List of paintings by J. M. W. Turner
Appearance
This is an incomplete list of the paintings of J.M.W. Turner ( 23 April 1775 –19 December 1851),[1] a master noted for his skill in the portrayal of light, and in the painting of maritime scenes.[2]
Timeline
- 1787–1801 Student
- 1802–1818 Academician
- 1819–1835 Extensive wanderer
- 1836-1851 Modernism
Paintings by Turner
This list includes paintings attributed to Turner.
In substitute of specific knowledge on the date of a painting's creation (in cases where this is not known), the year of exhibition has been put, is it would likely correlate.
1787–1801 Student
1802–1818 Academician
Image | Title | Year | Location | Dimensions (cm.) | Comments |
---|---|---|---|---|---|
Jason | 1802 | The Tate, London | 90.2 x 119.7 | ||
Fishermen upon a Lee Shore in Squally Weather | 1802 | Southampton Art Gallery | 91.5 x 122 | ||
The Tenth Plague of Egypt | 1802 | The Tate, London | 143.5 x 236.2 | ||
Grenoble Seen from the River Drac with Mont Blanc in the Distance | 1802 | The Tate, London | 36.2 x 64.1 | ||
Ships Bearing up for Anchorage ('The Egremont Seapiece') | 1802 | The Tate, London | 112 x 18 | ||
Mountain Scene with Castle, Probably Martigny | 1802-1803 | The Tate, London | 43.8 x 54 | ||
Tummel Bridge, Perthshire | 1802-1803 | Yale Center for British Art, Connecticut | 28.9 x 46.7 | ||
Chateaux de St Michael, Bonneville, Savoy | 1802-1803 | Yale Center for British Art, Connecticut | 91.4 x 121.9 | ||
A Coast Scene with Fishermen Hauling a Boat Ashore | 1803-1804 | Kenwood House, London | 91.8 x 122.5 | ||
The Festival of the Opening of the Vintage at Mâcon, France | 1803 | Museums Sheffield | 182.5 x 274.4 | ||
Holy Family | 1803 | The Tate, London | 102.2 x 141.6 cm | ||
Calais Pier, with French Poissards preparing for Sea: an English Packet arriving | 1803 | National Gallery, London | 172 x 240 | ||
The Pass of Saint Gotthard, Switzerland | 1803–1804 | Birmingham Museums Trust | 80.6 x 64.2 | ||
Narcissus and Echo | 1804 | The Tate, London | 86.5 x 117 | ||
The Shipwreck | 1805 | The Tate, London | 170.5 x 241.6 | ||
Cattle in a Stream under a Bridge | 1805-1807 | The Tate, London | 31.4 x 39.4 | ||
Guildford from the Banks of the Wey | 1805 | The Tate, London | 25.4 x 19.7 | ||
Cows in a Landscape with a Footbridge | 1805-1807 | The Tate, London | 47.9 x 71.1 | ||
The Thames at Weybridge | 1805-6 | The Tate, London | 90.5 x 121.7 | ||
The Hero of a Hundred Fights | 1800- 1810 | The Tate, London | 90.8 x 121.3 | Reworked and exhibited in 1847. It depicts a bronze statue of Wellington being removed from its mould. | |
Windsor Castle from the Thames | 1805 | The Tate, London | 91 x 122 | ||
Venus and the Dead Adonis | 1805? | The Tate, London | 31.8 x 45.1 | ||
The Deluge | 1805 | The Tate, London | 142.9 x 235.6 | ||
Windsor Castle from the Meadows | 1805 | The Tate, London | 22.2 x 55.6 | ||
Sunset on the River | 1805 | The Tate, London | 15.6 x 18.7 | ||
The Destruction of Sodom | 1805 | The Tate, London | 146 x 237.5 | ||
Walton Reach | 1805 | The Tate, London | 36.8 x 73.7 | ||
Windsor from Lower Hope | 1805 | The Tate, London | 32.1 x 73.7 | ||
Godalming from the South | 1805 | The Tate, London | 20.3 x 34.9 | ||
A Thames Backwater with Windsor Castle in the Distance | 1805 | The Tate, London | 86.7 x 121 | ||
