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'''Tatjana Ilic – Tanja Ilic''' (born [[Belgrade]], December 1966) is a [[fine art]]ist. She graduated from the Faculty of Fine Arts - Majoring graphics in Belgrade in 1995. During her studies she enrolled at the Düsseldorf Arts Academy (Kunstakademie - Düsseldorf) in the class of Jannis Kounellis, section Bildhauerei. On the recommendation of her professor, she acquired a Master`s status in 1997, and continued to work in the same class until 2000. She has been a member of the Association of Fine Artists of Serbia since 1995. She has also been a member of the International Artists Forum since 2003. In the same year her artwork “Vogel” was incorporated into the analytical review “Performance - Art - Kontext”. More information about the artwork and activities of Tatjana Ilic can be found in „Kürschners Handbuch der Bildenden Künstler 2007“, Kurschner edition, publisher Saur, as well as in other contemporary art reviews and catalogues. For example, in the book by the German art historian Dr. Helge Meister the „Schone Aussich“, there is an integrated text „Das Blud der roten Rosen“ which gives us an insight into Tatjana Ilic`s evolution as an artist.
'''Tatjana Ilic – Tanja Ilic''' (born [[Belgrade]], December 1966) is a [[fine art]]ist. She graduated from the Faculty of Fine Arts - Majoring in graphics in Belgrade in 1995. During her studies she enrolled at the Düsseldorf Arts Academy (Kunstakademie - Düsseldorf) in the class of Jannis Kounellis, section Bildhauerei. On the recommendation of her professor, she acquired a Master's status in 1997, and continued to work in the same class until 2000. She has been a member of the Association of Fine Artists of Serbia since 1995. She has also been a member of the International Artists Forum since 2003. In the same year her artwork "Vogel" was incorporated into the analytical review "Performance - Art - Kontext".
<br />
⚫
This artist is the notional initiator and one of the founders of artists association Faust – Manifest, established in the year 2004 in Belgrade. She is the creator of the art project „Frequences“ as well as the author of several published articles that not only deal with but also debate from several standpoints relationships between art, systems of art and society in general.


⚫
Ilić was one of the founders of the artists association ''Faust – Manifest'', established in 2004 in Belgrade.<ref>http://www.seecult.org/vest/tatjana-ilic-u-direktorijumu-umetnosti</ref> She is the creator of the art project "Frequences" as well as the author of several published articles that explore the relationships between art, systems of art and society in general.
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== Art ==


