Daisyhead & the Mooncrickets
This redirect may meet Wikipedia's criteria for speedy deletion as an article about a band, singer, musician, or musical ensemble that does not credibly indicate the importance or significance of the subject. See CSD A7.
If this redirect does not meet the criteria for speedy deletion, or you intend to fix it, please remove this notice, but do not remove this notice from pages that you have created yourself. If you created this page and you disagree with the given reason for deletion, you can click the button below and leave a message explaining why you believe it should not be deleted. You can also visit the talk page to check if you have received a response to your message. Note that this redirect may be deleted at any time if it unquestionably meets the speedy deletion criteria, or if an explanation posted to the talk page is found to be insufficient.
Note to administrators: this redirect has content on its talk page which should be checked before deletion. Administrators: check links, talk, history (last), and logs before deletion. Consider checking Google.This page was last edited by 2000 Flushes (contribs | logs) at 09:11, 25 March 2006 (UTC) (18 years ago) |
Daisyhead & the Mooncrickets was a project of Dax Riggs in 1997. It never took off.
Only two Daisyhead recordings are known to exist.
One is a self-titled 14-track recording, where most of the songs are cut off before they end. A few covers are included, David Bowie's "Ziggy Stardust" being among them. Half (or more) of the song titles are unknown. It's also perhaps the earliest recording of the "Deadboy & the Elephantmen Theme Song," which Riggs would sometimes play when he formed a band by that name in late 2000.
The other is "Skeletal Circus Derails," which is the namesake of the Riggs fan site www.skeletalcircus.com.
Daisyhead & the Mooncrickets is akin to an urban legend for fans of underground blusey rock. But the two works, especially "Skeletal Circus Derails," are an important chapter in Riggs' history: Fans to this day ask regularly ask him to play certain songs from that album when they see him on tour. (The possiblity of that happening has not been ruled out.)
They also detail a point in Riggs' life when he's struggling for life after Acid Bath, which disbanded following the death of Audie Pitre. Toward the end of that death-metal group, too, Riggs was pushing for a more meoldic sound, which materializes in his subsenquent bands Agents of Oblivion and Deadboy & the Elephantmen. But, that sound was first heard on the Daisyhead recordings.