Willows beside a Stream | 1805 | The Tate, London | 86 x 116.2 | ||
The ‘Victory’ Returning from Trafalgar, in Three Positions | 1806 | Yale Center for British Art, Connecticut | 67 x 100.3 | ||
The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides | 1806 | The Tate, London | 155.3 x 218.4 | ||
Abingdon | 1806? | The Tate, London | 01.6 x 130.2 | ||
Sun rising through Vapour: Fishermen cleaning and selling Fish | pre 1807 | National Gallery, London | 134 x 179.5 | ||
Barge on the River, Sunset | 1806-1807 | The Tate, London | 85.1 x 116.2 | ||
Margate | 1806-1807 | The Tate, London | 85.7 x 116.2 | ||
Men with Horses Crossing a River | 1806-1807 | The Tate, London | 87.9 x 118.4 | ||
The Thames Glimpsed between Trees, possibly at Kew Bridge | 1806-1807 | The Tate, London | 91.1 x 121.6 | ||
Weir and Cattle | 1806-1807 | The Tate, London | 88.3 x 120 | ||
Washing Sheep | 1806-1807 | The Tate, London | 84.5 x 116.5 | ||
Sketch for 'Harvest Dinner, Kingston Bank' | 1806-1807 | The Tate, London | 61 x 91.4 | ||
Shipping at the Mouth of the Thames | 1806-1807 | The Tate, London | 85.7 x 116.8 | ||
Coast Scene with Fishermen and Boats | 1806-1807 | The Tate, London | 85.7 x 116.2 | ||
Caversham Bridge with Cattle in the Water | 1806-1807 | The Tate, London | 85.4 x 115.8 | ||
Goring Mill and Church | 1806-1807 | The Tate, London | 85.7 x 116.2 | ||
River Scene with Weir in Middle Distance | 1806-1807 | The Tate, London | 85.4 x 115.6 | ||
Hampton Court from the Thames | 1806-1807 | The Tate, London | 85.7 x 120 | ||
Trees beside the River, with Bridge in the Middle Distance | 1806-1807 | The Tate, London | 87.9 x 120.6 | ||
House beside the River, with Trees and Sheep | 1806-1807 | The Tate, London | 90.5 x 116.5 | ||
Newark Abbey | 1806-1807 | Yale Center for British Art, Connecticut | 91.4 x 123.2 | ||
Gipsy Camp | 1807 | The Tate, London | 121.9 x 91.4 | ||
Cassiobury Park: Reaping | 1807 | The Tate, London | 90.2 x 121.9 | ||
Newark Abbey | 1807 | The Tate, London | 29.5 x 35.2 | ||
An Artists' Colourman's Workshop | 1807 | The Tate, London | 62.2 x 91.4 | ||
St Catherine's Hill, Guildford | 1807 | The Tate, London | 36.5 x 73.7 | ||
Linlithgow Palace | 1807 | Walker Art Gallery, Liverpool | 92 x 122.5 | ||
The Thames near Windsor | 1807 | The Tate, London | 18.7 x 26 | ||
A Narrow Valley | 1807 | The Tate, London | 20.6 x 16.5 | ||
Newark Abbey on the Wey | 1807 | The Tate, London | 36.8 x 73.7 | ||
Windsor Castle from Salt Hill | 1807 | The Tate, London | 27.6 x 73.7 | ||
On the Thames (?) | 1807 | The Tate, London | 29.8 x 34.9 | ||
Windsor Castle from the River | 1807 | The Tate, London | 20 x 36.8 | ||
The Battle of Trafalgar, as Seen from the Mizen Starboard Shrouds of the Victory | 1806-1808 | The Tate, London | 170.8 x 238.8 | ||
Spithead: Two Captured Danish Ships Entering Portsmouth Harbour | 1807-1809 | The Tate, London | 171.4 x 233.7 | ||
Eton, from the River | 1807? | The Tate, London | 35.6 x 66 | ||
Tree Tops and Sky, Guildford Castle(?), Evening | 1807? | The Tate, London | 27.6 x 73.7 | ||
Cliveden on Thames | 1807? | The Tate, London | 28.4 x 58.4 | ||
A Country Blacksmith Disputing upon the Price of Iron, and the Price Charged to the Butcher for Shoeing his Poney | 1807? | The Tate, London | 54.9 x 77.8 | ||
