The Death of General Wolfe

The Death of General Wolfe
Artist	Benjamin West
Year	1771
Type	Oil on canvas
Location	National Gallery of Canada, Ottawa

The Death of General Wolfe is a well-known 1771 painting by Anglo-American artist Benjamin West depicting the final moments of British General James Wolfe during the 1759 Battle of Quebecof the Seven Years' War. It is an oil on canvas of the Neoclassical. West made an additional and nearly identical painting of the same scene for King George III in 1771.

West depicts General Wolfe as a Christ-like figure. This painting has a triangular composition, made by the top of the flag (as the apex) and the positions of the men. It resembles the painting of La Pietà, where Christ is held in the embrace of the Virgin Mary.

The depiction of the Native American warrior in the painting — kneeling with his chin on his fist, looking at General Wolfe — has been analyzed in various ways. In art, the touching of one's face with one's hand is a sign of deep thought and intelligence (thus Rodin's The Thinker). Some consider it an idealization inspired by the noble savage concept (Fryd, 75). On the ground in front of Wolfe is his musket, his cartridge box, and bayonet. Wolfe went into battle armed as his men were, although his musket was of higher quality. His dress is also of note. He is wearing a fairly simple red coat, a red waistcoat, red breeches, and a white shirt. Such dress was rather simple, especially for a commanding officer. The inclusion of Simon Fraser, Lieutenant Colonel of the 78th Fraser Highlanders (behind the Rogers Ranger, who is wearing green) is interesting, as General Wolfe had always spoken highly of Fraser's regiment, yet Fraser was not at the battle, as he was recovering from wounds received earlier. In the painting, Fraser wears the Fraser tartan, which was probably worn by officers in that regiment.

The clothing West depicted in this scene was highly controversial at the time. Although the event was relatively recent -- only eleven years prior -- its subject matter made it a fitting example of the genre of history painting, for which contemporary dress was unsuitable. During the painting, several influential people, including Sir Joshua Reynolds, instructed him to dress the figures in classical attire, and after its completion, George III refused to purchase it because the clothing compromised the dignity of the event. The work, however, eventually overcame all objections and helped inaugurate more historically accurate practice in history painting.

William Woollett's engraving was the most well known copy of West's original and became popular around the world

The Death of General Wolfe is currently in the collection of the National Gallery of Canada, the Royal Ontario Museum, as well as the Clements Library at the University of Michigan. There are five known portraits by the author. Wolfe's death and the portrayal of that event by Benjamin West make up half of Simon Schama's historical work Dead Certainties: Unwarranted Speculations (1991).

References

• Ayers, William, ed., Picturing History: American Painting 1770-1903, ISBN 0-8478-1745-8
• Fryd, Vivien Green. "Rereading the Indian in Benjamin West's 'Death of General Wolfe.'" American Art, Vol. 9, No. 1. (Spring, 1995), pp. 72-85. Online document from Jstor
• Montagna, Dennis. "Benjamin West's The Death of General Wolfe: A Nationalist Narrative," American Art Journal (Volume 13, Number 2, 1981): 72–88.