Carrie Hott
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Background
Carrie Hott is an interdisciplinary artist, researcher and educator based in Oakland, California. Hott’s multidisciplinary projects often take the form of multi-media installations that incorporate drawings, prints, books, sound, video or performance in sculptural settings.[1] Deeply informed by a self-described “roving research practice,”[2] her work documents and dissects technological systems such as artificial lighting, the electrical grid, web-based platforms and the Internet itself.[3]
Hott is a co-founder of the Royal None Such Gallery in Oakland, California, an alternative art and community event space; she also helped co-found the Ortega y Gasset Projects, an artist-run exhibition space in Bushwick, Brooklyn. Active as an arts administrator, curator, and educator; Hott is an assistant professor/lecturer and is on the board at Headlands Center for the Arts in Sausalito, California.
Early Life
Hott was born in Fort Collins, Colorado, and grew up in Arizona, Colorado, and California. She received her BFA in Painting with a minor in Psychology from Arizona State University in 2003, and her MFA from the San Francisco Art Institute in 2007.[4]
In addition to her studio practice, Hott is a faculty member in the University of San Francisco’s department of Art + Architecture[5], is a visiting lecturer in the Art Practice Department at UC Berkeley[6] and in the past has been a Lecturer San Jose State University.
Exhibitions
Hott's work has been presented in exhibitions across the country, including Southern Exposure, the Oakland Museum of California, the Santa Cruz Museum of Art and History, the Museum of Capitalism, and the International Symposium on Electronic Arts in New Mexico. Hott was also part of the Bay Area Now 8 exhibition[7] at San Francisco’s Yerba Buena Center for the Arts and her project, The Key Room[8], is a permanent installation at the Headlands Center for the Arts.
Hott has been an artist-in residence at Recology San Francisco[9] and at Mills College. She is currently working on a long-term web-based collaboration with The Lab, an experimental art and performance space in San Francisco’s Mission District.[10] Additionally, Hott contributed to an essay and photo project in the latest Living Room Light Exchange publication: Rare Earth The Ground is Not Digital which was released October 2020.[11]
Awards
Hott was a recipient of the 2017 Artadia Award[12] in San Francisco, and was named one of 24 Artists to Watch in 2015 by Modern Painters Magazine. Her work has been reviewed in Art Practical, Artslant, and Whitehot Magazine of Contemporary Art.[13][14]
External links
- Official website[15]
References
- ^ "Carrie Hott: Our Shiver". The Lab. Retrieved 2023-05-08.
- ^ "Carrie Hott". YBCA. Retrieved 2023-05-08.
- ^ "Carrie Hott". UC Berkeley Art Practice. Retrieved 2023-05-08.
- ^ "Carrie Hott". Artadia. 2017-11-20. Retrieved 2023-05-08.
- ^ "Carrie Hott | University of San Francisco". www.usfca.edu. Retrieved 2023-05-08.
- ^ "Carrie Hott". UC Berkeley Art Practice. Retrieved 2023-05-08.
- ^ "Bay Area Now 8". YBCA. Retrieved 2023-05-08.
- ^ "The Key Room". www.headlands.org. Retrieved 2023-05-08.
- ^ Katz, Leslie. "Recology San Francisco artists turn recycled trash into treasures". CNET. Retrieved 2023-05-08.
- ^ Spuhler, Robert (April 8, 2021). "Dance A Thon for the Lab in S.F. to feature Dan Deacon and others in a virtual burst of support". Datebook | San Francisco Arts & Entertainment Guide. Retrieved 2023-05-08.
- ^ "publications". Living Room Light Exchange. Retrieved 2023-05-08.
- ^ "Carrie Hott". Artadia. 2017-11-20. Retrieved 2023-05-08.
- ^ Modern Painters (Vol. 26, no. 11. ed.). Modern Painters. December 2014. pp. 19, 63–81.
- ^ "MCAM - Among the Last Works: Bernice Bing". artcollection.mills.edu. Retrieved 2023-05-08.
- ^ "Carrie Hott's Internet Corner". carriehott.com. Retrieved 2023-05-08.