The Thames near Windsor | 1807? | The Tate, London | 89 x 119.5 | ||
The Raft | 1807 | The Tate, London | 41 x 59 | ||
The Thames at Eton | 1808 | The Tate, London | 60.5 x 90.5 | ||
Margate | 1808 | The Tate, London | 90 x 120.5 | ||
The Forest of Bere | 1808 | The Tate, London | 89 x 119.5 | ||
Tabley, Cheshire, the Seat of Sir J. F. Leicester, Bt: Windy Day | 1808 | Tabley House, Knutsford | 91.5 x W 120.6 | ||
View of Richmond Hill and Bridge | 1808 | The Tate, London | 91.4 x 121.9 | ||
A Subject from the Runic Superstitions ... | 1808 | The Tate, London | 92.1 x 121.9 | ||
Union of the Thames and Isis ('Dorchester Mead, Oxfordshire') | 1808 | The Tate, London | 90.8 x 121.3 | ||
The Confluence of the Thames and the Medway | 1808 | The Tate, London | 91 x 12 | ||
Near the Thames' Lock, Windsor | 1809 | The Tate, London | 89 x 118 c | ||
Harvest Home | 1809 | The Tate, London | 90.5 x 120.3 c | ||
The Sun Setting through Vapour | 1809 | Barber Institute,Birmingham | 69.2 x 101.6 c | ||
Tabley, Cheshire, the Seat of Sir J. F. Leicester, Bart.: Calm Morning | 1809 | The Tate, London | 91 x 121.5 | ||
Ploughing Up Turnips, near Slough ('Windsor') | 1809 | The Tate, London | 101.9 x 130.2 | ||
Sketch of a Bank, with Gipsies | 1809 | The Tate, London | 61.3 x 83.8 | ||
London from Greenwich Park | 1809 | The Tate, London | 90.2 x 120 c | ||
Thomson's Aeolian Harp | 1809 | Manchester Art Gallery | 166.7 x 306 | ||
Fishing upon the Blythe-Sand, Tide Setting In | 1809 | The Tate, London | 88.9 x 119.4 | ||
View of the High Street, Oxford | 1809-1810 | Ashmolean Museum, Oxford | 68.6 x 99.7 | Commissioned by James Wyatt | |
Harvest Dinner, Kingston Bank | 1809 | The Tate, London | 90.2 x 121 | ||
The Quiet Ruin, Cattle in Water; A Sketch, Evening | 1809 | The Tate, London | 61.2 x 76.5 | ||
The Garreteer's Petition | 1809 | The Tate, London | 55.2 x 79.1 | ||
River Scene with Cattle | 1810 | The Tate, London | 128.3 x 174 | ||
The Fall of an Avalanche in the Grisons | 1810 | The Tate, London | H 90.2 x 120 | ||
Petworth, Sussex, the Seat of the Earl of Egremont: Dewy Morning | 1810 | The Tate, London | 91.5 x 120.5 | ||
Cockermouth Castle | 1810 | The Tate, London | 60.5 x 90 c | ||
Apollo and Python | 1811 | The Tate, London | 145.4 x 237.5 | ||
Somer Hill, Tonbridge | 1811 | National Galleries of Scotland | 92 x 122 c | ||
St Mawes at the Pilchard Season | 1812 | The Tate, London | 91.1 x 120.6 | ||
Snow Storm: Hannibal and his Army Crossing the Alps | 1812 | The Tate, London | 146 × 237.5 | ||
Hulks on the Tamar | 1812 | The Tate, London | 89.2 x 120.2 | ||
Teignmouth | 1812 | The Tate, London | 90 x 120.5 | ||
Frosty Morning | 1813 | The Tate, London | 113.7 x 174.6 | ||
Apullia in Search of Appullus | 1814 | The Tate, London | 148.5 x 241 | ||
Dido and Aeneas | 1814 | The Tate, London | 146 x 237. | ||
Lake Avernus: Aeneas and the Cumaean Sibyl | 1814- 15 | Yale Center for British Art, Connecticut | 71.8 x 97.2 | ||
Crossing the Brook | 1815 | The Tate, London | 193 x 165.1 | ||
Dido building Carthage, or The Rise of the Carthaginian Empire | 1815 | National Gallery, London | 155.5 x 230 | ||
The Eruption of the Soufrière Mountains in the Island of St Vincent, 30 April 1812 | 1815 | Victoria Gallery, Liverpool | 79 x 105 | ||
