Emil Beaulieau: Difference between revisions
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* [http://www.rrrecords.com RRRecords, Lowell, Massachusetts] |
* [http://www.rrrecords.com RRRecords, Lowell, Massachusetts] |
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* [http://www.blastitude.com/15/pg23.htm Review of Emil Beaulieau performance in Blastitude web zine] |
* [http://www.blastitude.com/15/pg23.htm Review of Emil Beaulieau performance in Blastitude web zine] |
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* [https://www.discogs.com/artist/75327-Emil-Beaulieau Emil Beaulieau Discography] |
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Revision as of 16:54, 26 March 2019
Emil Beaulieau, or more fully, “Emil Beaulieau: America’s Greatest Living Noise Artist” (born July 5, 1957) is the stage name of Ron Lessard, a prominent noise musician who primarily records for his own label: RRRecords. He has collaborated and performed with many well-known noise artists, including Merzbow, Pain Jerk, Richard Ramirez from Black Leather Jesus and Sonic Disorder. Beaulieau frequently performs with a custom-made four-armed turntable named the Minutoli after its creator, a friend of the artist. Dressed in his trademark pink dress shirt, tie, and grey cardigan, Emil Beaulieau acts out comical performances.
Emil Beaulieau is also believed to have been the first to have applied the LAYLAH Records term “anti-record” to musical records which have been treated (melted, drilled, painted, etc.) so that they become noise records. While something like this had been done by experimental artists for several decades, it wasn’t until Emil’s release of a series of such records (Billboard Combat, Metastasis; Due Process, Do Nothing and many more) that these (anti-)art pieces were widely called anti-records.
Minutoli
The Minutoli is a phonograph turntable modified to support multiple (usually four) tone arms. The tone arms may be used independently and/or in combinations at the operator's discretion. The result is generally a unique performance, due to the random positions available. The device is mostly associated with Noise performer Emil Beaulieau as an instrument employed in his stage acts. It was invented by his friend, Michael Minutoli.[citation needed]