Jean-Daniel Lafond

Jean-Daniel Lafond CC
Born	(1944-08-18) August 18, 1944 Désertines, Allier, France
Nationality	French/Canadian
Occupation	Filmmaker
Known for	Viceregal consort to Michaëlle Jean
Spouse	Michaëlle Jean
Children	3

Jean-Daniel Lafond CC (born 18 August 1944) is a French-born Canadian filmmaker, ex-teacher of philosophy, and the husband to the former Governor General Michaëlle Jean, making him the Viceregal Consort of Canada during her service.

Biography

Lafond was born in France during the liberation of Paris from the Nazis. After attending the class of Michel Foucault and Michel Serres, he taught philosophy from 1971 "while pursuing research in audio-visual training and communications". In 1974 Lafond left France for Quebec and became a Canadian citizen in 1981. After teaching at the Université de Montréal he left the university to focus on film-making, radio and writing.

From his first marriage Lafond has two daughters Estelle and Élise, as well as two grandchildren. With his current wife former Governor General Michaëlle Jean he has a daughter Marie-Éden (born in 1999), adopted from Haiti.

Books

• Images d'un doux ethnocide, with Arthur Lamothe, Montréal, Ateliers audio-visuels du Québec, 1979.
• Vidéo-communication, with Claire Meunier, Montréal, Publications Grerdave, 1979.
• Pratique et analyse des médias en milieu éducatif, Montréal, Publications Grerdave, 1980.
• Le film sous influence : un procédé d'analyse, Paris, Édilig, "Médiathèque", 1982.
• Les traces du rêve, Montréal, L'Hexagone, 1991.
• La manière nègre ou Aimé Césaire, chemin faisant : genèse d'un film, Montréal, L'Hexagone, 1993.
• La liberté en colère : le livre du film, Montréal, L'Hexagone, 1994.
• Iran : les mots du silence, with Fred A. Reed, Laval, Les 400 Coups, 2006.
• Conversations in Tehran, with Fred A. Reed, Vancouver, Talon Books, 2006.
• Marie de l'Incarnation ou la déraison d'amour, with Marie Tifo, Montréal, Leméac, 2009.
• Un désir d'Amérique. Fragments nomades, Montréal, Édito, 2015.

Introduction

• "Préface : la rencontre", in Olivier Ducharme et Pierre-Alexandre Fradet, Une vie sans bon sens. Regard philosophique sur Pierre Perrault, Montréal, Nota bene, 2016.

Filmography

• La Liberté en colère
• Tropique Nord
• Haïti dans tous nos rêves
• les Traces du rêve
• la Manière nègre ou Aimé Césaire chemin faisant
• L'Heure de Cuba
• Salam Iran
• Le Cabinet du docteur Ferron
• Le Fugitif ou les vérités d'Hassan
• Marie_de_l'Incarnation#Folle_de_Dieu|Folle de Dieu
• Un film avec toi

Distinctions

• Chevalier of l'Ordre des Arts et des Lettres, France (2014)
• Prize TV5 pour le meilleur documentaire de langue française
• Prize Lumières de l'Association québécoise des réalisateurs pour l'ensemble de son oeuvre
• Prize Gemini du meilleur réalisateur
• Prize Gemini pour l'image
• Prize Hot Docs pour le meilleur film politique, Toronto
• Member Royal Society of Canada
• "Saskatchewan Centennial Medal"
• Companion of the Order of Canada

Controversy

When in 2005 his wife was nominated by Prime Minister Paul Martin as the next Governor General, controversy arose when his past resurfaced. While the personality of Michaëlle Jean was mostly accepted throughout Canada, Lafond himself had early on been suspected of being a Quebec separatist because of some of his movies. When an article in a sovereigntist journal made its way to the press, alleging that Lafond had befriended a former FLQ (militant Quebec-separatist organization) member who had built for him a cache "to hide weapons" in his library. Later in August, his wife reacted to this in a formal letter announcing she and her husband "had never adhered to a political party or to the sovereigntist ideology".

Confusion continues to surround his loyalties. In his book, La manière nègre (The Black Way), he wrote, "So, a sovereign Quebec? An independent Quebec? Yes, and I applaud with both hands and I promise to be at all the St. Jean [Baptiste] parades." However, in October 2005, in an interview with Radio-Canada he said, "I never believed that I could become a separatist. I have a great deal of difficulty with nationalism in general." He also called members of the sovereigntist movement who had called him a traitor, terrorists. At the same time he affirmed that he was a Québécois before a Canadian. He believes that he has always fought for the "cultural independence" of Quebec, but nothing further.

