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Revision as of 20:37, 22 December 2018
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Camille Chedda | |
|---|---|
| Born | 1985 (age 38–39) |
| Nationality | Jamaican |
| Alma mater | University of Massachusetts |
| Awards | Guggenheim Fellowship, Louis Comfort Tiffany Foundation Biennial Award, Creative Capital Grantee, Lower Manhattan Cultural Council's Michael Richards Award, Joan Mitchell Foundation Grant, Artist-in-Residence The Studio Museum in Harlem, NYFA Fellowship, Art Matters Foundation Grant, Foundation for Contemporary Arts Grants to Artists award (2018), The Hugo Boss Prize (2018) |
Camille Chedda was born in 1985, in Manchester, Jamaica. She attended the Edna Manley College of the Visual and Performing Arts (BFA Painting, 2007) where she was Valedictorian, and the University of Massachusetts, Dartmouth, Massachusetts (MFA, 2012). Chedda is a lecturer at the Edna Manley College of the Visual and Performing Art and Project Manager for the InPulse Collective, and artistic and a social initiative to support urban Jamaican youth through the practice of visual arts in Kingston.[1]
Career
Camille Chedda work was included in the traveling exhibition Relational Undercurrents: Contemporary Art of the Caribbean Archipelago (2017 - 2019), Museum of Latin American Art, Los Angeles, California; The Jamaica Biennial (2017), National Gallery of Jamaica, Kingston, Jamaica; the 4th Ghetto Biennale (2015), Port-Au-Prince, Haiti; and Jamaica Pulse: Art and Politics from Jamaica and the Diaspora (2016), Royal West of England, Bristol, UK.[2]
Too Close For Comfort
Camille Chedda's work Too Close for Comfort (2016) exhibited in Jamaica Pulse: Art and Politics from Jamaica and the Diaspora observes gender and sexual taboos, rooted in the psychological trauma of the Middle Passage. The work engaged with themes of identity, class and race that have resulted from the Transatlantic Slave System focusing on how bodies were stacked together on slave ships as cargo.[3]
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Rebuild
Chedda's work Rebuild, made as part of the 2015 Ghetto Biennale in Port-Au-Prince, Haiti, an installation of cast cement, plastic bags, sequins, plastic toys and objects, rice, printed text and concrete block, explored notions of loss, associated with the 2010 earthquake that destroyed sections of Haiti. The house was thought to have been made from substandard concrete blocks and Chedda’s work echos discussion about proliferation of poor materials used in already undermined communities. The work looks at the wider issue of neo-colonial devastation, in part created by state malpractice and the politics of neo-liberal global interference that the Caribbean region and other developing world nations face.[4]
Sketch for Exchange Value
Chedda's work Sketch for Exchange Value in the group exhibition Insides (2015) at New Local Space, along with Oneika Russell, Phillip Thomas and Prudence Lovell took the methods of drawing beyond its more conventionally recognised use as a preliminary means of generating ideas behind the scene, to highlight the autonomous entity that drawing can be in contemporary art practice. The exhibition touched on subjects such as violence against the black body, distorted connectivity in the digital age, and notions of obscurity and transendence in the context of displacement. Chedda’s installation consisted of portrait renderings on the interior of plastic bags speaking simultaneously to fragility and dispensability of the subjects depicted therein. She uses the act of drawing as a conceit to question the value ascribed to black lives, their visibilty, and the place in society that their deaths occupy.[5]
Chedda has completed residencies at Hospitalfield, Arbroath, Scotland (2017), Art Omi, Ghent, NY (2016) and Alice Yard, Port-of-Spain, Trinidad (2014).[6]
Awards
She is the recipient of numerous awards including Albert Huie Award in Painting, Edna Manley College, Kingston, Jamaica (2007), the Reed Foundation Scholarship, Pont-Aven School of Contemporary Arts, Pont-Aven, France(2007) and the inaugural Dawn Scott Memorial Award for an outstanding contribution to the Jamaica Biennial, National Gallery of Jamaica (2014) [7]
- ^ Collective, InPulse (2018). InPulse Collective Kingston. Kingston, Jamaica: Rubis.
- ^ NGJ, National Gallery of Jamaica (2017). 2017 Jamaica Biennial Catalogue. Kingston, Jamaica: National Gallery of Jamaica.
- ^ Anderson, Kat; Evelyn, Graeme Mortimer (2016). Jamaican Pulse. Bristol, England: Sansom and Company. ISBN 978-1-908326-95-9.
- ^ "Hospitalfield". Hospitalfield. Hospitalfield. Retrieved December 22, 2018.
- ^ Limited, New Local Space. Insides, NLS. Kingston, Jamaica: New Local Space.
{{cite book}}:|last1=has generic name (help) - ^ "2017 British Council TAARE Artist Camille Chedda". 2017 British Council TAARE Artist Camille Chedda. Retrieved December 22, 2018.
- ^ Limited, New Local Space. Insides, NLS. Kingston, Jamaica: New Local Space.
{{cite book}}:|last1=has generic name (help)