Jump to content

Midnight Syndicate: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
m clarify
GuardianZ (talk | contribs)
remove redundant cite that did not support statement, clarify and condense statement, which was previously clunky. Disambig album titles.
Line 20: Line 20:
Musically, the album contained an eclectic blend of styles including everything from dark instrumental music (of which three tracks appeared on future releases), [[jazz]], [[techno music|techno]], [[Rock-a-Billy|horrorbilly]], [[hip hop music|rap]], [[New Age music|new age]], [[Swing (genre)|swing]], [[Black_comedy#Musicians|humor-pop]], and [[Space music|space]]. Movie-style sound effects were employed in some tracks. A multimedia show was produced by Douglas and his company Entity Productions to support the album in March 1998. The show included a blending of original short films, live music, animation and stage performers.
Musically, the album contained an eclectic blend of styles including everything from dark instrumental music (of which three tracks appeared on future releases), [[jazz]], [[techno music|techno]], [[Rock-a-Billy|horrorbilly]], [[hip hop music|rap]], [[New Age music|new age]], [[Swing (genre)|swing]], [[Black_comedy#Musicians|humor-pop]], and [[Space music|space]]. Movie-style sound effects were employed in some tracks. A multimedia show was produced by Douglas and his company Entity Productions to support the album in March 1998. The show included a blending of original short films, live music, animation and stage performers.


[[Image:Bornofthenight.gif|thumb|left|''Born of the Night'' album cover.]]In 1998, Douglas teamed up with gothic fantasy artist Joseph Vargo, and the two decided to create an exclusively dark-themed, instrumental Midnight Syndicate CD, with Vargo developing the concept that the CD should be based around his gothic artwork. Composer Gavin Goszka, formerly a solo-artist in a project called ''Lore,'' also joined Douglas and Vargo. Together they created ''Born of the Night,'' a groundbreaking album that appealed to fans of gothic music, the horror genre, and haunted attractions.<ref name="radio">[http://www.goear.com/listen.php?v=5811b41 Radio Interview with Joseph Vargo, Edward Douglas and Gavin Goszka] Station WERE 1300, Cleveland, OH., October 1998.</ref><ref name="HA"> [http://www.hauntedattraction.com/index.php?module=pagemaster&PAGE_user_op=view_page&PAGE_id=37&MMN_position=61:41 Cover story on Midnight Syndicate]Leonard Pickel, "Midnight Syndicate: Setting the Mood for an Industry", ''Haunted Attraction Magazine'' (Charlotte, NC), June 2006, Pg. 24-28, 38-41</ref> Douglas and Goszka wrote and performed the music on the album while Vargo served as [[Executive producer#Music|executive producer]] and [[creative director]] of the project, writing and performing the vocals and narrations, and designing the cover art and packaging. The album and songs were also titled after several of Vargo's most popular paintings. ''Born of the Night'' was independently released in September 1998 through Vargo's Monolith Graphics and Douglas' Entity Productions, hitting the horror market just in time for the Halloween season. It was Midnight Syndicate's first critically acclaimed gothic-horror soundtrack and proved to be an instant success,<ref>John Soeder, "Gothic Horror Rock Featured This Weekend", ''[[The Plain Dealer (newspaper)|The Plain Dealer]]'' (Cleveland, OH), March 2, 2000.</ref> establishing Midnight Syndicate's trademark sound.<ref> [http://www.geocities.com/SunsetStrip/Loge/5488/intmidnight7.htm Interview at Krepuskulum]</ref>
[[Image:Bornofthenight.gif|thumb|left|''Born of the Night'' album cover.]]In 1998, Douglas teamed up with gothic fantasy artist Joseph Vargo, and the two decided to create an exclusively dark-themed, instrumental album, with Vargo developing the concept which was based on his gothic artwork. Composer Gavin Goszka, formerly a solo-artist in a project called ''Lore,'' also joined Douglas and Vargo. Together, this revised line-up of Midnight Syndicate created ''Born of the Night,'' a groundbreaking album that appealed to fans of gothic music, the horror genre, and haunted attractions.<ref name="radio">[http://www.goear.com/listen.php?v=5811b41 Radio Interview with Joseph Vargo, Edward Douglas and Gavin Goszka] Station WERE 1300, Cleveland, OH., October 1998.</ref> Douglas and Goszka wrote and performed the music on the album while Vargo served as [[Executive producer#Music|executive producer]] and [[creative director]] of the project, writing and performing the vocals and narrations, and designing the cover art and packaging. The album and songs were also titled after several of Vargo's most popular paintings. ''Born of the Night'' was independently released in September 1998 through Vargo's Monolith Graphics and Douglas' Entity Productions, hitting the horror market just in time for the Halloween season. It was Midnight Syndicate's first critically acclaimed gothic-horror soundtrack and proved to be an instant success,<ref>John Soeder, "Gothic Horror Rock Featured This Weekend", ''[[The Plain Dealer (newspaper)|The Plain Dealer]]'' (Cleveland, OH), March 2, 2000.</ref> establishing Midnight Syndicate's trademark sound.<ref> [http://www.geocities.com/SunsetStrip/Loge/5488/intmidnight7.htm Interview at Krepuskulum]</ref>


