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Miracles Only Happen Once

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This is an old revision of this page, as edited by Ser Amantio di Nicolao (talk | contribs) at 17:34, 18 September 2022 (Copying from Category:1950s Italian film stubs to Category:1950s Italian films using Cat-a-lot). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Les Miracles n'ont lieu qu'une fois
Directed byYves Allégret
Written byJacques Sigurd
Produced bySacha Gordine
StarringJean Marais
Alida Valli
CinematographyJean Isnard, assisted by Robert Juillard
Release date
  • 1951 (1951)
Running time
98 minutes
CountryFrance/Italy
LanguageFrench
Box office1,239,492 admissions (France)[1]

Les Miracles n'ont lieu qu'une fois (Miracles Only Happen Once) is a 1951 Franco-Italian film, directed by Yves Allégret. The film is about a "psychic war-casualty" played by Jean Marais.[2]

Synopsis

The educational year is ending and Jérôme, a medical student, is on the point of leaving on holiday to Brittany with friends. However he remains pensive and regrets not having approached Claudia, an Italian student, who must leave France the same evening. So he decides to go to her hotel. The two young people acknowledge their mutual love and Jérôme accompanies Claudia to the station and promises to join her in Tuscany the next month, as soon as he finds enough money. In Tuscany, Jérôme realizes that he seriously loves Claudia and proposes marriage to her. The two lovers return to their hotel but the city is agitated: war has just been declared. Jérôme learns from the consulate that he has been mobilised and that he must return. Separated by the war and no longer able to correspond, Jérôme loses track of Claudia. He will try to forget her by remaking his life, but haunted by the memory of this lost love, he will not succeed. Eleven years later, he leaves for Italy to try to find her, but time has passed...

Cast

References

  1. ^ "Box Office Figures for Jean Marais films". Box Office Story.
  2. ^ Sieglohr, Ulrike (2000). Heroines Without Heroes. Continuum. p. 52.