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William Willetts (art historian)

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William Young Willetts (28 November 1918, Purton Stoke – 30 January 1995, Kuala Lumpur) was a British scholar of South-East Asian art studies who wrote several books and served as curator of the National University of Singapore art museum from 1963 to 1972.[1][2] He was the founder of the Southeast Asian Ceramic Society[3] during which time he curated the society's first exhibition on Southeast Asian ceramics and authored the accompanying catalogue.[4] The catalogue won the praise of Henry D. Ginsburg who reviewed it in the Journal of the Siam Society, noting Willetts' "appreciation of the aesthetic qualities of these previously unsung artefacts of the Asian ceramics world."[5] When the decision was made to close the National University of Singapore's art museum in 1972, Willetts relocated to Kuala Lumpur[6] where he served as Curator of the Muzium Seni Asia, the Museum of the Arts of Asia, University of Malaya.[7] He "passed away in the Universiti Malaya Hospital in Kuala Lumpur, Malaysia on 29 January 1995 at the age of 76."[8]

His scholarly writing included:

  • Willetts, William. Foundations of Chinese art: from neolithic pottery to modern architecture. 456 pp., including 322 photos. London: Thames and Hudson, 1965.[9]
  • Willetts, William. Chinese art. (Pelican Books, A 358, 359.) 2 vols.:xxxv, 392 pp.; vi, 393–802 pp.; 64 plates, map. Harmondsworth: Penguin Books, 1958.[10][11]
  • Willetts, William. Chinese Calligraphy: Its History and Aesthetic Motivation. The Record of an Exhibition of Chinese Calligraphic Art Held in the University of Malaya 1977, Kuala Lumpur: Oxford University Press, 1981. ISBN 0 19 580478 3

References

  1. ^ Guy, John (14 February 1995). "Obituary: William Willetts". The Independent.
  2. ^ "[Anniversary Lecture] William Willetts And The Practice Of Asian Art History". National University of Singapore Museum.
  3. ^ The History of the Southeast Asian Ceramic Society (1969-2019)
  4. ^ Welch, Patricia Bjaaland, Southeast Asian Ceramic Society (1969-2019), Singapore: SEACS, 2019, p. 32.
  5. ^ Henry D. Ginsburg, "Review: Ceramic Art of Southeast Asia by William Willetts", Journal of the Siam Society, Vol. 61, Pt. 1 (January 1973), pp. 381-83.
  6. ^ Welch, p. 54
  7. ^ William, Willetts, Chinese Calligraphy: Its History and Aesthetic Motivation. The Record of an Exhibition of Chinese Calligraphic Art Held in the University of Malaya 1977, Kuala Lumpur: Oxford University Press, 1981, book jacket
  8. ^ Welch, p. 151
  9. ^ Sullivan, Michael (June 1966). "(Book Review) William Willetts: Foundations of Chinese art: from neolithic pottery to modern architecture. 456 pp., including 322 photos. London: Thames and Hudson, 1965. £8 8s". Bulletin of the School of Oriental and African Studies. 29 (2): 417–418. doi:10.1017/S0041977X00059309.
  10. ^ Sullivan, - Michael (February 1959). "(Book Review) Willetts William: Chinese art. (Pelican Books, A 358, 359.) 2 vols.:xxxv, 392 pp.; vi, 393–802 pp.; 64 plates, map. Harmondsworth: Penguin Books, 1958. 15s". Bulletin of the School of Oriental and African Studies. doi:10.1017/S0041977X00076412.
  11. ^ Barrett, Douglas (June 1959). "(Book Review) Chinese Art. By William Willetts. Penguin Books, 1958. 2 vols. 7s. 6d. each. pp. xxxiv + 802. 64 plates, 110 figs., 6 tables and 7 maps". Antiquity. 33 (130): 153–154 ·. doi:10.1017/S0003598X0002929X.



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