Marc'Antonio Pasqualini

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by PBS-AWB (talk | contribs) at 18:42, 2 July 2020 (→‎top: Remove access-date from GroveOnline because there is no url paramter and possibly some other changes, replaced: – → –). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Marcantonio Pasqualini Crowned by Apollo (1641) by Andrea Sacchi.

Marco Antonio Pasqualini (stage name Malagigi;[1] 25 April 1614 – 2 July 1691) was an Italian castrato opera singer who performed during the Baroque period. He has been described as "the leading male soprano of his day".[2] Pasqualini joined the choir of the Sistine Chapel in 1630. He was also a composer, having written more than 250 arias and cantatas.

Despite being historically addressed as a soprano, Pasqualini's vocal range extended no higher than B5. Thus, he was a mezzo-soprano by modern classification.[3][4]

Patrons

From 1631/2 Pasqualini was a protagonist of many operas produced at the Palazzo Barberini and Teatro delle Quattro Fontane. He benefited greatly from the generosity of his patrons, the Barberini family of Pope Urban VIII, who were enthusiastic supporters of early opera.

Pasqualini is thought to have conducted an ongoing homosexual relationship with one of his patrons, Cardinal Antonio Barberini. Contemporary testimony leaves little doubt that the "veritable passion" the cardinal felt extended to more than Pasqualini's beautiful voice.[5][6]

References

  1. ^ Murata, Margaret (2001). "Pasqualini, Marc'Antonio". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan Publishers. ISBN 978-1-56159-239-5.
  2. ^ Metropolitan Museum - Marcantoni Pasqualini crowned by Apollo
  3. ^ https://www.youtube.com/watch?v=emt7PdL3r_Q Max Emanuel Cencic
  4. ^ [1][permanent dead link]Il Sant'Alessio (1631) by Stefano Landi
  5. ^ Freitas, Roger, The Eroticism of Emasculation: Confronting the Baroque Body of the Castrato, The Journal of Musicology, Vol. 20, No. 2 (Spring, 2003), pp. 196-249.
  6. ^ https://www.youtube.com/watch?v=emt7PdL3r_Q Max Emanuel Cencic