Ramkrishnabuwa Vaze
Ramkrishna Vaze | |
|---|---|
| Born | 28 November 1871 |
| Origin | Village Vazare, Sindhudurg District, Bombay Presidency |
| Died | 5 May 1945 (aged 73) |
| Genres | Hindustani classical music, Natyageet, Bhajan, Thumri |
| Occupation(s) | Singer, Actor |
| Years active | 1890-1945 |
| Labels | HMV, Columbia |
Ramkrishnabuwa Vaze, also known as Vazebuwa, (November 28, 1871 - May 5, 1945) was a Hindustani Classical musician of the Gwalior tradition known for his impact on popularizing classical music and its impression on Natyageet in the early-half of the 20th Century.
Background
Born in Vazare, Maharashtra in 1871, Vaze lost his father at an early age and was brought up by his mother. He studied briefly in school. With an interest in music surpassing academics, Vaze's mother helped him take lessons in music from several teachers, spending several years moving around.[1] He learned from musicians like Balwantrai Pohre and Vitthoba Hadap of Malwan.[2] After being married and taking up household duties, Vaze set out to pursue music.
Music career
Training
With Gwalior regarded as the home of khayal music at the time, many traveled there to learn music.[3] After traveling to Pune, Bombay, Indore Ujjain, and Benaras, Vaze met Bade Nissar Hussain Khan, the son of Natthe Khan, and became his disciple. Though experiencing suffering and hardship, Vaze remained focused on music, and accumulated a repertoire of rare compositions from his guru.
Court Musician
He was honored as a court musician of Nepal.[4]
Popularity
Recordings
Recording and releasing several 78 rpm records in 1933, Vaze's fame grew nationally and particularly in Maharashtra.[5]
Natya Sangeet
Between 1920 and 1931, Vaze was engaged as composer by the Lalitkaladarsh Sangeet Natak Mandali and the Balwant Sangeet Mandali. Reputed actor-singers trained under him during this period, like Dinanath Mangeshkar. Vaze was respected for bringing "serious music" and rare compositions to the masses and has been attributed with cultivating a popular audience for classical music.[6]
Musical style
Historians note how Vaze excelled at layakari, clear and forceful taans, and powerful gamaks. His style became so iconic that B. R. Deodhar referred to his style as "Vaze gayaki."[7] He was responsible for bringing many little known ragas to light and as a composer, his specialty was bandishes in fast tempo. He specialized in rare raags like Gaud Kalyan, Gaudgiri, and Nat Bilawal.
Legacy
Vaze is known as one of the most famous exponents of the Gwalior gharana and a genius composer.[8] He published books and articles on classical music, rare for artists of that time.[9]
Vaze taught many disciples, several of whom have left indelible marks on the course of Indian music, including Shivrambuwa Vaze (his son), Keshavrao Bhosle, Bapurao Pendharkar, Dinanath Mangeshkar, Gururao Deshpande, Vinayakrao Patwardhan and others.
Swami Vivekananda and Vaze were admirers of one another and the former and blessed the latter.[10][11]
Personal life
Vaze was regarded by peers and students as an eccentric.[12] He lived in Pune. He died May 5, 1945.
Discography
| Album | Year | Type |
|---|---|---|
| Tilak Kamod, Miyan Malhar Bhairav Bahar, Jaunpuri Nat Bihag, Marwa Barwa, Bhajan Khambavati, Tilang Thumri Bhatiyar, Gara Bageshri[13] |
1932 | 78pm |
| Todi, Shataraga (Khat) Brindavani Sarang, Khamaj Bhatiyar, Kafi Kanada |
1939 | LP |
Bibliography
- Sangeet Kala Prakash (1938, two volumes)
References
- ^ https://img.discogs.com/mYaVpWvpS2-AmMroMOKfm9gOhlg=/fit-in/600x547/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-12808975-1542524101-9073.jpeg.jpg
- ^ Jani, Kalpesh. Sangeet Aarohee - An Essential Study of Hindustani Classical Music.
- ^ https://www.itcsra.org/TributeMaestro.aspx?Tributeid=16
- ^ http://www.mohannadkarni.org/veteran-musician-of-maharashtra-vazebuwa/
- ^ https://aneeshpradhan.com/celebrating-the-eclecticism-of-hindustani-maestro-ramkrishna-vaze/
- ^ Bakhle, Janaki (2005). Two Men and Music: Nationalism in the Making of an Indian Classical Tradition.
- ^ https://www.academia.edu/7501968/Perspectives_on_performance_practice_Hindustani_music_in_nineteenth_and_twentieth_century_Bombay_Mumbai
- ^ http://www.samarthnagarkar.com/samarth-nagarkars-blog/2017/10/1/the-gwalior-gharana
- ^ https://www.warrensenders.com/journal/tag/ramakrishnabua-vaze/
- ^ https://punemirror.indiatimes.com/entertainment/unwind/monk-with-soul/articleshow/31487009.cms
- ^ http://www.kamat.com/umbrella/vivek_music.htm
- ^ Deodhar, B. R. Pillars of Hindustani Music. pp. 128–130.
- ^ https://courses.nus.edu.sg/course/ellpatke/Miscellany/vazebua.htm
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