The Decline of the Carthaginian Empire ... | 1817 | The Tate, London | 170.2 x 238.8 | ||
The Field of Waterloo | 1818 | The Tate, London | 147.3 x 238.8 | ||
Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed | 1818 | Yale Center for British Art, Connecticut | 157.5 x 233.7 |
1819–1835 Extensive wanderer
Image | Title | Year | Location | Dimensions (cm.) | Comments |
---|---|---|---|---|---|
Richmond Hill with Girls Carrying Corn | 1819 | The Tate, London | 48 x 239.3 | ||
Entrance of the Meuse: Orange-Merchant on the Bar, Going to Pieces; Brill Church bearing S. E. by S., Masensluys E. by S. | 1819 | The Tate, London | 175.3 x 246.4 | ||
England: Richmond Hill, on the Prince Regent's Birthday | 1819 | The Tate, London | 180 x 334.6 | ||
The Rialto, Venice | 1820 | The Tate, London | 177.5 x 335.3 | ||
Tynemouth Priory | 1820-25 | The Tate, London | 31.8 x 61 | ||
Rome, from the Vatican. Raffaelle, Accompanied by La Fornarina, Preparing his Pictures for the Decoration of the Loggia | 1820 | The Tate, London | 177.2 x 335.3 | ||
George IV at St Giles's, Edinburgh | 1822 | The Tate, London | 74.6 x 91.8 | ||
George IV at the Provost's Banquet in the Parliament House, Edinburgh | 1822 | The Tate, London | 68.6 x 91.8 | ||
George IV's Departure from the 'Royal George', 1822 | 1822 | The Tate, London | 75.2 x 92.1 | ||
An Avenue of Trees | 1822 | The Tate, London | 49.5 x 53.7 | ||
The Battle of Trafalgar, 21 October 1805 | 1822-24 | The National Maritime Museum, London | 261.5 x 368.5 | ||
The Bay of Baiae, with Apollo and the Sibyl | 1823 | The Tate, London | 145.4 x 237.5 | ||
First Sketch for 'The Battle of Trafalgar' | 1823 | The Tate, London | 90.2 x 121.3 | ||
Second Sketch for 'The Battle of Trafalgar' | 1823 | The Tate, London | 90.2 x 121.3 | ||
Landscape: Christ and the Woman of Samaria | 1825 | The Tate, London | 147.3 x 238.8 | ||
The Cobbler's Home | 1825 | The Tate, London | 59.7 x 80 | ||
Valley with a Distant Bridge and Tower | 1825 | The Tate, London | 91.1 x 122.2 | ||
Lake or River with Trees on the Right | 1825-30 | The Tate, London | 41.3 x 59.7 | ||
Death on a Pale Horse (?) | 1825-30 | The Tate, London | 59.7 x 75.6 | ||
Shipping | 1825-30 | The Tate, London | 67.9 x 91.8 | ||
Rocky Coast | 1825-30 | The Tate, London | 50.2 x 65.7 | ||
Seascape with a Sailing Boat and a Ship | 1825-30 | The Tate, London | 46.7 x 61 | ||
A Sandy Beach | 1825-30 | The Tate, London | 60 x 91.4 | ||
Italian Landscape with a Tower | 1825-30 | The Tate, London | 58.4 x 76.2 | ||
Seascape with a Yacht (?) | 1825-30 | The Tate, London | 50.2 x 66 | ||
Two Compositions: A Claudian Seaport and an Open Landscape | 1825-30 | The Tate, London | 33.7 x 60.3 | ||
Forum Romanum, for Mr Soane's Museum | 1826 | The Tate, London | 145.7 x 236.3 | ||
Port Ruysdael | 1826-27 | Yale Center for British Art, Connecticut | 92.1 x 122.6 | ||
The Harbour of Brest: The Quayside and Château | 1826-28 | The Tate, London | 172.7 x 223.5 | ||
Dieppe: The Port from the Quai Henri IV | 27-28 | The Tate, London | 60.3 x 89.2 | ||
Between Decks | 1827 | The Tate, London | 30.5 x 48.6 | ||
Sketch for 'East Cowes Castle, the Regatta Beating to Windward' No. 1 | 1827 | The Tate, London | 29.8 x 48.9 | ||
Sketch for 'East Cowes Castle, the Regatta Beating to Windward' No. 2 | 1827 | The Tate, London | 45.7 x 61 | ||