⚫
==Art==
Generationally, Tatjana Ilic belongs to a small group of Serbian artists who have developed and shaped their work throughout the 1990s and 2000s in Belgrade, followed by several years at the Academy in Düsseldorf, in the art world of Germany and occasionally in the art context of Italy. Tatjana Ilic explored her own artistic language and acquired valuable knowledge in both, the international class of professor Janis Kounellis, the prominent Art Prover artist, and vibrant, research based, working atmosphere of the Düsseldorf Academy, which during the 90s was the epicenter of sublimation of various cultures as well as the heritage of conceptual arts and fluxus of Joseph Beuys in 60s and 70s.
Tatjana Ilic belongs to a small group of Serbian artists who have developed and shaped their work throughout the 1990s and 2000s in Belgrade. Tatjana Ilic studied under professor Janis Kounellis, the prominent Art Prover artist.
Using the experimental approach, she articulates her thoughts through drawings, procedural blue prints, works and performances, while nourishing the aesthetics of spiritual existence, their visual document in form of photographs, which in later phases result in the exhibition of integral, 3D, spatial work.
<br />
The artwork of this artist outbreaks from her awareness of the heritage of 20th century`s Avantguard and Neoavantguard movements and the open questions about the future of contemporary art, the goals of modern art itself, achievements of earlier epochs and their best representatives according to Tatjana Ilic.
Art historian, Jesa Denegi, in his article published in 2004 in the catalogue for her exhibition “Good Day, Senor Goya” says: “In the art biography of Tatjana Ilic it is written that she has completed art studies at the Art Academy in Düsseldorf in the class of Janis Kunelis. However, that data, no matter how important for her development, is only an introduction in her work so far, as an independent and mature authorial personality. Naturally, the school in which artists such as Joseph Beuys, Jannis Kounellis and Klaus Rinke were once teaching had a strong influence on the students to understand art as a continuous research and to strive to reveal their own personal characteristics. And this is exactly the apprehension of art that Tatjana Ilic carried from her studies. But all of that would not be enough, had this artist through her earlier and especially later artworks – performances, activities and works in different media, not succeed to establish and achieve her own rather unusual artistic ideas. Writing about Tatjana Ilic, Kunelis as the more experienced artist and her mentor, noticed some of the characteristics of his young associate: her art remains “on the edge of the possible”, “lives from the divine moments” and possesses “theatricality that eliminates literal narration”. It is hardly possible to add any substantial comment to these highly suggestive statements. We can only confirm these statements by observing the artwork of Tatjana Ilic that has mostly taken place in the German contemporary art scene. Therefore her work is not well known or duly valued in our surrounding. By the character of her art techniques, Tatjana Ilic authentically carries the heritance of “New Art” of 60s and 70s. The artists of “New Art” speak directly, through the body language in real time and space of their existence preserving the high level of mental and conceptual virtues in the realization of their ideas.
<br />
In his article published in 2008 in ArtFama magazine for contemporary art scene, named “Intro of discussion Tanja Ilic verse Ilija Soskic / About platforms “, art historian Slavko Timotijevic, wrote about Tanja Ilic`s work after she returned to Belgrade … Tanja Ilic empirically explores and recognizes specific art position that is even in this surrounding absolutely clear and, in the attempt to define it, she introduces new concept to art. That concept -“Concept of the Position of Active Art Margin” is soon becoming widely accepted by local and international artists, critics, and philosophers of various generations. In 2007 she artistically wrote and published the “Manifest of Active Art Margin” as a result of her understanding of important historical facts and circumstances as well as certain generational compatibilities.
Tatjana Ilic is a protagonist of the art project “Frequencies” and one of the founders of artistic association Faust Manifest.


==Selected Exhibitions==
== Exhibitions (solo and group exhibitions, acts, performances) choice ==
⚫
*2008 Belgrade, ULUS Gallery, exhibition "READY MADE RE – MADE" / "I Carry a Bird for the Work of Art"/ Serbia

