institutions. In addition, most of the initiatives are limited to the capital and major urban areas of the country. The best practices developed by Kixicredit and other old companies provide opportunities for building and further expansion. [6]

Churches in Angola

Between 1641 and 1648, Bengo, a national monument, was built. This shrine for mutineers offers housing for thousands of pilgrims, specifically at the time of the mutineers' feast, in September. Benguela has several churches such as the Popovite church, whose baroque style is listed as a national monument. The building has a nave, two corridors, a chapel, two towers, baptistery and a choir. It also boasts 1748 stained glass windows. On the inside, is Brazilian wood carving and the pulpit, which is done in a rococo style, that is found only in Angola. In 2009, the church accepted stained glass that had been on display for more than four years. The province of Cabinda has some of the strongest religious beliefs in Angola. Within the province, there is the old episcopal cathedral of the 16th century. Additionally, this is where the Church of the Lang Dana (21st century), the Church of the World's Queen, the Church of the Unsullied Conception, the Chapel of Choa, the Church of Mbomka, and the Church of St. Anthony can be found. The Church of St. Tiago is on the hilltop that controls the village of Randana. Gothic revival plans classified this church by colonial rule as "property of the public interest”. In the northern province of Kwanza, North Kwanza is the location of the Virgin of Victory church. In several such churches and chapels, the viaduct leads to the other church, which is rock-solid and tiled. It is rich in ornaments and has a famous reputation and a good image. The latter supported by powerful buttresses and spectacular bell towers from 1938 and still stand even today. Angola's first governor was buried there in 1589. Rebuilt in the 17th century, it has been a national monument since 1923. In South Kwanza, the Church of St. Kangba in the southern Guanza province, replaced by Serra and then later by Waco Kungo, is almost a faithful replica of the church of St. Kangba, built in Portugal 200 years ago. Despite the significant damage to the attic and the exterior walls caused by the civil war, the buildings have been properly restored. Additionally, Sambis and Porto Ambohm also still stand. [7] Next to the Rock of the Angel, Sambis and Porto Ambohm can be traced back to the eighteenth-Century San Joseph Church.

Santa Rita of Cassia, the largest refuge in Angola, was opened in April 2013. In Mbanza, Congo is one of Zaire's largest cultural assets and is now the Cathedral of Kurbibi. Between May 6, and July 6th, 1941, construction began on the Kula Bibi church. Because of its rare architectural form, the site has attracted the interest of experts at home and abroad. Angola claims it is the oldest church which shows the history progress of the Angola in Sub-Saharan Africa. It was promoted to a cathedral in 1596, and in 1992 Pope John Poulos visited it. [7]

Citations

  1. ^ "Settlement patterns of Angola".
  2. ^ Ana Magalhães. "Modern Movement Migrations: Architecture in Angola and Mozambique (1948-1975)" (PDF). Retrieved 13 September 2018.
  3. ^ "The unique and distinctive architectural style of Angola's cinemas".
  4. ^ "ANGOLAN CINEMAS: PAST AND PRESENT TENSE". Retrieved 8 November 2018.
  5. ^ "Settlement patterns of Angola".
  6. ^ "Angola housing".
  7. ^ "Churches in Angola". Retrieved 19 October 2018.

References