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Les Apaches

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This is an old revision of this page, as edited by 88.97.17.99 (talk) at 10:12, 3 July 2016 (As far as I'm aware Schmitt was also a member so I've added him). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Les Apaches or (Société des Apaches) was a group of French musicians, writers and artists which formed around 1900. Members of the group included:

The name was taken up by the group after inadvertently bumping into a newspaper seller who exclaimed "Attention les apaches". They soon adapted the name, which literally refers to the Native American Apache tribe, but had the additional meaning in French of 'hooligans'. Ravel suggested that they adopt the first melody of the Borodin 2nd Symphony as their theme, an idea with which they all agreed. The group met each Saturday, most often at the home of Sordes; alternatively, they would meet at that of Klingsor.

The group had rallied around Claude Debussy's opera Pelléas et Mélisande at and after its controversial premiere.[1] Ravel dedicated the movements of his piano work Miroirs to members of the Apaches.

Notes

  1. ^ Donnellon, pp. 8–9; and Orledge, p. 65

References

  • Donnellon, Deirdre (2003). "French Music since Berlioz: Issues and Debates". In Richard Langham Smith; Caroline Potter (ed.). French Music since Berlioz. Aldershot, UK and Burlington, US: Ashgate. ISBN 978-0-7546-0282-8.{{cite book}}: CS1 maint: multiple names: editors list (link)
  • Orledge, Robert (1982). Debussy and the Theatre. Cambridge: Cambridge University Press. ISBN 978-0-521-22807-7.

Further reading

  1. Apaches, at Maurice Ravel Frontispice. [Retrieved 17 November 2008].
  2. "Maurice Ravel." Contemporary Musicians, Volume 25. Gale Group, 1999. Reproduced in Biography Resource Center. Farmington Hills, Mich.: Thomson Gale. 2005.