⚫
*2008 Belgrade, Museum of Nikola Tesla, Museums Night/Aria for Nikola Tesla/ Serbia<ref>http://www.naslovi.net/2008-05-13/blic/proslava-110-godina-teslinog-brodica/670240</ref>
⚫
*2008 Belgrade, ULUS Gallery, exhibition “READY MADE RE – MADE” / “I Carry a Bird for the Work of Art”/ Serbia
⚫
*2008 Düsseldorf Malkasten, Kunstfilmtag / film "Vogel" / Germany<ref>http://www.wp8.org/calendar/events.php?id=E888&year=2007&month=12</ref>
⚫
*2008 Belgrade, Museum of Nikola Tesla, Museums Night/Aria for Nikola Tesla/ Serbia
⚫
*2007 Belgrade, authorial project "Frequencies"/Ilija Šoškić frequences Tatjana Ilić/ Belgrade Fortress Gallery, Serbia<ref>http://www.seecult.org/v/galerija_umetnika/tatjana-ilic/album10/Frekv.jpg.html</ref>
*2008 Düsseldorf Malkasten, Kunstfilmtag / film “Vogel” / Germany
*2007 Belgrade, Graphics Collective Gallery/ "I Carry a Bird for the Work of Art"/, Serbia<ref>http://www.seecult.org/v/galerija_umetnika/tatjana-ilic/album11/texts_001.jpg.html</ref>
⚫
*2007 Belgrade, authorial project “Frequencies/Ilija Šoškić frequences Tatjana Ilić/ Belgrade Fortress Gallery, Serbia
*2007 Belgrade, Graphics Collective Gallery/ “I Carry a Bird for the Work of Art”/, Serbia
*2006 Belgrade, Museum of Nikola Tesla, project of Marica Perisic "I shall Illuminate the Dark Side of the Moon/ Pigeon and Urn of Nikola Tesla"/, Serbia
⚫
*2005 Florence, Firenze Galleria dell Academia, exhibition "Forme a venire" – Forme a venire Premio David di Michelangelo/ "Aria for David"/, Italy<ref>http://photography-now.de/events/T31038.html</ref>
*2006 Belgrade, Museum of Nikola Tesla, project of Marica Perisic “I shall Illuminate the Dark Side of the Moon/ Pigeon and Urn of Nikola Tesla”/, Serbia
⚫
*2005 Tallinn, IKG exhibition, "Ohne grenzen – Without Borders – Pirideta" Museum of Architecture, Tallinn, Estonia
⚫
*2005 Florence, Firenze Galleria dell Academia, exhibition “Forme a venire – Forme a venire Premio David di Michelangelo/ “Aria for David”/, Italy
⚫
*2004 Belgrade, Museum of Contemporary Art, 10 Years of Concordia/ "The Flight" 1998-/, Serbia<ref name="duesseldorf.de">http://www.duesseldorf.de/kuenstlerleben/bildende_kuenstler/person.php</ref>
⚫
*2005 Tallinn, IKG exhibition, “Ohne grenzen – Without Borders – Pirideta” Museum of Architecture, Tallinn, Estonia
⚫
*2004 Belgrade, Museum of Contemporary Art, 10 Years of Concordia/ “The Flight” 1998-/, Serbia
*2004 Lodge and Nieborow, IKG congress and exhibition, presentation of the art association Faust Manifest, Poland
*2004 Lodge and Nieborow, IKG congress and exhibition, presentation of the art association Faust Manifest, Poland
