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the hunting horn calls in the final movement, a popular trope in eighteenth century music. The symphony is scored for flute, two oboes, bassoon, two horns...5 KB (606 words) - 08:25, 2 August 2023- Taruskin, Richard (eds.). The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music. University of California Press. ISBN 9780520958876. Smart, Mary...6 KB (626 words) - 22:24, 19 May 2023
- publications as The Cambridge Opera Journal, Revue de Musicologie, Mozart Jahrbuch, Eighteenth-Century Music, and the Journal of the Royal Musical Association...6 KB (592 words) - 12:52, 20 January 2024
250th Anniversary of His Death, and articles in the journals Early Music and Eighteenth-Century Music. "Christopher Willis". IMDb.com. Retrieved 10 August...7 KB (405 words) - 10:54, 14 August 2024- Concerning Mozart's Students Barbara Ployer and Josepha Auernhammer", Eighteenth-Century Music, vol. 3, no. 2, September 2006 (Cambridge University Press), 311–322...10 KB (985 words) - 22:55, 28 July 2024
- July 2013. He serves on the editorial board of the journal Eighteenth-Century Music and the e-journal Haydn. He has given lectures and talks at the BBC...4 KB (512 words) - 02:01, 20 January 2024
- Posthumous Reports Concerning Mozart in his Late Viennese Years", Eighteenth-Century Music 2:125–129. (2007) with H. Worthen, "Ideology in Movement and a...11 KB (1,206 words) - 00:02, 21 March 2024
- Fenaroli, Journal of Schenkerian Studies, 7/1, pp. 1-32. Sanguinetti, Giorgio (2014), Eighteenth Century Music Editorial, Eighteenth Century Music, Volume...3 KB (258 words) - 09:34, 19 December 2023
therefore, should conclude the performance. Typically, until the late eighteenth century, music criticism centred on vocal rather than instrumental music – "vocal...11 KB (1,384 words) - 12:33, 25 June 2024- Galant Style: Being an Essay on Various Schemata Characteristic of Eighteenth-Century Music for Courtly Chambers, Chapels, and Theaters, Including Tasteful...4 KB (432 words) - 15:24, 25 January 2024
- via Google Books. "Bach and the Riddle of the Number Alphabet | Eighteenth-century music". Cambridge University Press. https://www.amazon...9 KB (1,010 words) - 08:04, 7 July 2024
- Bawdy Canons, Vulgarity and Debauchery at the Wiednertheater". Eighteenth Century Music. 13 (2): 283–308. doi:10.1017/S1478570616000087. ISSN 1478-5706...26 KB (3,296 words) - 08:56, 28 July 2024
Richard Pococke's Early Correspondence (1734–37)". Society for Eighteenth-Century Music Newsletter 17 (September 2010 – April 2011), 5. Damiani, Anita...17 KB (2,036 words) - 02:05, 31 July 2024- Leonard Ratner (section Academic journal articles)Caplin, "On the Relation of Musical 'Topoi' to Formal Function" Eighteenth-Century Music 11(1) March, 2005. Raymond Monelle, The Sense of Music:Semiotic...5 KB (498 words) - 07:10, 8 May 2022
needed] WIEBKE THORMÄHLEN (September 2009). "Cambridge Journals Online - Eighteenth-Century Music - Abstract - FRANCESCO GEMINIANI (1687–1762) SONATES POUR...2 KB (181 words) - 19:39, 12 December 2023
Posthumous Reports Concerning Mozart in His Late Viennese Years". Eighteenth-Century Music. 2 (1): 125–129. doi:10.1017/S147857060500028X. ISSN 1478-5714...54 KB (5,458 words) - 17:52, 20 August 2024- University Press journals includes all academic journals published by Cambridge Journals as of 7 October 2015[ref], including journals no longer published...77 KB (332 words) - 02:36, 11 August 2024
Demeyere, Ewald (2018), "On Fedele Fenaroli's Pedagogy: An Update", Eighteenth Century Music, 15 (2), Cambridge University Press: 207–229, doi:10.1017/S1478570618000052...35 KB (3,026 words) - 15:25, 22 August 2024
Ann, eds. (2014). The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music. Berkeley: University of California Press. ISBN 978-0-520-27407-5...33 KB (3,041 words) - 03:30, 19 August 2024- bawdy canons, vulgarity and debauchery at the Wiednertheater". Eighteenth Century Music. 13 (2): 283–308. doi:10.1017/S1478570616000087. ISSN 1478-5706...10 KB (1,344 words) - 20:06, 20 August 2024
- and well warmed. Nor was this all: in 1728 he founded the first musical journal published in Germany, He retained his title of Kapellmeister of Saxony;