Sellia Epyre

Sellia Epyre (1^st cent.) was a Roman craftswoman who operated a business on the Via Sacra producing embroidery in gold thread. She is known from two funerary inscriptions.

Speculative biography

Sellia Epyre operated in the first century AD. Her byname, Epyre or Ephyre, is of Greek origin, so it has been suggested that she was a freedwoman.^[1]^[2]

She seems to have been married to a man named Q. Futius Olympicus.^[3]^[2]

Her occupation is given as aurivestrix, which has been interpreted as 'gold-embroiderer,'^[4] 'specialist in gold embroidery,'^[5] 'embroiderer in gold thread,'^[2] 'goldsmith,'^[6] and 'skilled worker in gold.'^[3] Hers is the only recorded instance of this term, suggesting a high degree of specialisation.^[5]

Her workshop was on the Via Sacra in Rome, which was a commercial district leading to the forum where luxury products were in demand. Sellia must have had access to considerable capital and made specialist products for wealthy patrons.^[4]^[5]

She is one of several Roman women attested by inscriptions as workers in gold, along with Pompeia Helena, Serapa, and Vicentia.^[6]

Attestations

A marble cinerary urn reads on the lid, 'Sellia Epyre, dressmaker in gold in the Via Sacra'. On the body of the urn is the male name Q. Futus Olympicus in the genitive case. This has been interpreted as meaning either that Q. Futus Olympicus made the urn for his wife Sellia, or that Sellia made the urn for him and had her ashes added to it on her death.^[3]
A marble plaque in a columbarium on the Via Appia reads 'Sellia Ephyre of the Via Sacra,' indicating that she owned the niche above the plaque.^[3]

References

^ RABIE, PIETER JACOBUS (1943). EVIDENCES OF FOREIGNERS IN THE TRADES AND PROFESSIONS OF ANCIENT ITALY (BASED ON THE INSCRIPTIONS). University of MICHIGAN. p. 255.
^ ^a ^b ^c "Imperial Women", Women and Society in the Roman World, Cambridge University Press, pp. 299–330, 2020-11-19, retrieved 2024-06-10
^ ^a ^b ^c ^d Lefkowitz, Mary (2016). Women's Life in Greece and Rome. Johns Hopkins University Press. p. 288. ISBN 978-1-4214-2113-1.
^ ^a ^b Groen-Vallinga, Miriam J. (2013-01-01), "Desperate Housewives? The Adaptive Family Economy and Female Participation in the Roman Urban Labour Market", Women and the Roman City in the Latin West, BRILL, pp. 295–312, ISBN 978-90-04-25595-1, retrieved 2024-06-10
^ ^a ^b ^c Lovén, Lena Larsson (2016-01-01), "Women, Trade, and Production in Urban Centres of Roman Italy", Urban Craftsmen and Traders in the Roman World, Oxford University Press, pp. 200–221, retrieved 2024-06-10
^ ^a ^b Marconi, Clemente; Kousser, Rachel (2014-11-04), "The Roman Reception of Greek Art and Architecture", The Oxford Handbook of Greek and Roman Art and Architecture, Oxford University Press, retrieved 2024-06-10

[1] RABIE, PIETER JACOBUS (1943). EVIDENCES OF FOREIGNERS IN THE TRADES AND PROFESSIONS OF ANCIENT ITALY (BASED ON THE INSCRIPTIONS). University of MICHIGAN. p. 255.

[:0-2] "Imperial Women", Women and Society in the Roman World, Cambridge University Press, pp. 299–330, 2020-11-19, retrieved 2024-06-10

[:1-3] Lefkowitz, Mary (2016). Women's Life in Greece and Rome. Johns Hopkins University Press. p. 288. ISBN 978-1-4214-2113-1.

[:2-4] Groen-Vallinga, Miriam J. (2013-01-01), "Desperate Housewives? The Adaptive Family Economy and Female Participation in the Roman Urban Labour Market", Women and the Roman City in the Latin West, BRILL, pp. 295–312, ISBN 978-90-04-25595-1, retrieved 2024-06-10

[:3-5] Lovén, Lena Larsson (2016-01-01), "Women, Trade, and Production in Urban Centres of Roman Italy", Urban Craftsmen and Traders in the Roman World, Oxford University Press, pp. 200–221, retrieved 2024-06-10

[:4-6] Marconi, Clemente; Kousser, Rachel (2014-11-04), "The Roman Reception of Greek Art and Architecture", The Oxford Handbook of Greek and Roman Art and Architecture, Oxford University Press, retrieved 2024-06-10

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