Jump to content

Pièces de clavecin en concerts

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Michael Bednarek (talk | contribs) at 02:46, 14 June 2020 (fix IMSLP link etc.). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Jean-Philippe Rameau, by Jacques Aved, 1728

The Pièces de clavecin en concerts, published in 1741,[clarification needed] constitute the only chamber music by Jean-Philippe Rameau and were composed in full maturity; they came after his music for solo harpsichord, and just before the opera Les Indes galantes.

They are very different from the trio sonatas in the Italian manner (such as those of Corelli), where the harpsichord is only providing the role of a continuo bass. In Rameau's works, the harpsichord is at the heart of the ensemble, playing a fully written-out obbligato part with virtuosity, with the accompaniment falling to the violin and viola da gamba. Rameau provided for differing instrumental combinations: the flute can replace the violin and a second violin can replace the viola da gamba. It is possible to compare these works with the violin sonatas of Johann Sebastian Bach,[citation needed] written earlier, around 1720, in which the melodic material is shared equally between the violin and harpsichord and the harpsichord part is obbligato nearly throughout.

They are divided into five concerts of three to four movements with typical French 'character' names, some of which can be enigmatic: a name of a place (Le Vézinet), of character (La timide, L'agaçante) or of persons (La Forqueray, La Marais, La Rameau). The last type of appellation was not used by Jean-Philippe Rameau for his solo harpsichord works.

Premier concert

First Concert in C minor), RCT 7:[a]

  1. La Coulicam
  2. La Livri: Rondeau Gracieux
  3. Le Vézinet

c. 10 mins[b]

Deuxième concert

Second Concert in G major, RCT 8:

  1. La Laborde
  2. La Boucon: Air Gracieux
  3. L'agaçante
  4. Premier menuet, Deuxième menuet

c. 19 minutes

Troisième concert

Third Concert in A major, RCT 9:

  1. La Lapoplinière
  2. La timide: 1er Rondeau, 2e Rondeau
  3. Premier tambourin, Deuxième tambourin en Rondeau

c. 13 minutes

Quatrième concert

Fourth Concert in B flat major, RCT 10:

  1. La pantomime
  2. L'indiscrète: Rondeau
  3. La Rameau

c. 11 minutes

Cinquième concert

Fifth Concert in D minor, RCT 11:

  1. La Forqueray: Fugue
  2. La Cupis
  3. La Marais

c. 13 minutes

Recordings

Notes

  1. ^ RCT numbering refers to Rameau Catalogue Thématique established by Sylvie Bouissou and Denis Herlin.
  2. ^ Lengths are drawn from the Channel recording.