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Zilphia Horton

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Zilphia Horton (April 14, 1910 – April 11, 1956) was an American musician, community organizer, educator, Civil Rights activist, and folklorist. She is best known for her work with her husband Myles Horton at the Highlander Folk School where she is generally credited with turning such songs as "We Shall Overcome", "We Shall Not Be Moved," and "This Little Light of Mine" from hymns into protest songs of the Civil Rights Movement.[1]

Biography

Zilphia was born Zilphia Mae Johnson in the coal mining town of Spadra, Arkansas.[1] She was the second child of Robert Guy Johnson and Ora Ermon Howard Johnson. Her father was superintendent of the local coal mine which he later owned and operated, and her mother was a school teacher. She was of Spanish and Indian heritage.

She was a graduate of the College of the Ozarks University of the Ozarks, where she was trained as a classical musician.[2]

After graduating, Zilphia was determined to use her talents for the better good of the southern working class. She tried to organize the workers in her father's coal mine, for which she was disowned by her family.

In 1935, she attended a workshop at the Highlander Folk School, a social justice leadership training school and cultural center located in Monteagle, Tennessee.[3] Zilphia Horton arrived at Highlander Folk School, now known as the Highlander Research and Education Center, committed to the idea that music and drama could help organize labor.[4] Months after attending her first Highlander workshop, she married the school's founder, Myles Horton, and began working for the Highlander Folk School.

Zilphia Horton had numerous roles at Highlander Folk School, serving as music and drama director of from 1938 to 1956.[5] She enhanced the cultural pluralism of the school by developing a curriculum which incorporated and elevated the importance of folk music, dance, and drama.[6] She directed workers' theatre productions, junior union camps, and various community programs; organized union locals; and led singing at workshops, picket lines, union meetings, and fund-raising concerts. She had students collect folk songs, religious music, and union songs around the South, which she then re-wrote or re-worked into protest songs to serve in political struggles, including labor movements and the Civil rights movement. She is perhaps best known for teaching Pete Seeger an early version of "We Shall Overcome," which would become an important civil rights anthem of the twentieth century.[1] Originally an old Baptist hymn, "I Will Be All Right," the song came to Highlander from the picket lines of the 1945 American Tobacco Company strike by the South Carolina CIO Food and Tobacco Workers Union in Charleston.[7]

Zilphia and Myles Horton had two children. On April 11, 1956, at only 45 years of age, she died of kidney failure after accidentally drinking a glass of typewriter cleaning fluid containing carbon tetrachloride she mistook for water.

Accomplishments

She is best known for helping to rewrite the song "We Shall Overcome" into a secular civil rights anthem in 1946. Other musicians credited with transforming the song are Frank Hamilton, Guy Carawan, and Pete Seeger. Other songs she reworked were "Keep Your Eyes on the Prize," "We Shall Not Be Moved," and "This Little Light of Mine." She collected hundreds of songs. Her papers are deposited in the Tennessee State Library and Archives in Nashville.[8]

Sources

References

  1. ^ a b c Hodge, Chelsea (Winter 2017). "The Coal Operator's Daughter: Zilphia Horton, Folk Music, and Labor Activism". The Arkansas Historical Quarterly. Vol. 76, Iss. 5: 291–307 – via ProQuest. {{cite journal}}: |volume= has extra text (help)
  2. ^ "Zilphia Mae Johnson Horton (1910–1956) - Encyclopedia of Arkansas". www.encyclopediaofarkansas.net. Retrieved 2017-03-03.
  3. ^ "Employing Music in the Cause of Social Justice". www.nyfolklore.org. Retrieved 2017-03-03.
  4. ^ Schmidt-Pirro, Julia; McCurdy, Karen M. (Spring–Summer 2005). "Employing Music in the Cause of Social Justice: Ruth Crawford Seeger and Zilphia Horton". Voices - The Journal of New York Folklore. Vol. 31, Iss. 1-2: 32–36 – via ProQuest. {{cite journal}}: |volume= has extra text (help)CS1 maint: date format (link)
  5. ^ Massie-Legg, Alicia Ruth (2014). "Zilphia Horton, a voice for change". search.proquest.com. Retrieved 2020-01-31.{{cite web}}: CS1 maint: url-status (link)
  6. ^ Carter, Vicki K. (Spring 1994). "The Singing Heart of Highlander Folk School". New Horizons In Adult Education & Human Resources Development: 4–24.
  7. ^ Glen, John M. (1996). Highlander: No Ordinary School, 2nd ed. Knoxville: University' of Tennessee Press. p. 177.
  8. ^ "HORTON, ZILPHIA, FOLK MUSIC COLLECTION, 1935-1956 | Tennessee Secretary of State". sos.tn.gov. Retrieved 2017-03-03.