Opera Krakowska

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Opera Krakowska, new House

The Opera Krakowska (Kraków Opera), located at Lubicz 48 Street in Kraków, Poland, was founded in 1954. The company stages 200 performances each year, including ballet, operettas and musicals for the young, with an audience occupancy rate of 98%. The Opera Krakowska's main repertoire includes both international and Polish operatic classics, reaffirming its status as one of the country's leading opera companies. The long list of names of renowned artists associated with it includes conductors such as Kazimierz Kord, Robert Satanowski, Jan Latham-Koenig and Aurelio Canonici; set designers such as Tadeusz Kantor, Lidia Zamkow, Józef Szajna, Krystyna Zachwatowicz; and a plethora of singers, many of whom began their careers there, including Teresa Żylis-Gara and Wiesław Ochman.

The new venue

For dozens of years, Opera Krakowska lacked its own premises and instead used a number of venues in the city. The only permanent venue where opera performances were staged for decades was the landmark Słowacki Theatre in the heart of the city. The construction of the new opera house which can seat 760 people started in 2004. The new house opened in the autumn of 2008.

The building of the new opera house was more expensive than originally thought. The ensuing dispute between the designer and the contractor who requested additional funds lasted for over two years. Among the reasons offered were the curtain walls for the office complex next door as well as the structural protection of other neighboring buildings. Romuald Loegler, designer of the opera, wrote letters attesting to his disagreement with the general contractor – Hochtief company Poland – whose director refused to talk to the media sending questions to general manager of the company, Piotr Rozkruta. The dispute reached the Department of Education and Culture in Kraków's city government until a special consultant was appointed by the province. The building costs rose about 10 %; however, the financing of the project was never in danger, as explained by Krzysztof Markiel, the head of the Department.

Cultural significance

Long before the new opera house was unveiled, the Krakow Opera utilized historical interiors and landmark architecture in Kraków, as well as other cities, for staging its own performances. Groundbreaking productions in natural settings included the Straszny Dwór opera performance at the Renaissance Courtyard of the Niepołomice Castle in 2002 and 2003; Madame Butterfly was staged in the depths of the centuries-old Wieliczka Salt Mine in 2003, while Tosca by Puccini and Straszny Dwór (The Haunted Manor) by Stanisław Moniuszko were performed against the arresting background of the Wawel Royal Castle in 2005. The open-air performances included Halka, offered at the Zakrzówek Nature Park in 2004; it was recognized by the critics as the main event of the entire season. More than five thousand people saw that opera. In the summertime, the Opera Krakowska also used the open-air stage at the Kraków's Barbakan. The visual significance of the location enriched the impact of operatic music not only for the regular patrons, but also for the numerous tourists.

World-famous soloists have visited the Opera Krakowska's stage, singers from the Metropolitan Opera in New York and La Scala in Milan, to mention but a few. The most renown Polish singers were present there. The Krakow’s Opera Company already set the scene for realization of its artistic ambitions at the new location. The group travels abroad every year nevertheless, to participate in special events and festivals in Holland, Germany, France, Italy, Switzerland, England, United States and, as far as Chile.

References

• Marek Strzała, Opera in Krakow
• Neal Bedford, Steve Fallon, Neil Wilson, Poland Page 205
• Template:Pl icon Kultura polska: "OPERA KRAKOWSKA" Polskie Centrum Informacji Muzycznej, Związek Kompozytorów Polskich, January 2002
• Opera Krakowska, ticket information including map powered by Google