A Few Green Leaves
 First edition | |
| Author | Barbara Pym |
|---|---|
| Language | English |
| Publisher | Macmillan |
Publication date | 1980 (1st edition) |
| Publication place | United Kingdom |
| Media type | Print (hardbound) |
| Pages | 224 (1st edition) |
A Few Green Leaves is the final novel by Barbara Pym, first published in 1980, the year of Pym's death. Although several novels were published posthumously, A Few Green Leaves was the final novel she worked on.
Synopsis
[edit]In the mid-1970s, anthropologist Emma Howick comes to live in a cottage belonging to her mother in a small English village, planning to write up her study of new towns. But she turns her anthropologist's eye on the villagers, considering them as subjects for another paper. They include the rector Tom and his sister Daphne, who came to 'make a home' for him after the death of his wife, two doctors (a generation apart in age and attitudes) and their wives, a food critic, a bohemian academic couple and a number of spinsters. Emma ponders whether she could adjust permanently to village life, and notes the changes that time has wrought on local customs. Among them are the decline of the manor house, which was once the site of regular gatherings for locals, but is now off limits except on a few occasions. As in early Pym novels, the Anglican Church plays a key role, although few people now attend the church.
Emma is single, to the disquiet of her mother and others, who seem to see her career goals as incomplete without marriage. Emma faces two potential love matches. First, a former lover, Graham Pettifer – also an academic – rents a cottage near the village to complete a text he is working on, and Emma feels herself drawn back into his life, even though she finds him boring. She meets his estranged wife, the glamorous Claudia. Second, Tom's sister moves away, leaving him to his own devices: he is not good at cooking or performing basic tasks for himself. He begins to view Emma as a romantic partner. Ultimately, Emma chooses to remain in the village, write a novel, and pursue a relationship with Tom. Although much has declined in village life, Emma decides to step back from her objective scientific view of the community and join it.
Publication history
[edit]Pym had worked and lived in London since 1946, but in 1971 she moved with her sister Hilary to a cottage in the Oxfordshire countryside, and lived there permanently after her retirement in 1974 from her professional career as an editor and assistant on an academic journal. Since moving to Finstock, Pym had wanted to write another novel set in a village, as her early novels had been. She was especially interested in the way that village life had changed since she began writing her first novel in 1936.[1] As was her custom, Pym kept detailed notebooks on her observations of daily life, and had been making notes that would form the book at least as early as 1976.[2] Pym wryly commented that the new novel might be a let-down after her more pointed social commentaries, "a dull village novel with no bi- or homosexuality;[3] Pym had written sympathetic homosexual characters as early as 1958's A Glass of Blessings, long before it was fashionable or socially acceptable to do so.
Pym considered several working titles for the novel including Two Green Apricots, The Nectarine and the Cuckoo, Green Desert, Green Paradise and Dog's Mercury [4]
Pym noted in a letter on 25 October 1978 that she was struggling to write the novel; however, by 14 February 1979 she had finished the first draft.[5] Around that time, Pym was diagnosed with a malignant tumour, a return of the breast cancer she had overcome in 1971. She was told that she probably did not have long to live, which compelled Pym to attempt to complete the final copy of the novel.[6] By August, she was still attempting to refine the novel but was beginning to feel the effects of chemotherapy and her degraded physical condition. Pym finished A Few Green Leaves in October 1979.[7] She was not entirely happy with the quality of the final version, but no longer had the strength to keep writing. In Pym's initial draft of the novel, Emma's decision to stay in the village and pursue the love affair was present, but it was more tentative; she made the decision more concrete in the final draft [8]
Barbara Everett writes that, although in some senses the book can be seen as a "farewell", "its cogency comes from a strength and clarity that are more than simply private: and its writer was something more than a woman who has had a switchback life and is now dying of it."[9]
Pym died on 11 January 1980. The novel was published the same year by Macmillan in Great Britain and E.P. Dutton in the United States. Pym's literary executor Hazel Holt helped finalise revisions after Pym's death.[10] The novel was released as an audiobook in the 1980s by Chivers Press narrated by Jan Francis. The novel was published in Italy in 1994 as Qualche foglia verde and in France in 1987 as Un brin de verdure.
Critical response
[edit]Reviews of A Few Green Leaves were more mixed than its immediate predecessors, Quartet in Autumn and The Sweet Dove Died, which had been successful. The New York Times regarded the novel as equal to anything Pym had previously written [11] and Penelope Fitzgerald - reviewing for the London Review of Books - found it to be the work of a "brilliant comic writer".[12] However Kirkus Reviews felt that the book was "minor Pym--really just a neutral-toned catchall of her acute angles on loneliness and the ravages of time-marching-on", but would appeal to her devoted fans.[13]
Pym's long-time friend, the literary critic Robert Liddell, referred to the book and its sombre-but-hopeful tone as "Barbara's farewell to her readers".[14]
Critics have examined the way in which Pym shows how "[m]odernity has crept into this more contemporary version of provincial life", including the changes in gender norms represented by the married couples in the book, the impact of modern technology, and the way in which the vicar's central role in village life in previous generations has largely been supplanted by doctors and self-sufficiency.[15] Janice Rossen sees the novel as a final statement by Pym on life. "[It] is a novel about older, single people who live self-consciously and carefully, on occasion bravely. And so, it seems, did Pym".[16] Nicholas Shrimpton, writing in New Statesman, also saw the novel as a reflection on Pym's own relationship with the world.[17]
Connections to other works
[edit]Pym's novels regularly feature reappearances of characters from previous novels. Here, the characters of Father Oswald Thames and Wilf Bason from A Glass of Blessings are mentioned, and Tom reads the obituary of Fabian Driver, one of the main characters in Jane and Prudence. Most notably, Emma attends the memorial service of anthropological research assistant Esther Clovis. Esther appeared in three Pym novels, starting with Excellent Women, and her memorial service is also seen – from a different point of view – in the novel An Academic Question. Characters from Excellent Women and Less than Angels appear briefly at the memorial.
Pym considered having the characters of Letty and Marjorie, from her novel Quartet in Autumn, come to live in the village in A Few Green Leaves.[18]
References
[edit]- ^ Holt, Hazel (1990). A Lot to Ask: A Life of Barbara Pym. London: Macmillan. pp. 266–267. ISBN 0525249370.
- ^ Pym, Barbara (1984). A Very Private Eye: An Autobiography in Diaries and Letters (ed. Hazel Holt and Hilary Pym). New York: E.P. Dutton. p. 284. ISBN 0525242341.
- ^ Pym 1984, p.319
- ^ Green Leaves: The Journal of the Barbara Pym Society, November 2005, p.13
- ^ Pym 1984, pages 321-323
- ^ Holt 1990, p.271
- ^ Pym 1984, p. 333
- ^ Rossen, Janice (1987). The World of Barbara Pym. London: Palgrave Macmillan. p. 188. ISBN 9781349188703.
- ^ "Barbara Pym's Last Title". Essays in Criticism. 73 (1): 1–8. January 2023.
- ^ Holt, p.279
- ^ Auchincloss, Eve, Surprises of Comedy and Sadness, The New York Times, 1 Feb 1981, accessed 26 April 2020
- ^ Fitzgerald, Penelope, A Secret Richness, London Review of Books, 20 November 1980, accessed 26 April 2020
- ^ Kirkus Reviews, 1 September 1980, accessed 26 April 2020
- ^ Holt 1990, p.268
- ^ Rossen 1987, pages 157-158
- ^ Rossen 1987, p.178"
- ^ Shrimpton, Bucolic Bones, in New Statesman, 15 August 1980, p.17
- ^ Pym 1984, p.308
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