*2003 Essen, EPI Centrum (European Performance Institute) / performance “Die rossige Zeiten”/, Germany
*2003 Essen, EPI Centrum (European Performance Institute) / performance "Die rossige Zeiten"/, Germany<ref>http://www.asa.de/projects/festivals/2003_11konf_part_innrw_latem/mai16.htm</ref>
*2003 Belgrade, History Museum of Yugoslavia, IKG exhibition “Re-Discovered”/ Performance Ararat”, Serbia
*2003 Belgrade, History Museum of Yugoslavia, IKG exhibition "Re-Discovered"/ Performance Ararat, Serbia<ref name="duesseldorf.de"/><ref>http://www.eroticunion.org/rediscover-belgrade/rediscover-belgrade/</ref>
*Trevi, Flash Art Museum Contemporary Art, Artisti Suonati/ “Bravour aria”/, Italy
*2001 Trevi, Flash Art Museum Contemporary Art, Artisti Suonati/ "Bravour aria"/, Italy<ref>http://www.protrevi.com/protrevi/art201.asp</ref>
*2001 Belgrade, Student Cultural Center, Omnibus/ Traveling Studio/ Serbia
*2001 Belgrade, Student Cultural Center, Omnibus/ Traveling Studio/ Serbia<ref>http://www.arte.rs/sr/2647</ref>
*1999 Rome, Roma 1999, Biennale dei Giovani Artisti dell Europa e dei Mediteraneo, / “Vogel”/, Italy
*1999 Rome, Roma 1999, Biennale dei Giovani Artisti dell Europa e dei Mediteraneo, / "Vogel"/, Italy<ref name="duesseldorf.de"/>
*1999 Düsseldorf, Kunstraum Düsseldorf, “Kounellis klasse” /“Ohne Titel”/, Germany
*1999 Düsseldorf, Kunstraum Düsseldorf, "Kounellis klasse" /"Ohne Titel"/, Germany
*1997 Thessaloniki, European City of Culture 1997, Greace Geni Zami, / Action Walnut 21/, Greece
*1997 Thessaloniki, European City of Culture 1997, Greace Geni Zami, / Action Walnut 21/, Greece
*1997 Belgrade, Modern Art Museum Gallery, Belgrade, Kounellis` class exhibition”=T0/ Serbia
*1997 Belgrade, Modern Art Museum Gallery, Belgrade, Kounellis` class exhibition=T0/ Serbia
*1997 Fabriano, exhibition “Conteporaneo, Museum Pinacoteca Malioli di Fabriano” / “Tears”/, Italy
*1997 Fabriano, exhibition "Conteporaneo, Museum Pinacoteca Malioli di Fabriano" / "Tears"/, Italy
*1996 Bonn, Kuenslerforum Bonn, exhibition Field/ De javu/, Germany
*1996 Bonn, Kuenslerforum Bonn, exhibition Field/ De javu/, Germany
*1996 Köln, Lichtenstrasse / Thomas Brinkmann, /|”Performance with identical twins”/, Germany
*1996 Köln, Lichtenstrasse / Thomas Brinkmann, /|"Performance with identical twins"/, Germany
*1995 Belgrade, Student Cultural Center, SKC /Turbine for Tears”/ Serbia
*1995 Belgrade, Student Cultural Center, SKC /"Turbine for Tears"/ Serbia
*1995 Duselldorf, Rundgang, / Black Box/, Germany
*1995 Duselldorf, Rundgang, / Black Box/, Germany


