Shot Tower, Lambeth
Raphael Tuck & Sons postcard, Series 2174 ″London Heraldic View″
The Shot Tower at the Lambeth Lead Works was a shot tower that stood on the South Bank of the River Thames in London, England, between Waterloo Bridge and Hungerford Bridge, on the site of what is now the Queen Elizabeth Hall. It was a prominent landmark on the river and featured in a number of paintings, including by J. M. W. Turner.
History
The Shot Tower was built for Thomas Maltby & Co. in 1826, designed by David Riddal Roper. In 1839, it was taken over by Walkers, Parker & Co., a company that also operated the square shot tower to the east of Waterloo Bridge. They operated the tower until 1949 and shortly after that it featured near the end of the film Night and the City (1950). In 1950, the gallery chamber at the top of the tower was removed and a steel-framed superstructure was added instead, providing a radio beacon for the 1951 Festival of Britain. It was the only existing building to be retained on the site for the Festival. After the Festival, the tower was demolished to make way for the Queen Elizabeth Hall, which opened in 1967.
Description
The tower was brick-built, with a slight taper. At the base it was 30 feet (9.1 m) in diameter, with 3-foot (0.91 m) thick walls. At the gallery located at the top, it was 20 feet (6.1 m) in diameter with 18-inch (460 mm) walls. The gallery chamber was surrounded by a cornice and parapet, with an iron balustrade. The gallery was 163 feet (50 m) high and was reached by a spiral staircase attached to the inside face of the wall. Halfway up there was a floor for making small lead shot. The gallery level at the top was used for making large shot.
Hugh Casson, director of architecture for the 1951 Festival of Britain, describes it as "an extraordinary device. It's a factory chimney, with a staircase inside it, and you take hot lead up to the top, and you drop it down, in drops, and the drops don't make tears as you'd expect, to get thicker as they go, they're absolutely perfect globes, and they're tiny, you see, as you know, I mean, they're absolutely wee, like the shot you get inside a cartridge. And there were two old men, one at the bottom and one at the top. The one at the top was the one with the hot lead, and he dropped it down into a cold bucket at the bottom, and it cooled it off at once, and then it was taken away and sold. And these two old boys were rather like two old fishermen in a boat, they'd been there for years. And they didn't speak, most of the time they were separated by 150 feet of shaft." in his interview for the British Library Sound Archive.[1]