Cenobio Paniagua

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by JJMC89 bot III (talk | contribs) at 22:36, 29 July 2022 (Merging Category:19th-century male conductors (music) to Category:19th-century conductors (music) per Wikipedia:Categories for discussion/Log/2022 June 12#Category:19th-century male conductors (music)). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)

You can help expand this article with text translated from the corresponding article in Spanish. (August 2021) Click [show] for important translation instructions.

Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Consider adding a topic to this template: there are already 1,034 articles in the main category, and specifying|topic= will aid in categorization.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:Cenobio Paniagua]]; see its history for attribution.
You may also add the template {{Translated|es|Cenobio Paniagua}} to the talk page.
For more guidance, see Wikipedia:Translation.

Cenobio Paniagua y Vásques (September 30, 1821, Tlalpujahua, Michoacán – November 2, 1882, Córdoba, Veracruz) was a Mexican composer.

Paniagua completed his studies in violin and became the Second Conductor of the Cathedral Orchestra of Mexico City. He founded a music academy in the city. Later, he lived in Havana, and after 1868, in Córdoba.

He composed several operas, including Catalina de Guisa which was the first Mexican opera seria, the oratorio Tobías, as well as seventy masses, and also produced writings on music theory.