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*I Carry a Bird for the Work of Art, Graphics Collective Gallery, Belgrade, 2007, 1-4
*I Carry a Bird for the Work of Art, Graphics Collective Gallery, Belgrade, 2007, 1-4
*Ilija Soskic frequencies Tatjana Ilic, Belgrade Fortress, Belgrade, 2007, 2
*Ilija Soskic frequencies Tatjana Ilic, Belgrade Fortress, Belgrade, 2007, 2
*“Tatjana Ilic verse Ilija Soskic”, Magazine Art Fama, Belgrade, 2007
*"Tatjana Ilic verse Ilija Soskic", Magazine Art Fama, Belgrade, 2007
*Kurschners Handbuch der Bildenen Kunstler, Saur, Munchen/Leipzig, 2006, 505
*Kurschners Handbuch der Bildenen Kunstler, Saur, Munchen/Leipzig, 2006, 505
*“ Faust – Manifest”/ “Urn and the White Pigeon”, I Shall Illuminate the Dark Side of the Moon/ idea/concept Marica Radojcic, Museum of Nikola Tesla, 2006, 88, 89
*"Faust – Manifest"/ "Urn and the White Pigeon", I Shall Illuminate the Dark Side of the Moon/ idea/concept Marica Radojcic, Museum of Nikola Tesla, 2006, 88, 89
*Forme a venire: Premio David di Michelangelo, Bruno Cora, Gli Ori, Prato, 2005, 19, 31, 53
*Forme a venire: Premio David di Michelangelo, Bruno Cora, Gli Ori, Prato, 2005, 19, 31, 53
*Stehend – Gehend, Museum of Modern Visual Art, Novi Sad, 2005, 1-8
*Stehend – Gehend, Museum of Modern Visual Art, Novi Sad, 2005, 1-8
*Teatar Infant, Novi Sad, 2005, 16
*Teatar Infant, Novi Sad, 2005, 16
*Kounellis, Janis/Denegri, Jergo, “Tatjana Ilic”, [[Dom omladine Beograda|Dom Omladine]], Belgrade, 2004, 1-24
*Kounellis, Janis/Denegri, Jergo, "Tatjana Ilic", [[Dom omladine Beograda|Dom Omladine]], Belgrade, 2004, 1-24
*Meister, Helge, “Das Blut der Rosen”, Dr. Helga Meister/ Stifting Schloos Benradth, 19-26
*Meister, Helge, "Das Blut der Rosen", Dr. Helga Meister/ Stifting Schloos Benradth, 19-26
*Varagic, Sladjana/Radosavljevic, Darka/ Simovic, Ljubisa, “Idea – non – realization”, Pozega City Library, 2003, 32 – 33
*Varagic, Sladjana/Radosavljevic, Darka/ Simovic, Ljubisa, "Idea – non – realization", Pozega City Library, 2003, 32 – 33
*Ten Years of Concordia: Exhibit Practice as a Cultural and Political Strategy (1994–2004), Center for Contemporary Art “Concordia”, Vrsac, Serbia, 2004, 183
*Ten Years of Concordia: Exhibit Practice as a Cultural and Political Strategy (1994–2004), Center for Contemporary Art "Concordia", Vrsac, Serbia, 2004, 183
*Performance – Art – Kontext, Performative Ansatze in Kunst und Wissenschaft am Beispiel der “performance art”, 2003
*Performance – Art – Kontext, Performative Ansatze in Kunst und Wissenschaft am Beispiel der "performance art", 2003
*Hicetnunc: Rasegna di Arte Contemporanea: (text Dragica Čakic “ Rosige Zeiten”) Edicioni biblioteca dell immagine, Comune di San Vito al Tagliamento, 82, 83
*Hicetnunc: Rasegna di Arte Contemporanea: (text Dragica Čakic "Rosige Zeiten") Edicioni biblioteca dell immagine, Comune di San Vito al Tagliamento, 82, 83
*Magazine „Likovni Zivot“: Belgrade Review, Re- discover (text by Dorotea Baurle Wilert), 2003, Museum of Yugoslavian History
*Magazine "Likovni Zivot": Belgrade Review, Re- discover (text by Dorotea Baurle Wilert), 2003, Museum of Yugoslavian History
*Artcontext 3: Interview with Tatjana llić - Center for Contemporary Art “Concordia” – Vrsac, April 2002, 11
*Artcontext 3: Interview with Tatjana llić - Center for Contemporary Art "Concordia" – Vrsac, April 2002, 11
*Artcontext 4: Center for Contemporary Art “Concordia” – Vrsac, 2003, 12, 13, 14
*Artcontext 4: Center for Contemporary Art "Concordia" – Vrsac, 2003, 12, 13, 14
*The codes of time: 5th International Biennale of Youth, Vrsac 2002, 154
*The codes of time: 5th International Biennale of Youth, Vrsac 2002, 154
*Omnibus: SKC Gallery, 2002, 15, 18,24
*Omnibus: SKC Gallery, 2002, 15, 18,24
*Arte della Pace: “Arte della Gerra” organizato presso L Universita La Sapienza di Roma/ a cura di Dragica Šoškić; Le Macchine Celibi, 1999
*Arte della Pace: "Arte della Gerra" organizato presso L Universita La Sapienza di Roma/ a cura di Dragica Šoškić; Le Macchine Celibi, 1999
*Hochschule der Künste Thessaloniki; Workshop unter der anleitung von Jannis Kounellis,1997, 60,61
*Hochschule der Künste Thessaloniki; Workshop unter der anleitung von Jannis Kounellis,1997, 60,61
*Arti visive / Arts visuels,- Roma, 1999, Biennale dei Giovani Artisti dell Europa e dei Mediteraneo; Castelvecchi Arte, 3,36
*Arti visive / Arts visuels,- Roma, 1999, Biennale dei Giovani Artisti dell Europa e dei Mediteraneo; Castelvecchi Arte, 3,36
Line 76: Line 67:
*This is the Student Cultural Center, Belgrade, 1996, Yugoslavia, 85
*This is the Student Cultural Center, Belgrade, 1996, Yugoslavia, 85
*Salon de Printemps 96: Letzeburger Artisten Centar, 1996, Luxembourg; strana 54
*Salon de Printemps 96: Letzeburger Artisten Centar, 1996, Luxembourg; strana 54

