User:ModernDayTrilobite/Individual songs on Maps

To facilitate my planned expansion of Maps (Billy Woods and Kenny Segal album).

General ideas or other things to return to

• "Kenwood Speakers" and "Babylon by Bus" are about "existence in corporate America and traveling through soon-to-be-gentrified areas."
• returning themes include "society’s classification of food as cultural class signifier"; "Almost every song includes a different type of dish, cross-referencing the aura of the places wherever the journey led"
• "Weed is a constant companion, filling airport toilets and Marriott hotel bathrooms, the papaya or herbal smell of its dissipating smoke a great metaphysical symbol for woods’ transitory presence in those spots."
• "the sunny, Californian jazz-beats Segal conjures"
• "white culture permeating blackness, transforming it, reflecting itself, leading to a dynamic of self-annihilation."
• "the returning image of him as an airplane passenger"
• bird imagery recurs throughout "Babylon by Bus", "The Layover", and "As the Crow Flies"
• "Compared to the claustrophobic, lumbering dread of their previous record, 2019’s stress-rap masterpiece Hiding Places, Maps is much lighter on its feet."
• "His sardonic deadpan is so effective that even simple bars like “You can’t fix stupid” and “The earth is a sphere” become gut-busters."
• "crappy and/or overpriced weed, a nuisance woods brings up with charming frequency"

Songs

1. Kenwood Speakers

• "“Kenwood Speakers” chronicles Brooklyn slowly selling out. woods observes he can afford more exceptional real estate thanks to his artistic longevity with bitter utilitarianism"
• "Later, during dinner with his new Brooklyn neighbour, filled with suggestions of hip and decadent white status symbols (“Skate wing, brown butter and capers / Sprigs of thyme / Heavy pours of natural wine”), woods supposedly provokes the man into ruminating on class and racial division [...] The next morning, he’s found dead of suicide by carbon monoxide."
• "he cracks wise on “Kenwood Speakers” about boring a dinner party to death"

2. Soft Landing

• "“Soft Landing” opens with sun-drenched guitar chords and field recordings of a public space."
• "interpolates the pop standard “Feeling Good.”"
• "blending sludgy bass booms with acoustic guitar while woods chants a chorus inspired by Nina Simone’s “Feeling Good.”"

3. Soundcheck

• "Gil Scott Heron-like"; "address[es] anxiety and stage pressure"
• "“Soundcheck” describes his need to escape the tedium of its titular activity, opting instead to find the nearest Szechuan restaurant."
• "“I will not be at soundcheck,” he repeats with defiance on the puckish “Soundcheck” as he absconds to chow on some Szechuan food."
• "about woods refusing to spend his touring time loading in at venues"
• "It’s on "Soundcheck" that Woods comes closest to harmony: resisting his role as the star of the show while finding joy in new spaces."

5. Blue Smoke

• "The constant back and forth between black working class rusticity and contemporary white folly collides in occasional power-struggles, such as in “Blue Smoke”, where woods imagines possible FBI agents that listen in on his divorce quarrels self-censoring their racist speech (“Been on this n-word for months, I think it’s all just rhymes”)."
• "free-jazz freakouts"

6. Bad Dreams are Only Dreams

• "in “Bad Dreams Are Only Dreams” (the title is one of the many easter-egg references to 90s Hip-Hop, in this case GZA’s “Cold World”), woods dozes off on an Emirates flight and finds himself the exposed-brain-dish in a Hannibal Lecter-like nightmare that doubles as a parody of critical analysis"
• "He fights jet lag on “Bad Dreams Are Only Dreams”"
• "dreary loops"

7. Babylon by Bus

• samples "#2" by Aphex Twin
• "woods imagines himself as an ominous stalker"
• "jackknife beat switches"