[[Image:Realm_of_shadows_cd_cover.jpg|thumb|right|''Realm of Shadows'' album cover.]]In March 2000, ''Realm of Shadows'' followed suit with the same flavor of dark instrumental music and another gothic setting. Douglas and Goszka wrote all of the music for this album while Vargo wrote and performed the opening narration and theme story. Again, the songs were titled after Vargo's artworks. Both albums were featured as official soundtracks for Universal Studios' [[Halloween Horror Nights]], and used in several other major theme parks during Halloween, such as [[Busch Gardens]], [[Cedar Point]] and [[Thorpe Park|Thorpe Park's]] Fright Nights event.<ref>Jeff Niesel, "Soundbites", ''[[Cleveland Scene|Scene Magazine]]'' (Cleveland, OH), October 14, 1999.</ref> The heavy metal band [[King Diamond (band)|King Diamond]] also featured tracks from ''Born of the Night'' as opening music for their 2000 US tour. Afterwards, Vargo and Midnight Syndicate chose to work separately of one another on future projects.<ref>[http://www.monolithgraphics.com/pages/vr.html?/pages/iv_dr01.html Interview with Midnight Syndicate] Peter Iorillo, "Something Wicked This Way Comes", ''Dark Realms Magazine'' (Cleveland, OH), Issue 1, January 2001, Pg. 20-23.]</ref>
[[Image:Realm_of_shadows_cd_cover.jpg|thumb|right|''Realm of Shadows'' album cover.]]In March 2000, ''Realm of Shadows'' followed suit with the same flavor of dark instrumental music and another gothic setting. Douglas and Goszka wrote all of the music for this album while Vargo wrote and performed the opening narration and theme story. Again, the songs were titled after Vargo's artworks. Both albums were featured as official soundtracks for Universal Studios' [[Halloween Horror Nights]], and used in several other major theme parks during Halloween, such as [[Busch Gardens]], [[Cedar Point]] and [[Thorpe Park|Thorpe Park's]] Fright Nights event.<ref>Jeff Niesel, "Soundbites", ''[[Cleveland Scene|Scene Magazine]]'' (Cleveland, OH), October 14, 1999.</ref> The heavy metal band [[King Diamond (band)|King Diamond]] also featured tracks from ''Born of the Night'' as opening music for their 2000 US tour. Afterwards, Vargo and Midnight Syndicate chose to work separately of one another on future projects.<ref>[http://www.monolithgraphics.com/pages/vr.html?/pages/iv_dr01.html Interview with Midnight Syndicate] Peter Iorillo, "Something Wicked This Way Comes", ''Dark Realms Magazine'' (Cleveland, OH), Issue 1, January 2001, Pg. 20-23.]</ref>
Line 44: Line 44:
[[Image:13th_hour_cd_cover.jpg|thumb|right|''The 13th Hour'' album cover.]]Midnight Syndicate Discography:
[[Image:13th_hour_cd_cover.jpg|thumb|right|''The 13th Hour'' album cover.]]Midnight Syndicate Discography:
* 1997: ''[[Midnight Syndicate (album)]]''
* 1997: ''[[Midnight Syndicate (album)]]''
* 1998: ''[[Born of the Night]]''
* 1998: ''[[Born of the Night (album)]]''
* 2000: ''[[Realm of Shadows]]''
* 2000: ''[[Realm of Shadows]]''
* 2001: ''[[Gates of Delirium]]''
* 2001: ''[[Gates of Delirium]]''
* 2002: ''[[Vampyre]]''
* 2002: ''[[Vampyre (album)]]''
* 2003: ''[[Dungeons & Dragons]]''
* 2003: ''[[Dungeons & Dragons]]''
* 2005: ''[[The 13th Hour]]''
* 2005: ''[[The 13th Hour]]''

