Dactyl (poetry)
| Disyllables | |
|---|---|
| ◡ ◡ | pyrrhic, dibrach |
| ◡ – | iamb |
| – ◡ | trochee, choree |
| – – | spondee |
| Trisyllables | |
| ◡ ◡ ◡ | tribrach |
| – ◡ ◡ | dactyl |
| ◡ – ◡ | amphibrach |
| ◡ ◡ – | anapaest, antidactylus |
| ◡ – – | bacchius |
| – ◡ – | cretic, amphimacer |
| – – ◡ | antibacchius |
| – – – | molossus |
| See main article for tetrasyllables. | |
A dactyl (/ˈdæktɪl/; Greek: δάκτυλος, dáktylos, “finger”) is a foot in poetic meter. In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight. In accentual verse, often used in English, it is a stressed syllable followed by two unstressed syllables—the opposite is the anapaest (two unstressed followed by a stressed syllable).
An example of dactylic meter is the first line of Henry Wadsworth Longfellow's poem Evangeline, which is in dactylic hexameter:
- This is the / forest prim- / eval. The / murmuring / pines and the / hemlocks,
The first five feet of the line are dactyls; the sixth a trochee.
Stephen Fry quotes Robert Browning's The Lost Leader as an example of the use of dactylic metre to great effect, creating verse with "great rhythmic dash and drive":[1]
- Just for a handful of silver he left us
- Just for a riband to stick in his coat
The first three feet in both lines are dactyls.
Another example: the opening lines of Whitman's "Out of the Cradle Endlessly Rocking" (1859), his poem about the birth of his poetic voice:
- Out of the cradle, endlessly rocking [a dactyl, followed by a trochee ('cradle'); then another dactyl followed by a trochee ('rocking')]
- Out of the mockingbird's throat, the musical shuttle [2 dactyls, then a trochee ('throat, the'); then another dactyl, followed by a trochee]
- . . .
The dactyl "out of the..." becomes a pulse that rides through the entire poem, often generating the beginning of each new line, even though the poem as a whole, as is typical for Whitman, is extremely varied and "free" in its use of metrical feet.
Dactyls are the metrical foot of Greek and Latin elegiac poetry, which followed a line of dactylic hexameter with dactylic pentameter.
In Joyce's Ulysses opening chapter Buck Mulligan quips that his own name is a dactyl. Mull-i-gan.
See also
References
- ^ Stephen Fry (2006), The ode less travelled: unlocking the poet within, Gotham, p. 84, ISBN 978-1-59240-248-9