Jump to content

Pseudo-Jacquemart

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Citation bot (talk | contribs) at 14:11, 4 February 2021 (Misc citation tidying. | You can use this bot yourself. Report bugs here. | Suggested by Abductive | Category:Anonymous artists | via #UCB_Category 121/201). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

December on the calendar in Les Grandes Heures du duc de Berry [fr], f.6v, to which the artist may have contributed

The Pseudo-Jacquemart (or Pseudo-Jacquemart de Hesdin) was an anonymous master illuminator active in Paris and Bourges between 1380 and 1415. He owed his name to his close collaboration with painter Jacquemart de Hesdin.

Biographical and stylistic elements

Miniature from the Psalter of John of Berry depicting King David playing music, f.153r[1]

The artist designated as Pseudo-Jacquemart was perhaps of Flemish origin and was active in France from the end of the 14th century to the beginning of the 15th century. Art historian Millard Meiss was the first to distinguish this artist from his contemporary colleague Jacquemart de Hesdin. Pseudo-Jacquemart seems to have been in the employ of John, Duke of Berry, working in the shadow of other illuminators retained by the duke: Jean Pucelle, the Limbourg brothers, and Jacquemart, at the end of his career, from whom he borrowed his style. Pseudo-Jacquemart generally painted the decorations appended to miniatures: marginal scenes, small miniatures of calendars or initials for text.[2][3] He also worked for other anonymous patrons on books of hours miniatures, in collaboration with other Parisian painters.[4]

Pseudo-Jacquemart is sometimes identified with Jacquemart de Hesdin.[3] The two painters are mentioned as working at the Palace of Poitiers at the request of John, Duke of Berry. In January 1398, a painter, named Jean de Holland, accused them of stealing pigments and models from his box. De Holland was finally killed and the two painters took refuge in the Abbey of Montierneuf at Poitiers where they were afforded asylum. The Duke of Berry eventually obtained a letter of remission for them in May 1398.[5]

Pseudo-Jacquemart's style tended to imitate that of the painters his work supplemented, but an individualized style with a more theatrical sense of composition than seen in Jacquemart de Hesdin's work, with a more assured stroke and a brighter palette is evident.[3]

Attributed work

Pseudo-Jacquemart collaborated with Jacquemart de Hesdin and others on the Duke of Berry's Petit Heures;[6] the Psalter of John of Berry [fr],[7] and Les Grandes Heures du duc de Berry [fr], for which, according to art historian Timothy Husband he may have produced as many as 17 miniatures, but the only surviving leaf is the "Carrying of the Cross".[8] Jean Le Noir painted the calendar leafs for the Duke's Petit Heures, which Pseudo-Jacquemart may have completed.[9]

Pseudo-Jacquemart contributed work to a Book of hours for the use of Rome for an unknown lady, in the form of ornamentation in collaboration with the Mazarine Master [fr] and the Luçon Master [fr],[10] and some of the miniatures in the Bible Historial of Guiart des Moulins, (ff. 1, 3v-5v, 7–8, 10–16), attributed to a follower of Jacquemart de Hesdin, are sometimes identified with the Pseudo-Jacquemart.[11] He completed an Annunciation for the Book of hours for the use of Bourges, c. 1405–10, held at the British Library,[12][13] and two miniatures for the Psalter for use in Evereux, c. 1390–1405: a jester (f.44r) and Office of the Dead (f.131r).[14] The Getty Center, Los Angeles, holds a Book of hours with two images attributed to the artist.[15] The artist may have contributed to a Breviary for the use of Saint-Ambroix de Bourges [fr], in collaboration with the workshop of Boucicaut Master, c. 1410, BM Bourges Ms.0016.[16] He also contributed three miniatures for the La Légende dorée (Golden Legend) of Jacobus de Voragine, c. 1382.[17]

Notes

  1. ^ BnF 13091
  2. ^ Grove Dictionary
  3. ^ a b c Pseudo-Jacquemart de Hesdin. The J. Paul Getty Museum. Retrieved 28 December, 2016.
  4. ^ Paris 1400, p. 276.
  5. ^ Yates Thompson 37, f. 159 British Library
  6. ^ Latin 18014 archivesetmanuscrits.bnf
  7. ^ "Français 13091". Bibliothèque nationale de France. Retrieved 27 December 2016.
  8. ^ Husband, Timothy. The Art of Illumination. New York: Metropolitan Museum of Art, 2008. ISBN 978-0-300-13671-5
  9. ^ "BnF Lat.919". Bibliothèque nationale de France. Retrieved 30 December 2016.
  10. ^ Villela-Petit, Inès (2004). "Art de l'enluminure". Bulletin Monumental. 162 (2): 132. doi:10.3406/bulmo.2004.1612.
  11. ^ Catalogue des manuscrits de la Bible historiale (2/3), in L’Atelier du Centre de recherches historiques, Revue électronique du CRH
  12. ^ Backhouse, Janet. The Illuminated Page: Ten Centuries of Manuscript Painting in The British Library. London: British Library, 1997. 147
  13. ^ Detailed record for Yates Thompson 37 British Library
  14. ^ "Utopia, armarium codicum bibliophilorum / Cod. 107". University of Fribourg: e-codices. {{cite web}}: Missing or empty |url= (help)
  15. ^ "Collection of Masses for High Feasts". J. Paul Getty Museum. Archived from the original on 2010-06-17. Retrieved 27 December 2016.
  16. ^ "Enluminures". culture.gouv.fr.
  17. ^ "Detailed record for Royal 19 B XVII". British Library.
    Jerome (f.2), Saints (f.5), and f.9v

References

Wikimedia Commons has media related to Pseudo-Jacquemart.

Further reading

  • Meiss, Millard (1967). French Painting in the time of Jean de Berry. New York et Londres: Phaidon. pp. 179–191, 263–265.
  • Taburet-Delahaye, Elisabeth (2004). Paris 1400;Les arts sous Charles VI. Fayard/RMN. p. 413. ISBN 2213620229.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Pseudo-Jacquemart&oldid=1004807871"