Lafond's 2006 film American Fugitive: The Truth About Hassan, a documentary about an American political activist who has admitted to assassinating an Iranian diplomat in 1980, who appeared, unexpectedly, in the 2001 film Kandahar, also stirred controversy. The National Post asserted that the film was too sympathetic to David Belfield, the activist.

Honours

In 2010, he was made a member of the Royal Canadian Academy of Arts.

As the spouse of the then Governor General, in 2005 he was appointed a Companion of the Order of Canada and was awarded the Saskatchewan Centennial Medal.

Ribbon bars of Jean-Daniel Lafond

Arms

Coat of arms of Jean-Daniel Lafond

Crest Issuant from a zoetrope Azure, a full moon Or its dexter eye embedded with a camera lens Azure Escutcheon Azure a banyan tree eradicated Or Supporters Two horse-doves Azure and Or, each supporting a walking stick Or Compartment A grassy mount Or Motto L’HUMANITÉ POUR PATRIE French: HUMANNITY FOR ONE'S HOMELAND Orders The ribbon and insignia of a Companion of the Order of Canada. DESIDERANTES MELIOREM PATRIAM (They desire a better country) Symbolism The background of the shield is blue with a gold banyan tree in the centre. The banyan is a lush tree with aerial roots that are sent down into the earth to form secondary trunks. The banyan begins as an epiphyte on a host tree, where its seeds are dropped by a fruit-eating bird. It sends out its aerial roots from its branches, which develop into full trunks once they reach the earth, allowing the tree to spread over a vast area. It belongs to the Ficus genus of the family Moraceae. It is related to the fig tree and can develop into giant trees covering several hectares. Originally from India, Pakistan and Sri Lanka, it has also been imported into other regions of the world. The first banyan tree in the United States was planted by Thomas Alva Edison in Fort Myers, Florida. The largest banyan tree is reported to be in Pune, India, with a circumference measuring 800 metres. For Mr. Lafond, the banyan symbolizes the very essence of man, who must adapt to, develop within and put down roots in his environment. It is also the symbol of work and culture, perseverance, energy and hope.The figure atop the crest consists of a magic lantern and a moon. Magic lanterns are ancient toys that, over time, inspired the thought and technical progress that led to the invention of film in the late 19th century. For Mr. Lafond, the magic lantern represents all forms of cinematography. It also symbolizes light as a source of inspiration and premise for knowledge and as the ultimate weapon against obscurity and ignorance. This light is the source of knowledge and impetus to the philosophical approach used by Plato in his allegory of the cave (The Republic, Book VII). The magic lantern evokes the work of the filmmaker who transposes his perception of reality into his films. It suggests that everyone perceives the world differently depending on his or her culture, history and interests. The moon charged with a camera lens evokes a well-known image from the film Voyage dans la lune (1902), a veritable masterpiece of photographic illusions and technical innovations by French filmmaker George Méliès (1861-1938). "Visionary director, special effects genius, Méliès defies the imagination by using multiple technical effects, ranging from optical illusions to double exposures, effects editing and colour effects, camera stops and prestidigitation. He’s done it all. But George Méliès did not just invent film entertainment and cinematic tricks; he was also a man of the theatre, an artist, painter, cartoonist, magician, writer, actor, technician, director, and creator of the first film studio."The horse-doves consist of a hybrid between a horse and a dove. For Mr. Lafond, they represent his French origins (the horse is an animal from his childhood) and his personal aspirations (the dove symbolizes peace). They are each holding a stick. For Mr. Lafond, these two sticks represent the supporters of thought and the tools of knowledge that a philosopher needs in his quest for truth and knowledge. They refer to Socrates walking in the dark, a stick in his left hand to ensure safe footing and a lantern in his right hand to light the way. L’HUMANITÉ POUR PATRIE, meaning "humanity for one’s homeland."

External links

• Lafond's views on war from a Radio Canada interview
• Haïti dans tous nos rêves
• Jean-Daniel Lafond at IMDb
• La Liberté en colère - Lafond's film on the October Crisis of 1970
• Lafond's film Salam Iran : a Persian letter
• A second commentary on La liberté en colère