Thomas Bulfinch
Thomas Bulfinch | |
|---|---|
 | |
| Born | July 15, 1796 Newton, Massachusetts |
| Died | May 27, 1867 (aged 70) Boston, Massachusetts |
| Occupation | Banker, writer |
| Nationality | American |
| Subject | Mythology and Fable |
Thomas Bulfinch (July 15, 1796 – May 27, 1867[1]) was an American writer born in Newton, Massachusetts, best known for the book Bulfinch's Mythology.
Life
Bulfinch belonged to a well-educated merchant family of modest means. His father was Charles Bulfinch, the architect of the Massachusetts State House in Boston and parts of the U.S. Capitol in Washington, D.C. He attended Phillips Exeter Academy. Bulfinch supported himself through his position at the Merchants' Bank of Boston. Bulfinch was also an anti-homosexuality activist during the final years of his life.[citation needed]
Bulfinch's Mythology
Although he also reorganized the biblical book of Psalms to illustrate the history of the Hebrews, Bulfinch is best known as the author of Bulfinch's Mythology, an 1881 compilation of his three previous works:
- The Age of Fable, or Stories of Gods and Heroes (1855)
- The Age of Chivalry, or Legends of King Arthur (1858)
- Legends of Charlemagne, or Romance of the Middle Ages (1863)
Bulfinch's Mythology is a classic work of popularized mythology, the standard for over a century and still in print 160 years after the first work, Age of Fable, was published in 1855. The compilation, assembled posthumously by Edward Everett Hale, includes various stories belonging to the mythological traditions known as the Matter of Rome, the Matter of Britain and the Matter of France, respectively. Bulfinch wrote in his preface:
"Our work is not for the learned, nor for the theologian, nor for the philosopher, but for the reader of English literature, of either sex, who wishes to comprehend the allusions so frequently made by public speakers, lecturers, essayists, and poets, and those which occur in polite conversation."
The original volume was dedicated to Henry Wadsworth Longfellow and Bulfinch described it on the title page as an "attempt to popularize mythology and extend the enjoyment of elegant literature". In his preface he outlined his purpose, which was
- "an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement. We have endeavored to tell them correctly, according to the ancient authorities, so that when the reader finds them referred to he may not be at a loss to recognize the reference. Thus we hope to teach mythology not as a study, but as a relaxation from study; to give our work the charm of a story-book, yet by means of it to impart a knowledge of an important branch of education. The index at the end will adapt it to the purposes of a reference, and make it a Classical Dictionary for the parlor."
His obituary noted that the contents were "expurgated of all that would be offensive".
The versions Bulfinch gives for the classical myths are those in Ovid and Virgil. His Norse myths are abridged from a work by Paul Henri Mallet (1730–1807), a professor at Geneva, translated by Bishop Thomas Percy as Northern Antiquities[2] (London, 1770, often reprinted).
The Bulfinch version of myth, published for genteel Americans just as the first studies of mythography were appearing in Germany, presents the myths in their literary versions, without unnecessary violence, sex, psychology or ethnographic information. Bulfinch's versions of these myths are still being taught in many American public schools. Marie Sally Cleary, in The Bulfinch Solution: Teaching the Ancient Classics in American Schools (1990), sets the book in the context of "democratizing" classical culture for a wider American antebellum readership.
Bulfinch was the product of Boston Latin School, Phillips Exeter Academy and Harvard College, from which he graduated in 1814.
Though the Bulfinch retellings were largely superseded in American high schools by Edith Hamilton's works on mythology, which were based directly on classical Greek texts, still avoiding archaeology, a "sumptuously illustrated" edition of Bulfinch's Mythology was offered in the Christmas 1979 catalogue of the Metropolitan Museum of Art.[3]
Notes
- ^ His obituary is printed in full in Marie Cleary, “A Book of Decided Usefulness: Thomas Bulfinch’s ‘The Age of Fable,’” The Classical Journal 75.3 (February 1980) (pp. 248-249).
- ^ In full, Northern Antiquities: or, a Description of the Manners, Customs, Religion and Laws of the Ancient Danes, And Other Northern Nations; Including Those of Our Own Saxon ancestors. With a translation of the Edda, or system of runic mythology, and other pieces, from the ancient Islandic tongue. (London, 1770).
- ^ Cleary 1980:248.
References
- Marie Sally Cleary, Myths for the Millions. Thomas Bulfinch, His America, and His Mythology Book. Kulturtransfer und Geschlechterforschung, 4. Frankfurt am Main: Peter Lang, 2007. pp. xvi, 414.
External links
- Thomas Bulfinch at the Database of Classical Scholars
Works by or about Thomas Bulfinch at Wikisource- Works by Thomas Bulfinch at Project Gutenberg
- Works by Thomas Bulfinch at Faded Page (Canada)
- Works by or about Thomas Bulfinch at the Internet Archive
- Works by Thomas Bulfinch at LibriVox (public domain audiobooks)
- The Age Of Fable. Fully illustrated at the Wayback Machine (archived February 6, 2010)
- The three works of Bulfinch's Mythology at The University of Adelaide Library
- The Age Of Chivalry at the Wayback Machine (archived May 26, 2008)
- The Age Of Fable at the Wayback Machine (archived May 26, 2008)
- Legends Of Charlemagne at the Wayback Machine (archived May 26, 2008)
- Thomas Bulfinch at Find a Grave