Revision as of 22:55, 7 January 2007

Midnight Syndicate

Midnight Syndicate is a musical group that has been working mainly in the genre of gothic horror music since 1998. A 1997 self-titled release covered multiple mainstream genres. The band is based out of Chardon, Ohio, a suburb of Cleveland. Their music is commonly used to provide atmosphere during the Halloween season, in haunted attractions and in the role-playing game industry.

Formation

Composer/filmmaker Edward Douglas founded Midnight Syndicate in 1996. In 1997, their self-titled debut was released. A majority of music on the album was written, arranged, and performed by Edward Douglas. Contributors included Scott Angus, Mark Rakocy, Dennis Carleton, Jamie Barbour, Ray Portler, the rap act Dark Side, and Christopher Robichaud. Douglas coined the term "cine-fusion" to describe the album. Cine-fusion is described in the album's liner notes as

"a blending of movie soundtrack music and pop music... a compilation of soundtracks to movies that do not exist. The goal of the music is to stimulate the imaginations of listeners so that they are able to transport themselves to worlds or movies of their own creation."

Musically, the album contained an eclectic blend of styles including everything from dark instrumental music (of which three tracks appeared on future releases), jazz, techno, horrorbilly, rap, new age, swing, humor-pop, and space. Movie-style sound effects were employed in some tracks. A multimedia show was produced by Douglas and his company Entity Productions to support the album in March 1998. The show included a blending of original short films, live music, animation and stage performers.

File:Bornofthenight.gif
Born of the Night album cover.

In 1998, Douglas teamed up with gothic fantasy artist Joseph Vargo, and the two decided to create an exclusively dark-themed, instrumental album, with Vargo developing the concept which was based on his gothic artwork. Composer Gavin Goszka, formerly a solo-artist in a project called Lore, also joined Douglas and Vargo. Together, this revised line-up of Midnight Syndicate created Born of the Night, a groundbreaking album that appealed to fans of gothic music, the horror genre, and haunted attractions.[1] Douglas and Goszka wrote and performed the music on the album while Vargo served as executive producer and creative director of the project, writing and performing the vocals and narrations, and designing the cover art and packaging. The album and songs were also titled after several of Vargo's most popular paintings. Born of the Night was independently released in September 1998 through Vargo's Monolith Graphics and Douglas' Entity Productions, hitting the horror market just in time for the Halloween season. It was Midnight Syndicate's first critically acclaimed gothic-horror soundtrack and proved to be an instant success,[2] establishing Midnight Syndicate's trademark sound.[3]

File:Realm of shadows cd cover.jpg
Realm of Shadows album cover.

In March 2000, Realm of Shadows followed suit with the same flavor of dark instrumental music and another gothic setting. Douglas and Goszka wrote all of the music for this album while Vargo wrote and performed the opening narration and theme story. Again, the songs were titled after Vargo's artworks. Both albums were featured as official soundtracks for Universal Studios' Halloween Horror Nights, and used in several other major theme parks during Halloween, such as Busch Gardens, Cedar Point and Thorpe Park's Fright Nights event.[4] The heavy metal band King Diamond also featured tracks from Born of the Night as opening music for their 2000 US tour. Afterwards, Vargo and Midnight Syndicate chose to work separately of one another on future projects.[5]

Midnight Syndicate's third gothic horror soundtrack,Gates of Delirium, was released in 2001. This time Douglas and Goszka teamed up with two members who worked on the first Midnight Syndicate CD, Mark Rakocy (graphic design) and Christopher Robichaud (vocals). This particular album was a huge success on MP3.com, where it held six spots in their Top 20 positions during Halloween that year.[6]

Midnight Syndicate called on artist Keith Parkinson to design the packaging for their fourth gothic soundtrack, Vampyre, released in 2002. The following year, the band released the first officially-licensed soundtrack to the classic roleplaying game Dungeons & Dragons. Some of the tracks were later used in computer games Shadowbane and Baldur's Gate II.