==References==
{{reflist}}


== External links ==
== External links ==
⚫
* {{Official website|http://www.tatjanailic.com}}
{{Cleanup-link rot|date=December 2010}}


⚫
*http://www.tatjanailic.com
*http://www.ikg-art.org/ikg.php?chosse=Jahrestreffen
*http://www.csinfo.net/it/news.php?idargo=214&id=12
*http://www.servus.at/kontext/ARS/weitere_Studien/Performance_im_Kontext/Perform_Basis06_A0.ppt
*http://www.authorstream.com/.../Charlie-58037-Perform-Basis06-A0-en-last-Travel-Places-Nature-ppt-powerpoint/- 439k -
*http://www.degruyter.de/cont/imp/saur/detailEn.cfm?id=IS-9783598247378-2 - 16k -
*http://seecult.org/v-web/gallery/tatjanailić - 11k -
*http://www.unilibro.it/.../sku-12123526/forme_a_venire_ediz_italiana_e_inglese_.htm - 75k -
*http://photography-now.de/events/T31038.html - 7k -
*http://www.protrevi.com/protrevi/art201.asp - 19k -
*http://www.lemacchinecelibi.coop/elencomostre.htm - 26k -
*http://seecult.org/v-web/gallery/album11/texts_001 - 14k -
*http://www.seecult.org/portal/html/modules.php?op=modload&name=News&file=article&sid=279907 - 95k -
*http://digital.nb.rs/bibliografija/tekuca/monografska/y2006m0112/zapisi152.html - 29k -
*http://www.kustfilmtag.cabanova.de/ - 4k -
*http://www.asa.de/research/kontext/ - 3k -
*http://osdir.com/ml/culture.internet.rohepost/2007-12/msg00020.html - 25k -
*http://www.seecult.org/index.php?q=gallery&g2_view=keyalbum.KeywordAlbum&g2_keyword=tatjana+ilic
*http://www.protrevi.com/protrevi/art201.asp
*http://infant.eunet.rs/Infant05/srpski/program_tilic.htm
*http://www.grafickikolektiv.org/html/akalendarTI.php
*http://www.b92.net/kultura_old/mail.php?view=2&tid=7&plim=160&did=23994
*http://www.blic.rs/stara_arhiva/arhiva/2006-12-30/strane/intervju.htm
*http://www.nspm.rs/prikazi/i-to-je-umetnost.html?alphabet=l
*http://www.in4s.net/x/index.php?option=com_content&view=section&layout=blog&id=17&Itemid=277&limitstart=36
*http://www.asa.de/projects/festivals/2003_11konf_part_innrw_latem/mai16.htm
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*http://www.wp8.org/calendar/events.php?id=E888&year=2007&month=12
*http://blender.petaflop.de/archiv200711.html
*http://www.duesseldorf.de/kuenstlerleben/bildende_kuenstler/suche.php?modus=alphabet&nachname=i
*http://www.kunstfilmtag.cabanova.de/page10.html
*http://www.servus.at/kontext/ARS/weitere_Studien/Performance_im_Kontext/Perform_Basis06_A0.ppt
*http://www.eroticunion.org/?p=62
*http://www.kucjica.org/illum/index-en.html
*http://www.arte.rs/sr/2647
*http://www.exibart.it/exibart.pdf/articolo_crea_pdf.php?IDNotizia=13135
*http://www.libreriauniversitaria.it/forme-venire-ediz-italiana-inglese/libro/9788873361558
*http://www.naslovi.net/2008-05-13/blic/proslava-110-godina-teslinog-brodica/670240
*http://seecult.org/node/27907
*http://www.lemacchinecelibi.coop/elencomostre.htm
*http://www.authorstream.com/presentation/Charlie-58037-Perform-Basis06-A0-en-last-Travel-Places-Nature-ppt-powerpoint/


{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->
{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->

Revision as of 10:20, 28 September 2011

Tatjana Ilic – Tanja Ilic (born Belgrade, December 1966) is a fine artist. She graduated from the Faculty of Fine Arts - Majoring in graphics in Belgrade in 1995. During her studies she enrolled at the Düsseldorf Arts Academy (Kunstakademie - Düsseldorf) in the class of Jannis Kounellis, section Bildhauerei. On the recommendation of her professor, she acquired a Master's status in 1997, and continued to work in the same class until 2000. She has been a member of the Association of Fine Artists of Serbia since 1995. She has also been a member of the International Artists Forum since 2003. In the same year her artwork "Vogel" was incorporated into the analytical review "Performance - Art - Kontext".

Ilić was one of the founders of the artists association Faust – Manifest, established in 2004 in Belgrade.[1] She is the creator of the art project "Frequences" as well as the author of several published articles that explore the relationships between art, systems of art and society in general.

Art

Tatjana Ilic belongs to a small group of Serbian artists who have developed and shaped their work throughout the 1990s and 2000s in Belgrade. Tatjana Ilic studied under professor Janis Kounellis, the prominent Art Prover artist.

