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Bronwyn Holloway-Smith

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This is an old revision of this page, as edited by Toadspike (talk | contribs) at 04:33, 12 June 2024 (Changing short description from "New Zealand artist and author" to "New Zealand artist and author (1982–)"). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Bronwyn Holloway-Smith
Born
Bronwyn Smith

1982
Lower Hutt
NationalityNew Zealand
Alma materMassey University
Websitehollowaysmith.nz

Bronwyn Holloway-Smith is a New Zealand artist and author from Wellington. She holds a PhD in Fine Arts from Massey University, and is co-director of Public Art Heritage Aotearoa New Zealand.

Early life and education

Holloway-Smith graduated from Massey University with a Bachelor of Fine Arts (First Class Honours) in 2006.[1] She completed her PhD at Massey University's Toi Rauwhārangi College of Creative Arts in 2018.[2]

Career

Holloway-Smith with Peter Dunne at an Internet Blackout protest in February 2009

She describes herself as interested in "internet culture, 3-dimensional printing, open source art, and space colonisation."[3] She edited the book WANTED: The search for the modernist murals of E. Mervyn Taylor, published in 2018.[4][5]

Advocacy for the Creative Freedom Foundation

Holloway-Smith was involved in setting up the organisation Creative Freedom Foundation in 2008. The foundation seeks to "encourage and promote New Zealand artists' views on issues that have the potential to influence their collective creativity" such as copyright law. She was the director of the Creative Freedom Foundation until 2014.[6][7]

In 2009, she presented a petition on behalf of 149 people requesting "that the House of Representatives immediately repeal section 92A of the Copyright Act 1994 (to be inserted by the Copyright (New Technologies) Amendment Act 2008), or delay its commencement."[8] The petition was a culmination of the New Zealand Internet Blackout, and was presented to Parliament by Peter Dunne.

Ghosts in the form of gifts (2010)

In 2010, Holloway-Smith produced an exhibition called "Ghosts in the form of gifts", which was commissioned by Massey University in Wellington. The exhibition used 3D printers to recreate 10 objects which had been lost by the Museum of New Zealand. The objects she printed included "an adze, poi, a whale's tooth and a tapa beater among others. A Maori fishhook (Matau) sits next to the Utah teapot, a standard object used in graphic design, and a New Zealand giant snail shell." The files which she used to print the objects were released to the public under a Creative Commons licence.[9] Holloway-Smith made her models available for reuse through an open source license.[10] The project won the Open Art Award at the 2010 New Zealand Open Source Awards.

Pioneer City (2011)

In 2011, Holloway-Smith produced a series of works exploring the possibility of settling Mars. As part of this project, she won a competition to erect a billboard on Ghuznee Street, Wellington, advertising "Pioneer City" on Mars.[11] The intention behind the work was to explore how the real estate industry has aimed its marketing at people's aspirations, and how residential developments are sometimes utopian:

"We have seen this with the boom in inner-city apartment living in the past decade. We saw it in the 19th century in the way the New Zealand Company sold a romanticised picture of New Zealand to prospective settlers before they’d visited the country. My project responds to this kind of marketing in the inner city and draws attention to its timelessness".[11]

A website was also produced.[12]

Public Art Heritage Aotearoa New Zealand (PAHANZ)

PAHANZ "... is a research initiative to find, document and protect [the nations's] 20th century public art heritage.", according to their website.[13] At Massey University's Toi Rauwhārangi College of Creative Arts, Holloway-Smith and Sue Elliott's research into the murals of E. Mervyn Taylor developed into an informal register of public art.[14][15] By the late 2010s, PAHANZ planned to make the register accessible through their website.[16] In the early 2020s, the initiative received $300,000 from the Ministry for Culture and Heritage's innovation fund to put the register on the web and establish a forum for those working with public art to share resources and best practice.[17][18] The national register of 20th century public art was launched on the PAHANZ website in July 2023.[14]

As of June 2024, the register on the web lists 388 works. Each work has a current status for the viewing public: accessible, hidden or lost (whereabouts unknown or destroyed). The public is invited to submit further works for registration and further information about selected works whose details are incomplete.[19]

References

  1. ^ "Bronwyn Holloway - Smith". CIRCUIT Artist Film and Video Aotearoa New Zealand. 3 January 2012. Retrieved 13 December 2018.
  2. ^ Holloway-Smith, Bronwyn (2018). The Southern Cross cable : a tour : art, the internet and national identity in Aotearoa-New Zealand (Doctoral thesis). Massey Research Online, Massey University. hdl:10179/14941.
  3. ^ "Bronwyn Holloway-Smith". 18 July 2012. Archived from the original on 13 August 2017. Retrieved 3 November 2017.
  4. ^ "10 questions with Bronwyn Holloway-Smith | Massey University Press". www.masseypress.ac.nz. Retrieved 13 December 2018.
  5. ^ "Review: WANTED: The search for the modernist murals of E. Mervyn Taylor, edited by Bronwyn Holloway-Smith". Stuff. 21 April 2018. Retrieved 13 December 2018.
  6. ^ "Resume Curriculum Vitae". bronwyn.co.nz. Archived from the original on 19 December 2014. Retrieved 27 November 2014.
  7. ^ "About Us". creativefreedom.org.nz.
  8. ^ "Petition of Bronwyn Holloway-Smith and 148 others". parliament.govt.nz.
  9. ^ O'Neill, Robb (27 January 2010). "3D printer deployed for the cause of art". computerworld.co.nz. Archived from the original on 23 September 2015.
  10. ^ Dornauf, Peter (6 May 2012). "Glancing at the History of Digital Art". EyeConactMagainze.com. Retrieved 2 June 2024.
  11. ^ a b "A second public art billboard project". bartley + company art. 28 March 2011. Archived from the original on 1 September 2011. Retrieved 27 November 2014.
  12. ^ "Pioneer-City.com". 1 January 2011. Retrieved 1 January 2011.
  13. ^ "Haere mai!". Public Art Heritage Aotearoa New Zealand. n.d. Retrieved 10 June 2024.
  14. ^ a b "Safeguarding 20th Century Artwork in Aotearoa from Disappearing". Afternoons. 26 July 2023. Radio New Zealand. RNZ National. Retrieved 6 June 2024.
  15. ^ "About". Public Art Heritage Aotearoa New Zealand. n.d. Archived from the original on 29 November 2019. Retrieved 10 June 2024.
  16. ^ "Public Art Register". Public Art Heritage Aotearoa New Zealand. n.d. Archived from the original on 29 November 2019. Retrieved 10 June 2024.
  17. ^ "Innovation Fund Recipients". Ministry for Culture and Heritage. 20 September 2023. Retrieved 7 June 2024.
  18. ^ "Discovering and Protecting Our Public Art". Rangahau: Research at Massey. No. 4. Wellington: Massey University. 2022. Retrieved 10 June 2024.
  19. ^ "Artworks". Public Art Heritage Aotearoa New Zealand. n.d. Retrieved 6 June 2024.
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