File:Vampyre cd cover.jpg
Vampyre album cover.

In 2005, they released their seventh CD, The 13th Hour. It featured vocal effects by Lily Lane of the horror-rock band, Lazy Lane, and another cover by Keith Parkinson.

Out of the Darkness - Retrospective: 1994-1999 was released in 2006 and featured re-recorded versions of tracks from Midnight Syndicate, Born of the Night, and Realm of Shadows, along with some of Edward Douglas’ early horror film scores. Fantasy artist Rob Alexander designed the cover for this release, as well as a new cover for Gates of Delirium.

Over the course of time Midnight Syndicate has become the standard with the Halloween and haunted attraction industries.[7] In addition to haunted attractions and amusement parks worldwide that license their music during the Halloween season, Midnight Syndicate's music has appeared in mainstream television programs like Barbara Walters' 10 Most Fascinating People of 2002, The Ellen Degeneres Show and Monday Night Football. Parks like Universal Studio's Halloween Horror Nights use Midnight Syndicate's music prominently on their websites and in their events.[8] When looking for a main title theme and additional music for their horror films, several production companies have turned to the Midnight Syndicate catalog. Films that have used Midnight Syndicate’s music include Demons at the Door, Dead & Rotting, Witchouse 3: Demon Fire and Song of the Vampire (AKA Vampire Resurrection).[9]

Midnight Syndicate has also had an impact in the hobby gaming industry. In 2006, The 13th Hour won the Origins Award for Best Gaming Accessory presented by the Academy of Adventure Game Art & Design, marking the first time a role-playing soundtrack or music CD has won the award.[10]

Midnight Syndicate's CDs are self-distributed to thousands of retailers worldwide by Entity Productions, Inc. and its partners, making them one of the largest distributors of Halloween-themed music in 2006.[11]

Future projects

Midnight Syndicate has teamed up with Snap Kick Productions to score the upcoming horror film, Sin-Jin Smyth. Additionally they recently signed on to score Robert Kurtzman's film, The Rage. In 2006, Edward Douglas began pre-production on the horror suspense film he will be directing, The Dead Matter. Previously filmed in 1996 with a very small budget, The Dead Matter was co-written (with Tony Demci), directed, and scored by Edward Douglas. Demci and Douglas have rewritten the script for the new film.

Discography

File:13th hour cd cover.jpg
The 13th Hour album cover.

Midnight Syndicate Discography:

References

  1. ^ Radio Interview with Joseph Vargo, Edward Douglas and Gavin Goszka Station WERE 1300, Cleveland, OH., October 1998.
  2. ^ John Soeder, "Gothic Horror Rock Featured This Weekend", The Plain Dealer (Cleveland, OH), March 2, 2000.
  3. ^ Interview at Krepuskulum
  4. ^ Jeff Niesel, "Soundbites", Scene Magazine (Cleveland, OH), October 14, 1999.
  5. ^ Interview with Midnight Syndicate Peter Iorillo, "Something Wicked This Way Comes", Dark Realms Magazine (Cleveland, OH), Issue 1, January 2001, Pg. 20-23.]
  6. ^ All Music Guide Mario Mesquita Borges, Midnight Syndicate biography
  7. ^ Cover story on Midnight SyndicateLeonard Pickel, "Midnight Syndicate: Setting the Mood for an Industry", Haunted Attraction Magazine (Charlotte, NC), June 2006, Pg. 24-28, 38-41
  8. ^ Halloween Horror Nights website using Midnight Syndicate music
  9. ^ IMDB.com listing for Midnight Syndicate
  10. ^ The Origins Awards
  11. ^ Carl E. Feather, "A little night music", Star Beacon (Ashtabula, OH), October 30, 2006, Sec. B, Pg. B1.

Interviews/Other References