Selected Exhibitions

  • 2008 Belgrade, ULUS Gallery, exhibition "READY MADE RE – MADE" / "I Carry a Bird for the Work of Art"/ Serbia
  • 2008 Belgrade, Museum of Nikola Tesla, Museums Night/Aria for Nikola Tesla/ Serbia[2]
  • 2008 Düsseldorf Malkasten, Kunstfilmtag / film "Vogel" / Germany[3]
  • 2007 Belgrade, authorial project "Frequencies"/Ilija Šoškić frequences Tatjana Ilić/ Belgrade Fortress Gallery, Serbia[4]
  • 2007 Belgrade, Graphics Collective Gallery/ "I Carry a Bird for the Work of Art"/, Serbia[5]
  • 2006 Belgrade, Museum of Nikola Tesla, project of Marica Perisic "I shall Illuminate the Dark Side of the Moon/ Pigeon and Urn of Nikola Tesla"/, Serbia
  • 2005 Florence, Firenze Galleria dell Academia, exhibition "Forme a venire" – Forme a venire Premio David di Michelangelo/ "Aria for David"/, Italy[6]
  • 2005 Tallinn, IKG exhibition, "Ohne grenzen – Without Borders – Pirideta" Museum of Architecture, Tallinn, Estonia
  • 2004 Belgrade, Museum of Contemporary Art, 10 Years of Concordia/ "The Flight" 1998-/, Serbia[7]
  • 2004 Lodge and Nieborow, IKG congress and exhibition, presentation of the art association Faust Manifest, Poland
  • 2003 Essen, EPI Centrum (European Performance Institute) / performance "Die rossige Zeiten"/, Germany[8]
  • 2003 Belgrade, History Museum of Yugoslavia, IKG exhibition "Re-Discovered"/ Performance Ararat, Serbia[7][9]
  • 2001 Trevi, Flash Art Museum Contemporary Art, Artisti Suonati/ "Bravour aria"/, Italy[10]
  • 2001 Belgrade, Student Cultural Center, Omnibus/ Traveling Studio/ Serbia[11]
  • 1999 Rome, Roma 1999, Biennale dei Giovani Artisti dell Europa e dei Mediteraneo, / "Vogel"/, Italy[7]
  • 1999 Düsseldorf, Kunstraum Düsseldorf, "Kounellis klasse" /"Ohne Titel"/, Germany
  • 1997 Thessaloniki, European City of Culture 1997, Greace Geni Zami, / Action Walnut 21/, Greece
  • 1997 Belgrade, Modern Art Museum Gallery, Belgrade, Kounellis` class exhibition=T0/ Serbia
  • 1997 Fabriano, exhibition "Conteporaneo, Museum Pinacoteca Malioli di Fabriano" / "Tears"/, Italy
  • 1996 Bonn, Kuenslerforum Bonn, exhibition Field/ De javu/, Germany
  • 1996 Köln, Lichtenstrasse / Thomas Brinkmann, /|"Performance with identical twins"/, Germany
  • 1995 Belgrade, Student Cultural Center, SKC /"Turbine for Tears"/ Serbia
  • 1995 Duselldorf, Rundgang, / Black Box/, Germany

Bibliography (choice)

