Jump to content

Alessandro Araldi

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Cuvette (talk | contribs) at 03:20, 3 May 2008 (Add blue links). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Portrait of Barbara Pallavicino (c. 1510) from Uffizi Gallery

Alessandro Araldi (c. 1460 – c. 1529) was an Italian painter of the Renaissance, active mainly in Parma.

Little is known of his biography. He apparently assisted with contemporary Cristoforo Caselli (il Temperello). His work shows the influences of early Venetian Renaissance painters such as Giovanni Bellini and Vivarini, but also Lorenzo Costa from Ferrara. He painted frescoes in the Benedictine monastery of San Paolo. He also painted two scenes with the story of St. Catherine, the Dispute before the emperor Maximilian and St. Catherine and St. Jerome, including an odd Annunciation (1514), for the abbess Giovanna da Piacenza (1514). Antonio Allegri (Correggio) would complete his own masterpiece frescoes for the abbess in a strikingly different, and for the age, more modern, style.

References

  • Farquhar, Maria (1855). Ralph Nicholson Wornum (ed.). Biographical catalogue of the principal Italian painters. Woodfall & Kinder, Angel Court, Skinner Street, London; Digitized by Googlebooks from Oxford University copy on Jun 27, 2006. pp. page 10. {{cite book}}: |pages= has extra text (help)
  • Ticozzi, Stefano (1830). Dizionario degli architetti, scultori, pittori, intagliatori in rame ed in pietra, coniatori di medaglie, musaicisti, niellatori, intarsiatori d’ogni etá e d’ogni nazione' (Volume 1). Gaetano Schiepatti; Digitized by Googlebooks, Jan 24, 2007. pp. page 72. {{cite book}}: |pages= has extra text (help)