Max Salzmann
Appearance
The topic of this article may not meet Wikipedia's notability guideline for biographies. (January 2021) |
Max Salzmann | |
---|---|
Nationality | German |
Known for | typography |
Max Salzmann was a German designer at the Schelter & Giesecke Type Foundry. [1] He emigrated to the United States.[2]
Fonts Designed
All of these faces were produced by the Schelter & Giesecke Type Foundry.[3]
- Dolmen (1922) An art deco face. Digitized by Nick Curtis (Salzmann Deco NF, 2011). There are also versions of Dolmen by Linotype (1987), Letraset and ITC.
- Zierdolmen (1922), a decorated version of Dolmen.[4] Digitized by Nick Curtis (Salzmann Deco Deco NF, 2011).
- Kalender Vignetten (1907)
- Salzmann Antiqua (1913)
- Salzmann Fraktur + Kräftige Salzmann Fraktur (1912) A digital versions were made by Ralph M. Unger (Salzmann Fraktur, 2019), Delbanco (DS-Salzmann-Fraktur, 2001), and Chiron (TbC Salzmann Fraktur, 2012).
- Salzmann Kursiv (1911)
- Salzmannschrift + Salzmannschrift halbfette + schmale Salzmannschrift (1910)
References
- ^ "Max Salzmann". Luc Devroye. School of Computer Science, McGill University, Montreal, Canada. Retrieved 8 January 2021.
- ^ "Max Salzmann" (PDF). Klingspor-Museum.
{{cite web}}
: CS1 maint: url-status (link) - ^ Unless otherwise noted, all types in this list are cited from "Max Salzmann type list". Luc Devroye. School of Computer Science, McGill University, Montreal, Canada. Retrieved 8 January 2021.
- ^ Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson. The Encyclopedia of Type Faces. Blandford Press Lts.: 1953, 1983, ISBN 0-7137-1347-X p. 263.