Wende Museum

The Wende Museum and Archive of the Cold War

Established	2002
Location	5741 Buckingham Parkway, Suite E, Culver City, California
Type	Cultural Museum
Director	Justinian Jampol
Public transit access	Bus: 3 Culver CityBus and 108 and 358 Metro Local at Slauson Avenue/Buckingham Parkway
Website	http://www.wendemuseum.org

The Wende Museum and Archive of the Cold War is a museum and educational institution in Culver City, California. It was founded in 2002 by Justinian Jampol and has a collection of more than 75,000 objects of visual and material culture from East Germany and the former Eastern Bloc.

Overview

“Wende” is a German word meaning “turning point” and has been used to refer to the period of enormous transformation following the toppling of the Berlin Wall in 1989.

The Museum’s East German collections will be the subject of a major Taschen publication in 2012.

Collections

The Wende’s collections are a resource for the vanishing cultural and political history of East Germany (Germany Democratic Republic, also referred to as GDR) and all Warsaw Pact countries (Albanian, Bulgaria, Czechoslovakia, East Germany, Hungary, Poland, Romania and USSR). They focus on the museum and archival models to support emerging fields of academic study in visual and cultural history. The Museum is a leader in promoting exploration of the cold war era, marked by political and military tensions between the United States and its NATO allies on one side and the communist world led by the Soviet Union and its satellite states on the other.

The Wende Museum has more than 75,000 holdings from Eastern Europe and the Soviet Union during the Cold War period: 1945 to 1991. The Museum’s ever-increasing collection widely ranges from consumer products (e.g., computers, radios, records, toiletries, foodstuff) to works of art in all media (e.g., paintings, drawings, sculptures, graphics, photographs), iconic political symbols (e.g., statuary, medals, flags, uniforms, commemorative gifts), and archives — including a substantial gift from East German leader Erich Honecker’s estate — and some 6,500 16 mm documentary and educational films from the GDR. They have large collections of furniture, flags and banners, Communist folk art, menus, family albums, and design items. The Museum recently acquired a significant collection of Hungarian Cold War-era artifacts.

The Wende Museum acquired eleven original segments of the Berlin Wall, including ten installed in front of 5900 Wilshire Boulevard, the longest stretch of the Wall in the United States. The eleventh, painted by Berlin-based Thierry Noir, stands in front of the Museum’s headquarters in Culver City.

Although comprehensive in nature, the collection shows notable strength in four areas:

1. Materials originating from East Germany, an extinct society, with more than 50% of the collection from the GDR;
2. Items used in everyday life and holdings capturing lived experience;
3. Materials that document “Wende Moments,” junctures in Cold War history marked by extreme change—beginnings, endings and transformative events such as the formation of the Warsaw Pact, the fall of the Berlin Wall, German reunification, the collapse of the Soviet Union and the evolution of former communist countries to members of a pan-European union; and
4. Examples of official texts, artifacts, and artworks.

In collaboration with the USC Shoah Foundation Institute, the Wende recently acquired more than 40 filmed historical witness interviews with survivors of the Albanian communist purges, many of whom lived in prisons and forced labor camps for as long as 40 years.

The Museum’s collections have been exhibited, or are currently on display, in a number of other museums and institutions including the Los Angeles County Museum of Art, Imperial War Museum (London), Reagan Presidential Library & Museum (Simi Valley, CA), Ford Presidential Library (Ann Arbor, MI), and the Goethe Institute (Washington, D.C.)

Programs

Ten pieces of the original Berlin Wall at 5900 Wilshire Bulevard, Los Angeles,California

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The Museum initiates programs that provide resources and opportunities for individual interpretation of the past and for discovering the global implications of the Cold War today. The Museum also uses the period as a lens to explore parallels and metaphors that reflect on contemporary life, human behavior and creative expression.

• The Wall Project
• The Surveillance Project
• Across/ the Wall
• Deconstructing Perestroika

In 2009, the Wende Museum commemorated the 20th anniversary of the fall of the Berlin Wall with The Wall Project, which was called the most ambitious commemoration outside of Germany. As part of the event, the Museum installed ten original segments of the Berlin Wall in front of 5900 Wilshire Blvd., the longest stretch of the Wall in the United States. The original segments were paired with The Wall Across Wilshire, an artistic interpretation of the Wall painted by Shepard Fairey and graffiti artists working with ArtStorm, among other artists and the public.

As part of The Wall Project, the Western sides of the Berlin Wall pieces were painted by LA muralist Kent Twitchell, Thierry Noir, and emerging Los Angeles artists Farrah Karapetian and Marie Astrid Gonzalez. In addition to the new works, one of the pieces retains the original painting by Berlin street artist Bimer, who is known for his bears.

On November 13, 2011, the Museum unveiled Behind The Wall, a component of The Surveillance Project that brought together street artists D*Face, RETNA, and Herakut to paint the original east facing backs of the wall pieces on Wilshire Blvd.

In 2011, as part of the Downtown Art Walk, the Museum mounted Across/ the Wall, an exhibition on the exterior wall of a downtown Los Angeles parking garage with high resolution reproductions of Soviet era portraits. While street artists are exhibiting in museums, this ongoing street project brings museum art onto the streets of Los Angeles.

In collaboration with the Craft and Folk Art Museum in Los Angeles, The Wende Museum mounted Deconstructing Perestroika from January 28-May 6, 2012. The exhibit showcased 24 original, hand-painted poster designs created by thirteen artists as visual responses to Mikhail Gorbachev’s transformative policies of Glasnost and Perestroika in the late 1980s. This exhibition, culled from the Museum’s Ferris Collection of 234 examples of avtorskii plakat, examined key political and cultural shifts that defined the era and that ultimately undermined the very foundation of Soviet ideology.