A Sense of Loss (film)
| A Sense of Loss | |
|---|---|
 Title card | |
| Directed by | Marcel Ophüls |
| Produced by | Marcel Ophüls |
| Cinematography | Simon Edelstein |
| Edited by | Marion Kraft |
Production companies | Cinema X Swiss Broadcasting Corporation |
| Distributed by | Cinema 5 Distributing Yle |
Release date |
|
Running time | 135 minutes |
| Countries | Switzerland United States[1] |
| Language | English |
A Sense of Loss is a 1972 documentary film directed and produced by Marcel Ophüls on The Troubles in Northern Ireland.[2][3][4]
Production
A Sense of Loss was shot in December 1971 and January 1972, at the height of The Troubles. It contains interviews with ordinary Irish Protestants and Irish Catholics, politicians and British Army soldiers, as well as news clips of bombings and violence. Interviewees include Noël Browne, William Craig, Seán Cronin, Bernadette Devlin, Michael Farrell, Gerry Fitt, Billy Hull, Jack Lynch, John McKeague, Reginald Maudling and Harry Tuzo.[5][6]
Anne Lewis worked as assistant editor on the film, saying that it taught her how to "structure massive quantities of documentary material without the use of narration and about telling the truth even if it doesn't fit a popular notion of political reality."[7]
Release
The BBC chose not to air A Sense of Loss due to a perceived "pro-Irish" bias.[8] Ophüls said he was in favour of a negotiated end to the conflict and that the British Army should remain for the time being.[9]
A Sense of Loss premiered at the 1972 New York Film Festival.[10]
Reception
In Sight & Sound, Louise Swert praised the film, saying "despite his failure to provide the outsider with too much factual information, Ophüls' masterful film leaves one with a clear idea of the seemingly insurmountable obstacles to compromise."[11] Time Out criticised it, saying "Ophüls' partisanship is undisguised from very early on, but it's still difficult to forgive the way he loads the evidence […] the spokesmen for the British presence and some of the more bigoted Protestants are sufficiently eloquent in condemning themselves without interference from Ophüls' self-satisfied liberal smugness."[12]
John O'Flynn's Music, the Moving Image and Ireland, 1897–2017, noted the opening scene, which intercuts shots from the New York City St. Patrick's Day Parade with shots from republican funerals, as an implied criticism of NORAID's financial support for the IRA.[13]
References
- ^ "A SENSE OF LOSS". Library of Congress, Washington, D.C. 20540 USA.
- ^ "A Sense of Loss". TVGuide.com.
- ^ O'Brien, Harvey (5 December 2004). The Real Ireland: The Evolution of Ireland in Documentary Film. Manchester University Press. ISBN 9780719069079 – via Google Books.
- ^ Oscherwitz, Dayna; Higgins, MaryEllen (2 September 2009). The A to Z of French Cinema. Scarecrow Press. ISBN 9780810870383 – via Google Books.
- ^ "A Sense of Loss (1972)". The A.V. Club.
- ^ "OUR BATTLE OF IMAGES: A SENSE OF LOSS". Irish Film Institute. 2019.
- ^ Jaeckle, Jeff (22 January 2019). ReFocus: The Films of Barbara Kopple. Edinburgh University Press. ISBN 9781474439961 – via Google Books.
- ^ Hill, John (25 July 2019). Cinema and Northern Ireland: Film, Culture and Politics. Bloomsbury Publishing. ISBN 9781838715007 – via Google Books.
- ^ Chapman, Jane L. (17 August 2009). Issues in Contemporary Documentary. Polity. ISBN 9780745640099 – via Google Books.
- ^ Greenspun, Roger (7 September 1972). "Film Festival Will Include 21 New Productions". The New York Times – via NYTimes.com.
- ^ "Sight and Sound (1976-04)(BFI)(GB)". 5 April 1976 – via Internet Archive.
- ^ "A Sense of Loss". Time Out Worldwide.
- ^ O'Flynn, John (30 December 2021). Music, the Moving Image and Ireland, 1897–2017. Routledge. ISBN 9781351357869 – via Google Books.