Sketch for 'East Cowes Castle, the Regatta Beating to Windward' No 3 | 1827 | The Tate, London | 46.4 x 72.4 | ||
A Sail Boat at Rouen | 27-28 | The Tate, London | 60.3 x 90.8 | ||
Brighton Beach, with the Chain Pier in the Distance, from the West | 1827 | The Tate, London | 90.2 x 121.9 | ||
'Now for the Painter' (Rope) – Passengers Going on Board | 1827 | Manchester Art Gallery | 174.3 x 223.5 | ||
Sketch for 'East Cowes Castle, the Regatta Starting for Their Moorings' No. 1 | 1827 | The Tate, London | 46.4 x 61.6 | ||
Sketch for 'East Cowes Castle, the Regatta Starting for Their Moorings' No. 2 | 1827 | The Tate, London | 44.5 x 73.7 | ||
Sketch for 'East Cowes Castle, the Regatta Starting for Their Moorings' No. 3 | 1827 | The Tate, London | 45.1 x 61 | ||
Shipping off East Cowes Headland | 1827 | The Tate, London | 46 x 60.3 | ||
Study of Sea and Sky, Isle of Wight | 1827 | The Tate, London | 32.1 x 50.2 | ||
East Cowes Castle | 27-28 | Victoria & Albert Museum, London | 91.4 x 123.2 | ||
Rouen: A View from the Left Bank in the Faubourg St-Sever | 27-28 | The Tate, London | 60.3 x 98.7 | ||
Three Seascapes | 1827 | The Tate, London | 90.8 x 60.3 | ||
Rocky Bay | 1827-28 | The Tate, London | 60.3 x 92.1 | ||
Rouen: The Left Bank, with Shipping Beyond | 1827-28 | The Tate, London | 60 x 84.8 | ||
Italian Bay | 1827-28 | The Tate, London | 60.3 x 102.2 | ||
Landscape with Tower, Trees and Figures; possibly Arcueil near Paris | 1827-28 | The Tate, London | 60 x 88.6 | ||
Classical Harbour Scene; possibly based on Le Havre | 1827-28 | The Tate, London | 60.3 x 101.9 | ||
Tivoli, the Cascatelle | 1827-28 | The Tate, London | 60.7 x 77.7 | ||
The Lake, Petworth, Sunset; Sample Study | 1827-28 | The Tate, London | 63.5 x 139.7 | ||
Italian Landscape with Bridge and Tower | 1827-28 | The Tate, London | 60.3 x 98.1 | ||
The Lake, Petworth, Sunrise | 1827-28 | The Tate, London | 64.8 x 125.7 | ||
Rocky Bay with Figures | 1827-28 | The Tate, London | 90.2 x 123.2 | ||
Archway with Trees by the Sea; Sketch for 'The Parting of Hero and Leander' | 1827-28 | The Tate, London | 59.4 x 87 | ||
Lake Nemi | 1827-28 | The Tate, London | 60.3 x 99.7 | ||
Claudian Harbour Scene: Study for 'Dido Directing the Equipment of the Fleet' | 1827-28 | The Tate, London | 60 x 93.7 | ||
Overlooking the Coast, with Classical Building | 1827-28 | The Tate, London | 60.3 x 84.5 | ||
A Ship Aground, Yarmouth; Sample Study | 1827-28 | The Tate, London | 69.8 x 135.9 | ||
Claudian Composition, possibly Arcueil at Dawn (formerly titled 'Ariccia (?): Sunset') | 1827-28 | The Tate, London | 60.6 x 79.4 | ||
Sketch for 'Ulysses Deriding Polyphemus' | 1827-28 | The Tate, London | 60 x 89.2 | ||
The Chain Pier, Brighton | 1828 | The Tate, London | 71.1 x 136.5 | ||
Petworth Park: Tillington Church in the Distance | 1828 | The Tate, London | 60 x 145.7 | ||
Chichester Canal | 1828 | The Tate, London | 65.4 x 134.6 | ||
The Rest on the Flight into Egypt | 1828 | The Tate, London | 150.5 x 111.8 | ||
The Procuress; (?) Judith with the Head of Holofernes | 1828 | The Tate, London | 124.1 x 91.4 | ||
Coast Scene near Naples | 1828 | The Tate, London | 41 x 59.7 | ||
Hilly Landscape with Tower | 1828 | The Tate, London | 42.2 x 52.4 | ||