8. Year Zero

• "Danny Brown provides a lengthy, exuberant guest verse during the warped, noisy "Year Zero," bursting in fits of laughter by the end."
• "the Danny Brown collaboration “Year Zero” (a possible Nine Inch Nails reference?), where both rappers imagine a wasteland of black self-destruction and human devolution"
• "At times, like on “Year Zero,” these instances of reflection make him want to burn everything down and let the youth figure out a better way to exist."
• "towering drones of "Year Zero""
• "Others, like “Year Zero,” which features a stunning Danny Brown verse, are spartan voids of creaky percussion and eerie synths that play up woods’ wry prophesizing."
• "Danny Brown talks glorious shit on “Year Zero.”"
• "woods delivers one of his darkest bursts of despair [...] then Danny Brown comes screeching in [...] and reality suddenly shifts."
• "Danny Brown is manic and boastful on "Year Zero"."

9. Hangman

• "black pessimism also seeps out of the morbid “Hangman”"
• "finding bemused comfort in conversations with idiots."
• "A song like ‘Hangman’ is essentially perfect: so taught and focused it sounds like a man hunched over, mouth open, pouring every one of his pressing thoughts onto the mic."

10. Baby Steps

• "He falls asleep in the backseat of an Uber from Kansas City to Lincoln, Nebraska on “Baby Steps”"
• "muted orchestral tension"
• "He references Future on “Baby Steps,” comparing himself to the Atlanta rapper’s I Never Liked You album art as he dozes off in an Uber."

11. The Layover

• "unfurls the hissy, buttery flow of sampled bop piano."

12. FaceTime

• "Samuel T. Herring sings about the strange comfort of tour loneliness for the misty chorus to "Facetime.""
• "his faltering relationship, which he addresses without varnish in “FaceTime”."
• Woods "smokes weed in a hotel room during “Facetime,” listening to festival goers chase oblivion after a Playboi Carti set."
• "wistful"
• "Samuel T. Herring of Future Islands delivers a nice chorus on “Facetime” as woods describes navigating missed calls and his own smoked-out alienation"
• "woods and Future Islands’ Samuel T. Herring trade observations on what it’s like to be away from loved ones, doing something supposedly fun. It’s a situation that woods illustrates by sketching an image of carefree young revelers buzzing off of dubstep and Playboi Carti while woods himself is in a hotel room, “smoking alone in a cardigan, thinking of home.”"
• "lead single "FaceTime", a song which finds solace in solitude."

13. Agriculture

• "rural fantasy of weed-dealer-cum-farmer"
• "On the dreamy “Agriculture,” which is splashed with warm hums and twinkly keys, a pastoral refuge fails to cure the protagonist’s anguish"

14. Houdini

• "Smoking helps woods get through it all; as he repeats on "Houdini," "I was high all day, I escaped.""
• "bluesy"

15. Waiting Around

• Woods "wanders around Amsterdam with headphones on “Waiting Around.”"
• "we get the pleasure of hearing Woods trade bars with the equally verbose Aesop Rock"

16. NYC Tapwater

• "woods observes celebrities moving in next door (suggesting the place of his deceased neighbour found ample interest) and luxury goods being traded, which the rapper takes with resigned sarcasm"
• "The death of New York as cultural habitat directly contrasts the sprawling, almost alchemical processes of the diary-like observations on the rest of the record."
• "domestic bliss of the beautiful “NYC tapwater”"
• "The New York he re-inhabits on “NYC Tapwater” is always different, the march of time slowly chipping away at his idea of home."
• "“NYC Tapwater” tenderly catalogs the unique pleasures of life in New York City then ends by clarifying it’s a cruel place. It’s not a twist; it’s a warning from someone who has settled into the mirage."
• "And when woods is back home in New York, the city’s not the same. His old weed spot is now an expensive designer boutique, and he’s got to start plotting his exit"

17. As the Crow Flies

• "As woods returns home and settles in, he finds himself observing his son playground fighting on “As the Crow Flies” [...] Here, in those final lines, he has all the themes of Maps fall in on each other: the romantic tension dissipates, as his own fear on death, embodied by the suicide that opens the album, finally becomes palpable"
• "billy woods paints a picture of himself at a park with his son, experiencing the worst kind of epiphany: “I watch him grow, wondering how long I got to live.”"