Ignace Schott
Ignace Schott de Dabo | |
|---|---|
| Nationality |  France |
| Known for | Painting Stained Glass Etcher |
Ignace Schott de Dabo (July 28, 1818 – March 3, 1883) generally known by the name Ignace Schott, he was a French born artist, etcher and teacher.[1] Born in Dabo, Moselle in the Lorraine region of France,[2] he was a successful ecclesiastic decorator. He worked mostly as a mural painter but also in stained glass and many of his creations have survived to this day. Much of his work from the mid 19th century was created in and around Saverne not far from Dabo, France but the last thirteen years of his life and career Ignace worked in the Detroit, Michigan area of the United States. Perhaps he is best known as the father Leon Dabo and Theodore Scott-Dabo.
Life
None of his personal records are known to exist, thus little of Ignace's early life or artistic training is more than conjecture. Yet there are a few clues. One obituary states that he was a pupil of Paul Delaroche.[3] His eldest son Leon, also an artist who wrote and lectured on art, once wrote an article stating that in Detroit there was a talented Frenchman, Ignace Schott, who was a pupil of Delacroix.[4] He also mentioned in some correspondence that his father was a fellow student of Whistler’s at Gleyre’s studio.[5] In a magazine article on stained glass, Leon wrote that Friederichs and Staffin of Detroit had a French designer in the 1870s (Leon's father) who had been trained by Champigneulle.[6] These few hints do fit the timeline of when Ignace would have been studying and beginning his career.
Much of Ignace's known works are ecclesiastic murals. Apparently one of Ignace's first teachers, Eugène Delacroix worked for many years in Paris on a number of mural commissions beginning in 1833. Ignace would have been fifteen years old then, an appropriate time for an apprenticeship. Paul Delaroche taught painting in Paris until 1843, and the Swiss painter Charles Gleyre took over Delaroche's studio and opened it to students twice a week for instruction. It is known that by 1846 Ignace was in Saverne and worked fairly extensively in the area through to 1869, he painted several mural works for the religious community there.[7] The General Inventory of Cultural Heritage for Alsace lists a number of signed works on the walls of Ste Leger Church in Reinhardsmunster, Ste Gall Church in Siltzhiem, Ste Florent Church in Weislingen, as well as a convent and bishop's residence near Saverne.[8] A professor in Saverne from 1849 to 1869,[9] Ignace seems to have also been a professor of aesthetics in Nancy at some point during these two decades.[10] In the late 1850's Ernest Delannoy and James McNeill Whistler traveled to Alsace-Lorraine, their friend of Dabo joined them on a few sketching excursions.[11] It is possible that it was Ignace's workshop in Saverne where Whistler made some of the first etchings for The French Set.[1] In the 1860s Charles-François Champigneulle worked in stained glass and had his workshop in Metz, just north of Nancy and west of Dabo and Saverne, Ignace was in the right place at the right time to be involved with Champigneulle’s work restoring church windows that had been damaged during the revolution.
Ignace's relatives from Nancy, the writer, literary and art critic team of Edmond and Jules Goncourt made their home in Paris, which naturally allowed Ignace access to such literary figures on the liberal Republican left as Victor Hugo and Jules Valles. Through his association with people like Hugo and Valles, then of course his connection to the politically liberal Gleyre, Ignace became very involved in the political arena. The university setting within which he had begun to work may have also stimulated his political activism. Ignace’s son Leon would later write “my father founded with Jules Valles [ N1] a republican newspaper secretly, and was in other ways obnoxious to the Emperor.”[10] An obituary in the Boston Evening Transcript of Ignace, states that he was "made a life sentence by Louis Napoleon."[3]
It is probably due to his association with people like Valles, whom by 1868 the government of Napoleon III imprisoned twice for press violations and his need to support his young family, that Ignace began to feel uneasy with staying in France. During the early 1860s Ignace had married a younger woman, Marie Madeleine Oberle. Their first child, Leon, was born in 1865, Theodore followed the next year and their first daughter, Leontine came in 1867, and by 1869 Madeleine was pregnant once again. Escaping the political unrest of the Franco-Prussian War, Ignace and his young family fled to America, arriving in New York City on January 5, 1870.[12] To assimilate more easily the Schott family went first to French-speaking Canada, but by June 1870 they had settled in the French-founded city of Detroit, Michigan.[13][14]
Here Ignace continued his ecclesiastic decorative work, some of which can still be seen in the churches of St. Anne's Roman Catholic Church, Most Holy Trinity Roman Catholic Church and St. Joseph's Roman Catholic Church in Detroit, St. Alphonsus in Windsor, Ontario and All Saints in New Riegel, Ohio.[15] He was employed for many years by the stained glass firm of Friederichs and Staffin,[16] later known as the Detroit Stained Glass Works. There he created works like the imposing window of The Trinity and The Redemption which is above the main altar of Most Holy Trinity Church.[17] Ignace did non-ecclesiastic work as well and sold at least two of his works to the architect Gordon W. Lloyd, they were the Alsatian Girl and Hebe, after Ary Scheffer. Early in 1876, Mr. Lloyd loaned the paintings to the Detroit Art Association for their first exhibition.[18]
In order to keep his identity somewhat hidden, Ignace would invariably alter the spelling of his name. Not only would he and his family use Ignace, but also Ignatius, Ignatz, Ignaz and even Enoch and Engus.[12][19][20] The family's surname has appeared as Schott, Schoote, Scott, de Dabo, D. Dabbo, Schott-Dabo, and Scott-Dabo.[21][22][23] However, most if not all of his work is either signed Ignace Schott or marked with his monogram, an insignia made with his initials often forming an anchor,[24][25] much the way his young friend James McNeill Whistler would come to use his butterfly.
