Jump to content

William Hamilton Stepp

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Koridas (talk | contribs) at 23:51, 20 June 2020 (Rv dup sentence). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

William Hamilton Stepp
Image taken by Alan Lomax in 1937
Image taken by Alan Lomax in 1937
Background information
Also known asW.H. Stepp, Bill Stepp
OriginBeattyville, Kentucky
GenresFiddle music
OccupationMusician

William Hamilton "Bill" Stepp (April 11, 1875 – November 13, 1957) was an American old-time fiddle player. In 1937, Stepp recorded for Alan Lomax and the Library of Congress, with his best-known tune being "Bonaparte's Retreat".

Early life

Stepp was born the youngest of three illegitimate children in Beattyville, Kentucky, in April 1875. His father William Taylor Seale was a prominent leader of the county who did not recognize the offspring's existence, while Stepp's mother, Lucinda Stepp, was a half-Native American living in poverty. In 1880, William Stepp's mother and sister were arrested for prostitution.[1][2] After the arrests, Stepp was Adopted by nearby Asa Smyth, as Stepp's family could no longer take care of him. Around the same time, he began practicing the fiddle.[3]

Career

In the 1890s, Stepp relocated to Magoffin County and began performing at dance halls and town get-to-togethers. In addition to his music career, Stepp rafted logs, and often traveled without notice to his family for several weeks to perform and explore the region. Among the areas he regularly visited was Lakesville, where Stepp played for the farmers and sharecroppers who bargained their crops.[4] In the book The Beautiful Music All Around Us: Field Recordings and the American Experience writer Stephen Wade wrote that

More than hundred people -- a sizable gathering for that time -- from throughout the region came to dance to his fiddle. As Bill played from his back porch Congleton's house, the guests 'ran figures' along the wide, flat yard that lay behind the house. For some numbers he joined them himself, standing up to clog while he continued to draw his bow.[5]

In October 1937, Alan Lomax recorded seventeen songs by Stepp for the Library of Congress. On three tracks, he was accompanied by multi-instrumentalist Mae Porter Puckett, who Stepp was associated with through Puckett's marriage to his cousin. Among the compositions, "Bonaparte's Retreat" became Stepp's best-known, with it marked by his low-string playing and strained pronunciation. The recordings were archived under the name W. H. Stepp. Most of Stepp's recordings later appeared on the compilation albums American Fiddler Tunes and The Music of Kentucky, Volume 1.[5]

Personal life

Bill's first wife was Cornelia Moe, who he married in 1896.[3]

Though Stepp continued to perform, he abandoned his family to move to Knox County, Indiana where he died in 1957.[1]

Legacy

References

  1. ^ a b "William Hamilton Stepp". oldtimemusic.com. Retrieved August 13, 2015.
  2. ^ "Stepp Down Hoedown". violinist.com. Retrieved August 13, 2015.
  3. ^ a b Wade, Stephen (2000). "The Route of "Bonaparte's Retreat": From "Fiddler Bill" Stepp to Aaron Copland". American Music. 18 (4): 343–369. doi:10.2307/3052581. ISSN 0734-4392.
  4. ^ "American Fiddler Tunes (CD booklet)". Rounder Records. 2000. {{cite web}}: Missing or empty |url= (help)
  5. ^ a b Wade, Stephen (2015). The Beautiful Music All Around Us: Field Recordings and the American Experience. University of Illinois Press. p. 30.
  6. ^ "National Recording Registry Recognizes "Mack the Knife," Motown and Mahler". Library of Congress. Washington D.C. Retrieved 2020-06-19.{{cite web}}: CS1 maint: url-status (link)