Jump to content

Papo Colo

Edit links
From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by JJMC89 bot III (talk | contribs) at 17:06, 25 April 2020 (Removing Category:Guggenheim Fellows per Wikipedia:Categories for discussion/Log/2020 April 13#Category:Guggenheim Fellows). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Papo Colo (born August 12, 1946) is a Puerto Rican performance artist, painter, writer, and curator. He was born in San Juan, Puerto Rico. He lives and works in New York City and in El Yunque rainforest in Puerto Rico. Papo Colo is an interdisciplinary artist, whose work ranges from performance, theater and installation art to painting, writing, and graphic design.

Early life and career

At 18 he left natal Puerto Rico as a merchant marine. After returning to the island in 1971, he falsified a diploma from the University of Puerto Rico as his first conceptual art piece.[1] In New York he studied under the tutelage of the poet Nicanor Parra at Columbia University. His interest in pre-Columbian and Latin American cultures led him to travel across Mexico for a year. From 1973 through 1980 he lived and worked between New York City and Barcelona. During these years he did a series of performances involving physical endurance with political undertones. He is best known for Superman 51, which consisted of the artist running with 51 blocks tied to his back on the West Side Highway until exhaustion. His father, Francisco Colon Garcia,[2][3] was a boxing champion and his exposure to the glorification of the body through boxing was influential to his work.

Exit Art

In 1982 Papo Colo, with Jeanette Ingberman, founded Exit Art,[4][5] an internationally known cultural center in New York City. In 1992 he founded the Trickster Theater, an experimental multilingual and multicultural theater company.[6][7] The company served as an integral part of Exit Art's discourse and was held on the lower level of its facilities. In 2005 he wrote and directed Mplay, a theater piece created solely for the web. He has won numerous awards including The New York Times Best Inaugural Show by an Alternative Art Space for his exhibition Exit Biennial: Reconstruction[8] Additionally, REACTIONS, an international response to 9/11 conceived by Papo Colo, was acquired by The Library of Congress for its permanent collection[9] Jeanette Ingberman died August 24, 2011 from complications of leukemia.

Career as an artist

Besides being the curator and cultural producer of Exit Art, Papo Colo has organized over 100 shows in which he was also the exhibition and graphic designer. His work has been exhibited at numerous venues, including The Clocktower (2013), Galeria de la Raza, San Francisco and MoMA PS1, New York (both 2009), El Museo del Barrio (2008), National Gallery of Puerto Rico (2007), Grey Art Gallery (2006), Art in General (2006), RISD Museum, Providence (2005), Barnes Foundation (2017), Band the Bass Museum of Art, Miami Beach (2001). The retrospective of his early work at MoMA PS1, which was organized by Klaus Biesenbach, coincided with The Cleaner, a new work the artist performed in New York’s Chelsea neighborhood, and culminated with the performance event Procesión Migración that reflected on the constant Puerto Rican migration to the mainland. The artist is establishing Pangea Art Republic, a new alternative art space in El Yunque Rainforest.[10]

Selected exhibitions

Solo

  • 2009: Jumping the Fences, Galería de la Raza: San Francisco, CA[11]
  • 2013: Papo Colo: Assorted Times in Singular Spaces, The Clocktower Gallery, New York, NY[12]

Group

References

  1. ^ ""I Am an Invented Character": A Performance Artist on Living in His Utopia". Hyperallergic. 2016-08-24. Retrieved 2017-07-15.
  2. ^ Torres, Juan. "Peleas del boxeador Francisco Colón García". Retrieved 14 April 2017.
  3. ^ "Francisco Colon Garcia - BoxRec". Retrieved 14 April 2017.
  4. ^ Gomez, Edward M. (16 April 2000). "ART/ARCHITECTURE; An Offbeat Outpost Attains Longevity And Ponders Why". Retrieved 14 April 2017 – via NYTimes.com.
  5. ^ C.Carr (11 March 2003). "Every Exit Is an Entrance". Retrieved 14 April 2017.
  6. ^ "Trickstertheater.org". Retrieved 14 April 2017.
  7. ^ "Trickster Theater". Retrieved 14 April 2017.
  8. ^ Smith, Roberta (28 December 2003). "ART: THE HIGHS; The Art and Artists Of the Year". Retrieved 14 April 2017 – via NYTimes.com.
  9. ^ "Exit Art's "Reactions" Exhibition Collection - Rights and Restrictions Information (Prints and Photographs Reading Room, Library of Congress)". Retrieved 14 April 2017.
  10. ^ "MoMA PS1: Exhibitions: Papo Colo". Retrieved 14 April 2017.
  11. ^ "Galería de la Raza: Digital Mural Project: Papo Colo". Retrieved 14 April 2017.
  12. ^ "Papo Colo: Assorted Times in Singular Spaces at the Clocktower Gallery". Retrieved 5 December 2017.
  13. ^ "Island Nations RISD Museum of Art Providence". Retrieved 14 April 2017.
  14. ^ http://www.nyu.edu/greyart/exhibits/downtown/copy/DowntownArtist.htm
Retrieved from "https://en.wikipedia.org/w/index.php?title=Papo_Colo&oldid=953086108"