  • Aria for Nikola Tesla, Museums Night, 2008, 1-4
  • Shadow Museum, Museum of Modern Art, Novi Sad, 2008
  • Ready – Re – Made, ULUS Gallery, Belgrade, 2008
  • Kunstfilmtag – Malkasten, Düsseldorf, 3-13
  • I Carry a Bird for the Work of Art, Graphics Collective Gallery, Belgrade, 2007, 1-4
  • Ilija Soskic frequencies Tatjana Ilic, Belgrade Fortress, Belgrade, 2007, 2
  • "Tatjana Ilic verse Ilija Soskic", Magazine Art Fama, Belgrade, 2007
  • Kurschners Handbuch der Bildenen Kunstler, Saur, Munchen/Leipzig, 2006, 505
  • "Faust – Manifest"/ "Urn and the White Pigeon", I Shall Illuminate the Dark Side of the Moon/ idea/concept Marica Radojcic, Museum of Nikola Tesla, 2006, 88, 89
  • Forme a venire: Premio David di Michelangelo, Bruno Cora, Gli Ori, Prato, 2005, 19, 31, 53
  • Stehend – Gehend, Museum of Modern Visual Art, Novi Sad, 2005, 1-8
  • Teatar Infant, Novi Sad, 2005, 16
  • Kounellis, Janis/Denegri, Jergo, "Tatjana Ilic", Dom Omladine, Belgrade, 2004, 1-24
  • Meister, Helge, "Das Blut der Rosen", Dr. Helga Meister/ Stifting Schloos Benradth, 19-26
  • Varagic, Sladjana/Radosavljevic, Darka/ Simovic, Ljubisa, "Idea – non – realization", Pozega City Library, 2003, 32 – 33
  • Ten Years of Concordia: Exhibit Practice as a Cultural and Political Strategy (1994–2004), Center for Contemporary Art "Concordia", Vrsac, Serbia, 2004, 183
  • Performance – Art – Kontext, Performative Ansatze in Kunst und Wissenschaft am Beispiel der "performance art", 2003
  • Hicetnunc: Rasegna di Arte Contemporanea: (text Dragica Čakic "Rosige Zeiten") Edicioni biblioteca dell immagine, Comune di San Vito al Tagliamento, 82, 83
  • Magazine "Likovni Zivot": Belgrade Review, Re- discover (text by Dorotea Baurle Wilert), 2003, Museum of Yugoslavian History
  • Artcontext 3: Interview with Tatjana llić - Center for Contemporary Art "Concordia" – Vrsac, April 2002, 11
  • Artcontext 4: Center for Contemporary Art "Concordia" – Vrsac, 2003, 12, 13, 14
  • The codes of time: 5th International Biennale of Youth, Vrsac 2002, 154
  • Omnibus: SKC Gallery, 2002, 15, 18,24
  • Arte della Pace: "Arte della Gerra" organizato presso L Universita La Sapienza di Roma/ a cura di Dragica Šoškić; Le Macchine Celibi, 1999
  • Hochschule der Künste Thessaloniki; Workshop unter der anleitung von Jannis Kounellis,1997, 60,61
  • Arti visive / Arts visuels,- Roma, 1999, Biennale dei Giovani Artisti dell Europa e dei Mediteraneo; Castelvecchi Arte, 3,36
  • Keplerstr. 6 – Düsseldorf.- Christel Blomeke, Harald Hofmann, 1998, 21, 22
  • The Exhibition of students of the Jannis Kunellis`s class, (Text Jannis Kounellis/ Jerk Denegri) Museum of Modern Art, Belgrade, 2, 31
  • Volume: Contemporaneo, - Pinacoteca Cvica di Fabriano 1997, 3, 55- 60
  • Kunstakademie Düsseldorf; Hochschulle der Kunste Thessaloniki; workshop von Jannis Kounellis/ ( text- Katerina Koskika, Jannis Kounellis) Futura, 2000, 60, 61
  • This is the Student Cultural Center, Belgrade, 1996, Yugoslavia, 85
  • Salon de Printemps 96: Letzeburger Artisten Centar, 1996, Luxembourg; strana 54

References

  1. ^ http://www.seecult.org/vest/tatjana-ilic-u-direktorijumu-umetnosti
  2. ^ http://www.naslovi.net/2008-05-13/blic/proslava-110-godina-teslinog-brodica/670240
  3. ^ http://www.wp8.org/calendar/events.php?id=E888&year=2007&month=12
  4. ^ http://www.seecult.org/v/galerija_umetnika/tatjana-ilic/album10/Frekv.jpg.html
  5. ^ http://www.seecult.org/v/galerija_umetnika/tatjana-ilic/album11/texts_001.jpg.html
  6. ^ http://photography-now.de/events/T31038.html
  7. ^ a b c http://www.duesseldorf.de/kuenstlerleben/bildende_kuenstler/person.php
  8. ^ http://www.asa.de/projects/festivals/2003_11konf_part_innrw_latem/mai16.htm
  9. ^ http://www.eroticunion.org/rediscover-belgrade/rediscover-belgrade/
  10. ^ http://www.protrevi.com/protrevi/art201.asp
  11. ^ http://www.arte.rs/sr/2647

External links


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