To Dorothy a Son
| To Dorothy a Son | |
|---|---|
.jpg) U.S. half sheet poster | |
| Directed by | Muriel Box |
| Written by | Peter Rogers |
| Based on | To Dorothy, a Son by Roger MacDougall |
| Produced by | Peter Rogers Ben Schrift |
| Starring | Shelley Winters John Gregson Peggy Cummins Wilfrid Hyde-White |
| Cinematography | Ernest Steward H. A. R. Thomson |
| Edited by | Alfred Roome |
| Music by | Lambert Williamson |
Production company | Welbeck Films |
| Distributed by | Independent Film Distributors |
Release date | 29 November 1954 |
Running time | 81 minutes |
| Country | United Kingdom |
| Language | English |
| Box office | £104,557 (UK)[1] |
To Dorothy a Son is a black and white 1954 British gentle comedy film in the form of a farce directed by Muriel Box[2] and starring Shelley Winters, John Gregson and Peggy Cummins.[3] Known in the U.S. as Cash on Delivery, it is based on the 1950 play To Dorothy, a Son by Roger MacDougall which had enjoyed a lengthy run in the West End. It was shot at Elstree Studios near London with sets designed by the art director George Provis. It was distributed in America by RKO Pictures in January 1956.[4]
Premise
Tony Rapallo, a composer, is married (or so he thinks) and his wife Dorothy is pregnant and expecting their child. All is thrown into confusion when his first wife Myrtle appears from America claiming that they are still married. However, her motivation is not to get Tony back, but to ensure she is the recipient of a $2 million inheritance from her New Yorker uncle, Uncle Joe. This will states that if a son is born to Tony before 9 am on a certain day then the son will inherit the money, if not then Myrtle inherits all. Myrtle therefore hopes the birth will be after 9 am.
It gets more complicated when the lawyer explains Tony and Myrtle were never legally married in the first place because they were married in Tonga and although they thought they had been there 7 days they had only been six due to the International Date Line and therefore fell short of the minimum stay before marriage was permitted.
When 9 am passes she celebrates but Tony is more concerned about the baby. However, he suddenly realises the will meant 9 am New York time: five hours more. With 15 minutes to go and Myrtle in tow, a baby starts to cry. After brief celebration it seems it is a girl so Myrtle still gets the money, but it is twins and the second child born with seconds to go is a boy. Tony offers Myrtle half the money, which she accepts. When she calls her boyfriend, he says it is 10am not 9am because they are on Summer Time, so Myrtle is entitled to all the money. She decides to give Tony half.
Cast
- Shelley Winters as Myrtle La Mar
- John Gregson as Tony Rapallo
- Peggy Cummins as Dorothy Rapallo
- Wilfrid Hyde-White as Mr Starke the lawyer
- Mona Washbourne as Cymbeline Appleby the midwife
- Hal Osmond as Livingstone Potts
- Hartley Power as Cy Daniel
- Maurice Kaufmann as Elmer, Myrtle's boyfriend
- John Warren as Waiter
- Fred Berger as Furrier
- Dorothy Bramhall as Starke's secretary
- Nicholas Parsons as Passport Official
- Ronald Adam as Parsons
- Martin Miller as Brodcynsky
- Alfie Bass as Cab Driver
- Anthony Oliver as Express Reporter
- Joan Sims as Telephone Operator
- Aubrey Mather as Dr. Cameron
- Meredith Edwards as Mr Carter, the landlord
- Campbell Singer as Pub Landlord
- Marjorie Rhodes as Landlady
- Charles Hawtrey as Waiter at Pub
- Joan Newell as Mrs. Robinson
- Bartlett Mullins as Mechanic
- Gudrun Ure as Cy Daniel's Secretary
- Grace Denbeigh-Russell as Spinster
- Charles Hammond as 'Express' Photographer
- John Warren as Waiter
Critical reception
TV Guide described the film as "a time-zone comedy, with Winters leading a British cast to give the film US appeal...None of it is terribly interesting" ;[5] whereas The New York Times wrote, "BELIEVE it or not, the running time of a stork determines the heir or heiress to $2,000,000 in Cash on Delivery, a bright, British farce that was fun on delivery at the Little Carnegie yesterday...Shelley Winters, as Myrtle, is in one of those made-to-order roles. John Gregson, as Tony, and Peggy Cummins, as Dorothy, are fine. And Mona Washbourne makes a delightfully tart nurse. Deliver yourself to the Little Carnegie. You'll have a good time."[6]
References
- ^ Vincent Porter, 'The Robert Clark Account', Historical Journal of Film, Radio and Television, Vol 20 No 4, 2000 p 504
- ^ "Shooting on location a scene for 'To Dorothy, A Son' (including Ernest Steward; Muriel Box and Barbara Wainwright) - National Portrait Gallery". www.npg.org.uk. Retrieved 19 February 2023.
- ^ "To Dorothy, A Son (1954)". BFI. Archived from the original on 12 July 2012.
- ^ "Cash on Delivery: Detail View". American Film Institute. Retrieved 2 June 2014.
- ^ "Cash On Delivery". TVGuide.com.
- ^ "Movie Reviews". 26 January 2020. Retrieved 28 January 2020 – via NYTimes.com.
External links
- To Dorothy a Son at IMDb
- Review of film at Variety
 | This article related to a British comedy film of the 1950s is a stub. You can help Wikipedia by expanding it. |
- 1954 films
- 1954 comedy films
- British films based on plays
- Films directed by Muriel Box
- British comedy films
- Films with screenplays by Peter Rogers
- Films produced by Peter Rogers
- British black-and-white films
- Films shot at British National Studios
- 1950s English-language films
- 1950s British films
- 1950s British comedy film stubs