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Janika Fabrikant

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Janika Fabrikant
Janika Fabrikant, 2011. Photo: Yvonne Bohler
Born (1934-02-05) February 5, 1934 (age 90)
Paris, France
NationalityFrench/Swiss
WebsiteGalerie Alex Schlesinger

Janika Fabrikant, a French-Swiss painter of urban and industrial landscapes, was born in Paris, France, in 1934.

Career

File:Janika Fabrikant. Chemineés d’usine. 1992.png
Janika Fabrikant. Chemineés d’usine. Acrylic on canvas. 90x130cm. Photo: Yvonne Bohler.

Janika Fabrikant was born in Paris in 1934, as the thirds child of Israel and Blima Wolkowicz. Presently living in Zurich, she is a prominent French-Swiss painter of the industrial landscape, noted for its specific characteristic of cognitive dissonace, which expresses the discrepancy between visual reality and terror in a unique way. From 1953-1955 she studied painting at the Académie de la Grande Chaumière. In 1957 she moved Zurich, where she enrolled at the present Zurich University of the Arts (ZHdK) which she attended from 1982-1985.

File:Janika Fabrikant. Cern 3. 2009..png
Janika Fabrikant. Cern 3. 2009. Acrylic on Canvas. 140x100cm. Photo: Yvonne Bohler

Her early artistic development was inspired by visits to the U.S.A. where she experienced a closer affinity to contemporary art movements to that of the Parisian avant garde, in which she had grown up. She was strongly influence by Edward Hopper and Milton Avery. Milton Avery (1885-1965) (see [1]). After a visit to a recycling plant in Detroit, Fabrikant discovered the industrial landscape as her motif. Its rendering in synthetic colours became the hallmark of her art.

Style

Janika Fabrikant’s style defies categorization. Critics have attempted to coin her style as “Visionary Precisionism”[2] or “Expressive Objectivity”[3]. In subject her paintings are akin to American Precisionism. Yet the powerful element of irony, of paradox and the monumentalization of the banal, links Fabrikant more closely to Pop Art.

[[File:Janika Fabrikant. Peenebrücke. Wolgast. 2013..png|thumb|left|Janika Fabrikant. Peenebrücke. Wolgast. 2013. Acrylic on Canvas. 50x70cm. Photo: Yvonne Bohler]. Her colours are a fusion of aesthetic harmony and subtle cynicism, of beauty and malignancy. Her images have a a mesmerizing effect, mainly due to their usually vast size . Her combination of motif and colour has an effect of tension, impenetrability, instability and a nameless distress. After a first impression of harmony the viewer is drawn into a sense of dread, of a toxicity between subject and environment.

From 1987 up to the present Janika Fabrikant has participated in numerous group exhibitions in Switzerland, France, the U.S.A., and one in China. She has had 12 solo exhibitions, mainly in Paris and Zurich. Her work is housed in private collections. Since 2012 she is represented by the Galerie Alex Schlesinger in Zurich.[4]

Notes

  1. ^ Haskell, Barbara. Milton Avery. New York, Whitney Museum of American Art. Harper & Row, 1982.
  2. ^ Solo Exhibition at the Galery “Zum grauen Wind” Zurich, 1995.
  3. ^ Affentranger-Kirchrat, Angelika. Expressive Sachlichkeit. Janika Fabrikant bei Pérez Rojas. Neue Zürcher Zeitung 23. 4. 2007.
  4. ^ Tödistrasse 48, Zurich, Switzerland. Phone: +41 43 233 92 93.

References

  • ANGELI, Bruno. Zwischen Pinsel und Pedalen. Velojournal 3, Zurich, 2011: 61.
  • ANONYMOUS under “Diese Woche”. Unbestechliche Wahrnehmung. Tachles, Zurich, 27. 4. 2007.
  • BEN YOSEF, Ute. Menschlich fabrizierte Maschinenlandschaften. J. Rundschau Maccabi, Basel, 21. 11. 1991.
  • BEN YOSEF, Ute. Janika Fabrikant stellt in Paris aus. J. Rundschau Maccabi, Basel, 17. 9. 1992.
  • BERG, Vivianne. Fabriken in Farben, die sich beissen. I. Wochenblatt 48, Zurich, 1.12. 1995.
  • ROSENBERG, Gabi. Schönheit als Sinnbild des Bösen. J. Rundschau Maccabi, Basel, 4.1. 1996.

External links