The eldest two of Ignace and Madeleine's eight children followed their father's profession and were artists of rare talent. Leon Dabo had a long and accomplished career both in America and Europe, yet his younger brother Theodore Scott-Dabo, though talented, left almost no legacy.[26] Ignace's sons received their initial artistic instruction from their father and both Leon and Theodore would also use a mongram to sign their work.[27][28]
One Sunday early in March 1883, the Detroit Free Press listed on page one in the obituaries, “Died: SCHOTT – March 3, 7p.m., Ignace Schott, artist, aged 64 years 7 months and 4 days. Funeral from his late residence Monday morning at 9:30, and from St. Anne’s Church at 10 o’clock.”[29]
Notes
^ N1: Jules Valles founded the newspaper, La Rue in 1867, then Le Peuple and le Refractaire in 1868.[10]
References
- ^ a b Ford, Henry (2003). The Thousand Questions Answered: A Popular Dictionary of Fine Art (1883). Kissinger Publishing. ISBN 9780766160590.
- ^ U.S. Passport Application #57182 - for Leon Dabo [father Ignace Dabo was born in Dabo, France]
- ^ a b Boston Evening Transcript (July 18, 1883) pg. 1 col. 4
- ^ "The Roerich Exhibition", Little Flower Monastery Messenger (Jan 1932) vol. 4, no. 4, p. 111
- ^ Pennell, Elizabeth Robins; Pennell, Joseph (1911). The Like of James McNeil Whistler. J.B. Lippincott Company.
{{cite book}}: CS1 maint: multiple names: authors list (link) - ^ "Stained Glass in the Church", Little Flower Monastery Messenger (Aug1931) vol. 3, no. 5, p.143
- ^ "Ste Florent Church". Patrimone de France. Retrieved 2008-12-24.
- ^ "Ignace Schott". Culture.fr. Retrieved 2008-12-24.
- ^ "Church of St Michel". Patrimone de France. Retrieved 2008-12-24.
- ^ a b c "Signature on Glass: Discovering the Life and Art of Ignace Schott", Michigan History Magazine (Mar/Apr 1995) p. 50
- ^ Pennell, Elizabeth Robins; Pennell, Joseph (1911). The Like of James McNeil Whistler. J.B. Lippincott Company.
{{cite book}}: CS1 maint: multiple names: authors list (link) - ^ a b S.S. Silesia Ship Manifest (January 5, 1870) p. 2
- ^ 1870 U.S. Census, Detroit Ward 3, Wayne County, Michigan; Roll M593_712; p103; images 206 & 207
- ^ Sweeney, J. Gray (1987). Artists of Michigan From The Nineteenth Century. Muskegon Museum of Art. p. 155
- ^ "Signature on Glass: Discovering the Life and Art of Ignace Schott", Michigan History Magazine (Mar/Apr 1995) p. 48
- ^ "Michigan Stained Glass Census". Michigan State University Museum. February 2007. Retrieved 2008-12-24.
- ^ Tutag, Nola Huse with Lucy Hamilton (1988). Discovering Stained Glass in Detroit. Wayne State University Press. pp. 79, 150. ISBN 9780814318751. |isbn=0-8143-1875-4
- ^ "Detroit Art Association: First Exhibition". Smithsonian Institution Research Information System. February 1876. Retrieved 2008-12-24.
- ^ Detroit City Directory (1870) p. 389 (1871) p. 384, (1872) p. 439
- ^ Brooklyn City Directory (1891) p.1038
- ^ Detroit City Directory (1871) p.384
- ^ Brooklyn City Directory (1892) p.260 & p.1037
- ^ Jersey City & Hoboken Directory (1897) p.493, (1898) p.589
- ^ Jerome, Raimbault (Editor) (1997). "Preliminary Inventory". General Inventory. Retrieved 2008-12-26.
{{cite web}}:|first=has generic name (help) - ^ Jerome, Raimbault (Editor) (1997). "Preliminary Inventory". General Inventory. Retrieved 2009-08-16.
{{cite web}}:|first=has generic name (help) - ^ Karel, David (1992). Dictionnaire des artistes de langue française en Amérique du Nord. Presses Universite Laval. p. 209. ISBN 2763772358.
- ^ "1880 US Census". United States Government. June 1880. Retrieved 2009-08-20.
- ^ The Art Institute of Chicago (1906). 19th Annual Exhibtion of Oil Paintings and Sculpture by American Artists.
- ^ Detroit Free Press (March 4, 1883) p. 1