Reclining Venus | 1828 | The Tate, London | 75.3 x 248.9 | ||
Seacoast with Ruin, probably the Bay of Baiae | 1828 | The Tate, London | 41.3 x 60.3 | ||
Regulus | 1828 | The Tate, London | 89.5 x 123.8 | ||
Palestrina - Composition | 1828 | The Tate, London | 140.3 x 248.9 | Exhibited in 1830. Set to hang beside a landscape
by Claude Lorrain in Egremont's his collection. | |
Boccaccio Relating the Tale of the Bird-Cage | 1828 | The Tate, London | 121.9 x 89.9 | ||
Hill Town on the Edge of the Campagna | 1828 | The Tate, London | 41 x 59.4 | ||
A Seashore | 1828 | The Tate, London | 41.6 x 52.1 | ||
Seascape with Burning Hulk | 1828 | The Tate, London | 24.1 x 41.6 | ||
Vision of Medea | 1828 | The Tate, London | 173.7 x 248.9 | ||
Seascape | 1828 | The Tate, London | 41.9 x 52.1 | ||
Landscape with a Tree on the Right | 1828 | The Tate, London | 27.9 x 41.6 | ||
Outline of a Venus Pudica | 1828 | The Tate, London | 135.6 x 98.1 | ||
Italian Landscape, probably Civita di Bagnoregio | 1828 | The Tate, London | 149.9 x 249.6 | ||
Landscape with Trees and a Castle | 1828 | The Tate, London | 41.6 x 60 | ||
Southern Landscape with an Aqueduct and Waterfall | 1828 | The Tate, London | 50.2 x 249.2 | ||
Southern Landscape | 1828 | The Tate, London | 176.5 x 251.8 | ||
View of Orvieto | 1828 | The Tate, London | 91.4 x 123.2 | Painted in Rome | |
Mountainous Landscape | 1828 | The Tate, London | 41.3 x 59.7 | ||
Two Recumbent Nude Figures | 1828 | The Tate, London | 174.6 x 249.2 | ||
Chichester Canal | 1829 | The Tate, London | 63.5 x 132 | ||
The Lake, Petworth: Sunset, a Stag Drinking | 1829 | The Tate, London | 63.5 x 132 | ||
The Lake, Petworth: Sunset, Fighting Bucks | 1829 | The Tate, London | 62 x 146 | ||
Brighton from the Sea | 1829 | The Tate, London | 63.5 x 132 | ||
The Loretto Necklace | 1829 | The Tate, London | 130.8 x 174.9 | ||
Ulysses deriding Polyphemus- Homer's Odyssey | 1829 | The National Gallery, London | 132.5 x 203 | ||
Pilate Washing his Hands | 1830 | The Tate, London | 91.4 x 121.9 | ||
A Lady in a Van Dyck Costume | 1830-5 | The Tate, London | 121.3 x 91.1 | ||
Dinner in a Great Room with Figures in Costume | 1830-5 | The Tate, London | 90.8 x 121.9 | ||
The Evening Star | 1830 | National Gallery, London | 91.1 x 122.6 | ||
Scene in a Church or Vaulted Hall | 1830 | The Tate, London | 74.9 x 99.1 | ||
Sunset | 1830-5 | The Tate, London | 66.7 x 81.9 | ||
The Thames above Waterloo Bridge | 1830-5 | The Tate, London | 90.5 x 121 | ||
Figures in a Building | 1830-5 | The Tate, London | 91.4 x 121.9 | ||
Interior of a Great House: The Drawing Room, East Cowes Castle | 1830 | The Tate, London | 90.8 x 121.9 | ||
The Vision of Jacob's Ladder (?) | 1830 | The Tate, London | 123.2 x 188 | ||
Two Women with a Letter | 1830 | The Tate, London | 121.9 x 91.4 | ||
Jessica | 1830 | The Tate, London | 122 x 91.5 | ||
Calais Sands at Low Water: Poissards Collecting Bait | 1830 | Bury Art Museum | 68.5 x 105.5 | ||
Lifeboat and Manby Apparatus Going off to a Stranded Vessel Making the Signal (Blue Lights) of Distress | 1831 | Victoria & Albert Museum, London | 91.4 x 122 | ||
Extensive Landscape with River or Estuary and a Distant Mountain | 1830-40 | The Tate, London | 141 x 251.5 | ||
Staffa, Fingal's Cave | 1831-32 | Yale centre for British Art, Connecticut | 90.8 x 121.3 | ||
Lucy, Countess of Carlisle, and Dorothy Percy's Visit to their Father Lord Percy, when under Attainder ... | 1831 | The Tate, London | 40 x 69.2 | ||
Watteau Study by Fresnoy's Rules | 1831 | The Tate, London | 40 x 69.2 | ||
Caligula's Palace and Bridge | 1831 | The Tate, London | 137.2 x 246.4 | ||
Van Tromp's Barge Entering the Texel, 1645 | 1831 | Sir John Soane's Museum, London | 90.2 x 121.9 | ||
Christ Driving the Traders from the Temple | 1832 | The Tate, London | 92.1 x 70.5 | ||
Shrimpers: Lyme Regis | 1832 | Nunnington Hall | 21.5 x 29 | ||
The Prince of Orange, William III, Embarked from Holland, and Landed at Torbay, November 4th, 1688, after a Stormy Passage | 1832 | The Tate, London | 90.2 x 120 | ||
Shadrach, Meshach and Abednego in the Burning Fiery Furnace | 1832 | The Tate, London | 91.8 x 70.8 | ||
Childe Harold's Pilgrimage - Italy | 1832 | The Tate, London | 142.2 x 248.3 | ||
Van Tromp Returning after the Battle off the Dogger Bank | 1833 | The Tate, London | 90.5 x 120.6 | ||
Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting | 1833 | The Tate, London | 51.1 x 81.6 | ||
Wreckers – Coast of Northumberland, with a Steamboat Assisting a Ship off Shore | 1833-34 | Yale centre for British Art, Connecticut | 90.5 x 120.8 | ||
The Golden Bough | 1834 | The Tate, London | 104.1 x 163.8 | ||
St Michael's Mount, Cornwall | 1834 | Victoria & Albert Museum, London | 61 x 77.4 | ||
The Long Cellar at Petworth | 1835 | The Tate, London | 74.9 x 91.4 | ||
The Arch of Constantine, Rome | 1835 | The Tate, London | 91.4 x 121.9 | ||
A Sailing Boat off Deal | 1835 | National Museum Wales, National Museum Cardiff | 22.6 x 30.3 | ||
Line Fishing, off Hastings | 1835 | Victoria & Albert Museum, London | 58.4 x 76.2 | ||
The Cave of Despair | 1835 | The Tate, London | 50.8 x 81.3 | ||
Music Party, East Cowes Castle | 1835 | The Tate, London | 121.3 x 90.5 | ||
Tivoli: Tobias and the Angel | 1835 | The Tate, London | 90.5 x 121 | ||
A Disaster at Sea | 1835 | The Tate, London | 171.4 x 220.3 | ||
Venice, the Piazzetta with the Ceremony of the Doge Marrying the Sea | 1835 | The Tate, London | 91.4 x 121.9 | ||
Stormy Sea with Blazing Wreck | 1835-40 | The Tate, London | 99.4 x 141.6 | ||
Stormy Sea with Dolphins | 1835-40 | The Tate, London | 90.2 x 121.3 | ||
Margate Harbour | 1835-45 | Sudley House, Liverpool | 45.9 x 61.1 | ||
The Morning after the Wreck | 1835-45 | National Museum Wales, Cardiff | 38.7 x 61.8 | ||
Breakers on a Flat Beach | 1835–40 | The Tate, London | 90.2 x 121 | ||
Seascape | 1835–40 | The Tate, London | 90.2 x 121 | ||
The Beacon Light | 1835-45 | National Museum Wales, Cardiff | 61.5 x 96 | ||
Head of a Person Asleep | 1835 | The Tate, London | 24.4 x 30.2 |
1836-1851 Modernism
References
- ^ "J.M.W. Turner | Biography, Paintings, & Facts". Encyclopedia Britannica. Retrieved 2021-01-17.
- ^ "Joseph Mallord William Turner (1775 - 1851) | National Gallery, London". www.nationalgallery.org.uk. Retrieved 2021-01-17.
- ^ "The Tate". Tate Gallery.
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: CS1 maint: url-status (link) - ^ a b c d "Art UK | Discover Artworks". artuk.org. Retrieved 2021-01-18.
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